What are you looking for today?

Livingstone, Andrew Menagerie. 15 Dec 2024 - 31 May 2025, National Glass Centre, Sunderland.

Text

  • [thumbnail of index.html]
    index.html

Image

  • [thumbnail of Dogs Dinner - artwork Ceramic and mirror]
    Dogs Dinner - artwork Ceramic and mirror
    Dogs Dinner 1.jpg
  • [thumbnail of Dogs Dinner - artwork Ceramic and Mirror]
    Dogs Dinner - artwork Ceramic and Mirror
    Dogs Dinner 2.jpg
  • [thumbnail of Does my bum look big in this? - artwork ceramic and textile]
    Does my bum look big in this? - artwork ceramic and textile
    DMBLBIT 1.jpg
  • [thumbnail of Does my bum look big in this? - artwork ceramic and textile]
    Does my bum look big in this? - artwork ceramic and textile
    DMBLBIT 2.jpg
  • [thumbnail of Does my bum look big in this? - artwork ceramic and textile]
    Does my bum look big in this? - artwork ceramic and textile
    DMBLBIT 3.jpg

Abstract

Abstract

Dogs Dinner

Dogs Dinner is an artwork that references the human consumption of dog meat globally where currently there are 21 known countries. The artwork consists of a readymade antique ceramic meat platter circa 1870 and readymade dog figurine. Ready-mades have been employed within the work to invoke familiar reference, for example a functional meat plater and ceramic ornament. In addition, the readymade has been utilised as part of a sustainable working practice that is employed by the artist. Within the artwork the platter meat juice channels have been rendered blood red and the countries referenced as backstamps which are to be traditionally found on functional ceramics but absent from view. Mirror is purposefully used as a method of exposure and one also of reflection. Whilst reading the backstamps through the mirror the viewer is also caught in the act of reflection.

Does my bum look big in this?

Does my bum look big in this? consists of a life-size readymade ceramic ornament of a Yorkshire Terrier dog wearing a hand-knitted coat emblazoned with the slogan ‘Does my bum look dig in this?’. The readymade has been utilised as part of a sustainable working practice that is employed by the artist. The life-size ornament presents a familiar reference point in which to engage the viewer in a sense of reality enhanced by the actuality of the knitted functional garment. This artwork is a socio-political commentary on the commodification of animals in contemporary society and speaks to emerging debates around interspecies communication and the formal recognition of animals as sentient beings by several countries. The use of textual humour is crucial to the conceptual underpinning of the work and proffers craft material as political through subversive familiar presentation.

Item Type: Show/Exhibition
Depositing User: Andrew Livingstone
URI: https://sure.sunderland.ac.uk/id/eprint/18979

Further Details

More Information

Depositing User

Identifiers

Item ID
18979

Users with ORCIDS

ORCID for Andrew Livingstone

Catalogue record

Date Deposited
15 Apr 2025 09:21
Last Modified
23 May 2025 12:18

Actions (login required)

View Item (Repository Staff Only)

Downloads per month over past year