SURE

A

Attwood, Feona and Smith, Clarissa (2014) Porn Studies: an introduction. Porn Studies, 1 (1-2). pp. 1-6. ISSN 2326-8743

C

Cope, Nicholas (2011) Contextualising Electroacoustic Movies. In: Seeing Sound 2; practice led international research symposium, 29-30 Oct 2011, Bath Spa University. (Unpublished)

Cope, Nicholas (2009) Ganden Prayer Flags. [Artefact]

Cope, Nicholas (2009) View From The Pass. [Artefact]

Cope, Nicholas (2008) Whispering in the Leaves. [Film/Video] (Unpublished)

Cope, Nicholas and Howle, Tim Son et Lumières. Seeing Sound 2; practice led international research symposium, 29-30 Oct 2011, Bath Spa University.

Cope, Nicholas and Wood, Eve The Beat is The Law - Fanfare for the Common People. [Artefact]

D

Drainville, Elaine (2008) 'Collected Stories from Palestine'. In: Sounding Out 3, 7-9 Sep 2006, University of Sunderland.

Drainville, Elaine (2007) Invited presentation and screening of 'Kite'. In: Sound design and visual storytelling, May 2007, Chongqing Meishi Film Academy, China.

Drainville, Elaine King of South Shields. Last of the Dictionary of Men, 2 Apr - 5 May, The Baltic, Gateshead.

Drainville, Elaine (2008) Launch of WIKI: Ali in Wonderland. In: Launch of WIKI: Ali in Wonderland, 2008, The Sage, Gateshead.

Drainville, Elaine (2008) The Pursuit of Happiness. [Film/Video]

Drainville, Elaine (2008) Seacoal. [Film/Video]

Drainville, Elaine and Gharavi, Tina (2008) 'WIKI: Ali's Adventures in a digital Wonderland'. In: Centre for Research in Media and Cultural Studies Research Seminar, 13 Oct 2008, University of Sunderland.

G

Glean, Nicholas (2024) Meet the Future of Laundry with Mikki WASH. [Film/Video]

Glean, Nicholas (2014) The Riveter. [Film/Video]

Green, John Paul (2011) Frightening Children: Doctor Who and the Monstrous Child. In: Child Actors/Child Stars: Juvenile Performance on Screen, 8-9 Sep 2011, David Puttnam Media Centre. (Unpublished)

Green, John Paul (2007) From Bringland With Love: National Identity and James Bond. In: Das kleine Bond Buch: From Cultural Studies With Love. Schuren Press, Germany, pp. 27-41. ISBN 978-3-89472-499-3

Green, John Paul (2006) From England, Scotland, Wales, Ireland and Australia With Love: Issues of national identity and heroism in the James Bond movie franchise. In: Warten Auf Bond, 26-27 Oct 2006, Bochum and Dortmund Universities, Germany. (Unpublished)

Green, John Paul (2005) James Bond - An International Hero? In: Media Transformations in a Changing World, 17-20 Nov 2005, School of Journalism and Communication, Wuhan University, China. (Unpublished)

Green, John Paul (2005) Recycling James Bond: Structure and Agency in the Making and Remaking of the British Hero. In: 11th Culture and Power Conference, 21-23 Sept 2005, University of Barcelona, Spain. (Unpublished)

Green, John Paul (2008) You Know My Name, But Who Am I? Structure and Agency in the Making and Remaking of James Bond. In: Recycling Culture/s. John-Paul Green . Cambridge Scholars Press, Newcastle, pp. 93-102. ISBN 1-84718-429-4

Green, John Paul and Crisell, Andrew (2008) Bond, Radio Bond. In: Sounding Out 4, 4-6 Sept 2008, University of Sunderland, UK. (Unpublished)

Green, John-Paul (2009) Contributor to BBC Inside Out - Payroll (1961) feature film. British Broadcasting Corporation, BBC One.

Green, John-Paul (2009) Payroll - Revisiting a British Classic. In: Tyneside Cinema Public Screening of Payroll (1961), 12 Mar 2009, Tyneside Cinema, Newcastle.

Gregson, Daniel (2020) Drawn to Story. Education Sciences, 10 (71). ISSN 2227-7102

H

Hani, Melanie (2012) Film/Art Work: Gender Renaissance: Analysing the impact of animation, the production process and film (Good Hearts Model 2011) in tackling issues surrounding and relating to having a parent who is transgender. [Film/Video] (Unpublished)

Hani, Melanie J (2012) 'Circles' A video: Protecting and safeguarding children through the use of the The Good Heart Model in the treatment of reducing reoffence of high risk sex offenders. [Film/Video] (Submitted)

Hani, Melanie J (2012) HEART (Healing Education Animation Research Therapy); Increasing resilience in children who have a parent in prison through the use of the Good Heart Model. HEART (Healing Education Animation Research Therapy), , Sunderland Minster.

Hani, Melanie J (2012) Increasing resilience in children who have a parent in prison through the use of the Good Heart Model. In: Children with a Parent in Prison Conference; Impact, Issues, Practice and Policy, 2nd April 2012, The Sherwell Centre,
Plymouth University. (Unpublished)

J

Jacey, Helen (2014) And the Screenwriter Created Man: Male Characterisation in Bromance and Bromedy. In: Screenwriters and Screenwriting: Putting Practice into Context. Palgrave MacMillan, pp. 238-255. ISBN ISBN: 9781349464241

Jacey, Helen (2015) Ida Lupino’s Way Out of Hell. In: Women Screenwriters: An International Guide. Palgrave Macmillan, Basingstoke, pp. 808-817. ISBN 9781137312365

Jacey, Helen (2010) The hero and heroine's journey and the writing of Loy. Journal of Screenwriting, 1 (2). pp. 309-323. ISSN 1759-7137

Jacey, Helen and Batty, C. (2014) Writing and Selling the Romantic Comedy Screenplay. Creative Essentials . Kamera Books, Harpenden. ISBN 9781843441106

James, Ben Evans (2024) A Mapping of the Screen: Mapping as Bridge between Film and Exhibition-Making Processes. Doctoral thesis, The University of Sunderland.

K

Knight, Julia (2012) Archiving, Distribution, and Experimental Moving Image Histories. The Moving Image, 12 (1). pp. 65-86. ISSN 1532-3978

Knight, Julia (2015) Cinema of Women: The Work of a Feminist Distribution Company. In: Doing Women's Film History: Reframing Cinemas, Past and Present. University of Illinois Press, Illinois. ISBN 9780252039683

Knight, Julia (2012) Creating Online Archives: Some Issues. In: Researching Film and Television Through the Archive, 9 Nov 2012, University of Warwick. (Unpublished)

Knight, Julia (2014) Developing Strategies for Future Sustainability: the case of the Film & Video Distribution Database. In: Digital Echoes 2014, 8 Jan 2014, Coventry University. (Unpublished)

Knight, Julia (2011) Distribution Practices in the Digital Era. In: Screen Studies, 1-3 Jul 2011, University of Glasgow. (Unpublished)

Knight, Julia (2010) Distribution, Diversity and Digitalisation. In: Besides the Screen, 20-21 Nov 2010, Goldsmiths, University of London. (Unpublished)

Knight, Julia (2012) From analogue to digital distribution: A shifting landscape. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 215-218. ISSN 2045-6298

Knight, Julia (2012) German Identity, Myth and Documentary Film. In: A Companion to German Cinema. Wiley-Blackwell, pp. 82-109. ISBN 9781405194365

Knight, Julia (2016) High Hopes for Video: The UK Independent Film and Video Sector's Engagement with the Videocassette. Post Script, 35 (3). p. 52. ISSN 0277-9897

Knight, Julia (2012) How Visible will our History Be? In: Beyond the Digital/Cultural Divide: Invisibility and New Media (CATaC), 18-20 Jun 2012, Aarhus, Denmark.

Knight, Julia (2013) The Impact of Feminism on the Running of Women's Moving Image Organisations in the UK during the 1980s and 1990s. In: Gender in Focus: (New) Trends in Media, 20-21 Jun 2013, University of Minho, Braga, Portugal. (Unpublished)

Knight, Julia (2012) Moving Image Resources on the Internet: Some Issues. In: ECREA, 24-27 Oct 2012, Istanbul. (Unpublished)

Knight, Julia (2013) Organisational strategies of women's moving image organisations in the UK during the 1980s and 1990s. In: IAMCR, 25-29 Jun 2013, Dublin. (Unpublished)

Knight, Julia (2012) Preserving Moving Image History. In: Association of Critical Heritage Studies conference, 5-8 Jun 2012, Gothenburg, Sweden. (Unpublished)

Knight, Julia (2012) The Selective Nature of Mass Availability Online. In: MeCCSA conference, 11-13 Jan 2012, University of Bedfordshire, Luton. (Unpublished)

Knight, Julia and Gledhill, Christine (2015) Doing Women's Film History: Reframing Cinemas, Past and Present. University of Illinois Press, Illinois. ISBN 0252081188

Knight, Julia and Thomas, Peter (2008) Distribution and the Question of Diversity: A Case Study of Cinenova. Screen, 49 (3). pp. 354-365. ISSN 0036-9543

Knight, Julia and Thomas, Peter (2011) Film & Video Distribution Database (FVDD). University of Sunderland.

Knight, Julia and Thomas, Peter (2011) Reaching Audiences: Distribution and Promotion of Alternative Moving Image. Intellect. ISBN 9781841501574

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Larke-Walsh, George S. (2017) The Armchair Juror: audience engagement in true crime injustice narratives. In: Film Philosophy Annual Conference, July 4-6 2017, University of Lancaster, UK.

Larke-Walsh, George S. (2018) A Companion to the Gangster Film. Wiley-Blackwell, Hoboken, New Jersey, USA. ISBN 9781119041665

Larke-Walsh, George S. (2017) Compassion in Kim Longinotto's Documentary Practice. Feminist Media Studies, 19 (1). pp. 147-160. ISSN 1468-0777

Larke-Walsh, George S. (2016) The Cultural Value of Transnational Remakes: a discussion of Sarkar (2005, Ram Gopal Varma). In: London Film and Media Conference, July 7-9, London, UK.

Larke-Walsh, George S. (2022) "Don't Let Netflix Tell You What To Think!": Debates on Getting to Know the Accused/Convicted in 'Making a Murderer' and other Injustice Narratives. In: Critiquing Violent Crime in the Media. Palgrave Macmillan, London, pp. 53-76. ISBN 978-3-030-83758-7

Larke-Walsh, George S. (2015) Ethics in the Essay Film. In: University Film and Video Association Annual Conference, Aug 4-8, 2015, American University, Washington DC, USA.

Larke-Walsh, George S. (2022) The Ethics of Bearing Witness: subject empowerment versus true crime intrigue in Kim Longinotto’s Shooting the Mafia (2019). Ethical Space: The International Journal of Communication Ethics, 19 (3/4). pp. 21-27. ISSN 1742-0105

Larke-Walsh, George S. (2012) The Family Curse: Mafia Identity as Inheritance in Abel Ferrara's The Funeral. Journal of Popular Film and Television, 40 (2). pp. 75-82. ISSN 0195-6051

Larke-Walsh, George S. (2018) “The Godfather Legacy”: Homage and Allusion in Transnational Cinema”. In: A Companion to the Gangster Film. Wiley-Blackwell, Malden, MA, USA, pp. 446-462. ISBN 9781119041740

Larke-Walsh, George S. (2019) Injustice Narratives in a Post-Truth Society. In: Visible Evidence Annual Conference, July 24-28 2019, Los Angeles, USA.

Larke-Walsh, George S. (2020) Injustice Narratives in a Post-Truth Society: Emotional Discourses and Social Purpose in "Southwest of Salem: The Story of the San Antonio Four". Studies in Documentary Film. ISSN 1750-3280

Larke-Walsh, George S. (2018) Introduction. In: A Companion to the Gangster Film. Wiley-Blackwell, Malden, MA, USA, pp. 1-20. ISBN 9781119041757

Larke-Walsh, George S. (2016) The King’s Shilling: Post WWI Masculinity in Peaky Blinders. In: Film and History Annual Conference, Oct 26-30, Milkwaukee, WI, USA.

Larke-Walsh, George S. (2018) “The Part of Me that Dreams is Gypsy”: Rural Space, Place and Performance in Peaky Blinders (BBC, 2013-Present). In: Literature Film Association Annual Conference, Nov 29 - Dec 1, 2018, New Orleans, LA, USA.

Larke-Walsh, George S. (2012) “Point Your Finger and Say, ‘That’s the Bad Guy’”: Performativity in Donal MacIntyre’s A Very British Gangster (2007). Journal of Film and Video, 64 (3). pp. 53-66. ISSN 0742-4671

Larke-Walsh, George S. (2020) The Rise of the satellite character: Boardwalk Empire’s Nelson Van Alden. In: SCMS (Society for Cinema and Media Studies) Annual Conference, March 17-21 2021, Online.

Larke-Walsh, George S. (2010) Screening the Mafia: Masculinity, Ethnicity and Mobsters from The Godfather to The Sopranos. McFarland, Jefferson, NC, USA. ISBN 9780786443116

Larke-Walsh, George S. (2019) Transnational adaptation of a classic: The Godfather Trilogy. In: Literature Film Association Annual Conference, September 12-14, Portland, Oregon, USA.

Larke-Walsh, George S. (2023) True Crime in American Media. Routledge Research in Cultural and Media Studies . Routledge, London. ISBN 9781032123479

Larke-Walsh, George S. and Kelly, Jana (2010) The ‘Problem’ of Brandon Teena: Ethics in the story Documentary. Journal of Information Ethics, 19 (2). pp. 33-51. ISSN 1477-996X

Larke-Walsh, George S. and Leeder, Murray (2021) Introduction to Teaching Dossier: Online Teaching. Journal of Cinema and Media Studies (Summer). ISSN 0009-7101

Larke-Walsh, George S. and Leeder, Murray (2021) Journal of Cinema and Media Studies. Special Editor to an edition of the Teaching Dossier focused on online teaching. University of Michigan Press, Ann Arbor, Michigan.

Larke-Walsh, George S. and Oliver, Stephanie (2019) A Woman's Place in This Thing of Ours: Why there are no women bosses in American gangster films. Senses of Cinema, 91. ISSN 1443-4059

O

O'Hara, Suzy (2023) SeaScapes CoLab, a creative engagement programme, part of SeaScapes: Tyne to Tees shores and seas (2021 - 2024). Project Report. UNSPECIFIED.

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Sawtell, Louise, Taylor, Staci and Jacey, Helen (2017) An Interview with Helen Jacey. Networking Knowledge: Journal of the MeCCSA Postgraduate Network,, 10 (2). pp. 14-18. ISSN 1755-9944

Shingler, Martin (2014) Big in the Twenties: The Forgotten Stars of Warner Bros. In: Celebrity Studies Conference, 19-21 Jun 2014, Royal Holloway University, London. (Unpublished)

Shingler, Martin (2016) Diana Dors in the 1970s: Surviving the Cultural Devaluation of the Sex Symbol. In: Film & Media 2016: Questions of Cultural Value, 7-9 Jul 2016, Friends' House Conference Centre, London. (Unpublished)

Shingler, Martin (2016) Diana Dors: Glamorously Real. In: 3rd International Celebrity Studies Conference: Authenticating Celebrity, 28-30 Jun 2016, University of Amsterdam, Amsterdam, Netherlands. (Unpublished)

Shingler, Martin (2016) Insubstantial?: John Barrymore in Beau Brummel (1924). In: Surface and Substance: Researching Male Stardom, 28-29 May 2016, St. Andrews University, St. Andrews, Scotland. (Unpublished)

Shingler, Martin (2018) When Warners Brought Broadway to Hollywood, 1923-1939. Screen Industries and Performance . Palsgrave, London, UK. ISBN 9781137406576

Shingler, Martin (2017) The star system in Europe. Cinema Comparat/ive Cinema, 10. pp. 9-16. ISSN 2014-8933

Shingler, Martin and Raeburn, Anna (2013) Joan Crawford and Star Acting in Mildred Pierce. Screen, 53 (4). pp. 388-396. ISSN 0036-9543

Smith, Clarissa (2016) Breathing New Life into Old Fears: Extreme Pornogrpahy and the Wider Politics of Snuff. In: Snuff Real Death and Screen Media. Bloomsbury, pp. 81-104. ISBN 9781628921144

Smith, Clarissa (2014) ‘It’s Important You Don’t Smell a Suit On This Stuff’: Aesthetics and Politics in Alt Porn. In: Porn After Porn. Mimesis, Udine Italy, pp. 57-81. ISBN 9788857523590

Smith, Clarissa (2016) Sleazy Strip-Joints and Perverse Porn Circuses: The Remediation of Grindhouse Aesthetics in the porn productions of Jack the Zipper. In: Grindhouse: Transcultural Exchange on 42nd Street and Beyond. Bloomsbury, London, pp. 217-235. ISBN 9781628927450

Smith, Clarissa and Attwood, Feona (2014) Anti/pro/critical porn studies. Porn Studies, 1 (1-2). pp. 7-23. ISSN 2326-8743

Smith, Clarissa, Werndly, Angela and Richardson, Niall (2013) Studying Sexualities: Theories, Representations, Cultures. Palgrave MacMillan, London. ISBN 9780230220423

Smith, Susan (2011) The Animated Film Musical. In: The Oxford Handbook of the American Musical. Oxford Handbooks in Music . Oxford University Press, New York, pp. 167-178. ISBN 9780195385946

Smith, Susan (2019) Brigadoon and its transition to M-G-M musical: adapting a stage show for star dancers. In: The Oxford Handbook of Musical Theatre Adaptations. Oxford. ISBN 9780190469993

Smith, Susan (2012) Elizabeth Taylor. Film Stars . Palgrave Macmillan. ISBN 9781844574865

Smith, Susan (2012) Elizabeth Taylor Film Stars book. Film Stars . British Film Institute/ Palgrave, London. ISBN 9780230574632

Smith, Susan (2012) "Get off your asses for these old broads!": Elizabeth Taylor, Television and the Comeback Movie. Celebrity Studies, 3 (1). pp. 25-36. ISSN 1939-2397 (print); 1939-2400 (online)

Smith, Susan (2010) Opening up The Secret Garden (Agnieszka Holland, 1993). In: Film Moments: Criticism, History, Theory. British Film Institute/ Palgrave Macmillan, London, pp. 49-52. ISBN 9781844573356

Stubbs, Gary (2023) David Attenborough welcomes University and BAFTA partnership. University of Sunderland.

Stubbs, Gary (2024) Education Partnership BAFTA Albert Spotlight: Lead Me Here Showcases the Sustainable Learnings of albert Grads from Sunderland University. Education Partnership Spotlight: Lead Me Here Showcases the Sustainable Learnings of albert Grads from Sunderland University.

Stubbs, Gary (2024) ScreenSkills Select/RTS Scotland/AD Guild Assistant Directing Webinar. In: ScreenSkills Select/RTS Scotland/AD Guild Industry Insight Assistant Directing Webinar, 12 Nov 2024, Online. (Unpublished)

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Ward, Daniel (2019) ‘Know Your Role’: Dwayne Johnson & the Performance of Contemporary Stardom. Celebrity Studies, 10. pp. 479-488. ISSN 1939-2397