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Sunderland Repository records the research produced by the University of Sunderland including practice-based research and theses.

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Number of items: 78.

Article

Graham, Beryl (2013) Interview with Beryl Graham by Crystal Sanchez and James Smith. Report on the Status and Need for Technical Standards in the Care of Time-Based Media and Digital Art..

Graham, Beryl (2013) Exhibition Histories and New Media Behaviours. Graham, Beryl (2013) “Exhibition Histories and New Media Behaviours.” Journal of Curatorial Studies, 2 (2 (summer)). ., 2 (2). pp. 242-262. ISSN 2045-5836

Graham, Beryl (2012) Self-Institutionalisation: Who, in what kind of system? On-Curating. Institution as Medium. Curating as Institutional Critique? Part II (13). pp. 8-10. ISSN 0803-0391

Graham, Beryl and Cook, Sarah (2009) New Media and Digital Art Overview. China-UK: Connections Through Culture. Arts Overview. British Council.

Graham, Beryl and Gfader, Verina (2008) Curator as editor, translator or god? Edited CRUMB discussion list theme. Vagueterrain (11).

Book Section

Graham, Beryl (2021) Sentient Systems: Exhibiting Interaction, Participation or Collaboration? In: Surrey Art Gallery: TechLab 20th Anniversary [TBC]. Surrey Art Gallery, Surrey, Vancouver, Canada. (Submitted)

Graham, Beryl (2021) The Cheapness of Writing Paper, and Code: Materiality, Exhibiting and Audiences after New Media Art. In: Object—Event—Performance: Art, Materiality, and Continuity since the 1960s. Cultural Histories of the Material World . Bard Graduate Center, New York, pp. 235-258. ISBN 9781941792223

Graham, Beryl (2019) Foreword: Rethinking Art Hacks for the Future. In: Art Hack Practice: Sites for Artistic Co-Production. Routledge, New York, xviii-xix. ISBN 9780815374916

Graham, Beryl (2019) New Materialities and New Collecting: Future Exhibiting and Audiences After New Media Art. In: What do Museums Collect? National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea, pp. 191-206. ISBN 9788963032252

Graham, Beryl (2016) Exhibition Histories and Futures: The Importance of Participation and Audiences. In: A Companion to Digital Art. Blackwell Companions to Art History . Wiley-Blackwell, New York, pp. 575-596. ISBN 9781118475201

Graham, Beryl (2016) Collecting New Media Art: The importance of audiences and exhibiting. In: Post-Screen: Intermittence + Interference. Edicoes Universitarias Lusofonas, Lisbon, pp. 20-27. ISBN 9789898771568

Graham, Beryl (2016) Ken Goldberg. In: Grove Dictionary of Art Online. Oxford University Press, New York. ISBN 9780195170689

Graham, Beryl (2015) Open and closed systems: new media art in museums and galleries. In: Museum Media. The International Handbooks of Museum Studies, 4 Volume Set, V3 . Wiley-Blackwell, Hoboken and Oxford, pp. 499-472. ISBN 9781118829059

Graham, Beryl (2015) Right Where, Right When? In: Right Here, Right Now. Salford: The Lowry, pp. 39-46.

Graham, Beryl (2014) Modes of Collection. In: New Collecting: Exhibiting and Audiences after New Media Art. Ashgate, London. ISBN 9781472406439

Graham, Beryl (2014) Histories of Interaction and Participation: Critical Systems from New Media Art. In: Performativity in the Gallery: Staging Interactive Encounters. Peter Lang, Oxford, pp. 65-83. ISBN 978-3-0343-0966-0

Graham, Beryl (2011) Museums, New Media Art, Documentation and Collection. In: EVA London 2011: Electronic Visualisation and the Arts. BCS, London, pp. 109-110. ISBN 9781906124885

Graham, Beryl (2011) Amplification: Rafael Lozano-Hemmer. In: Singapore Bienniale 2011 Catalogue. Singapore Art Museum, Singapore, pp. 244-245. ISBN 978-981-08-8050-7

Graham, Beryl (2010) Delicate Controls. In: Recorders: Rafael Lozano Hemmer. Manchester Art Gallery, pp. 15-19. ISBN 978-0-901673-78-7

Graham, Beryl (2010) Tools, Methods, Practice, Process … and Curation. In: Art Practice in a Digital Culture. Digital Research in the Arts and Humanities . Ashgate, Aldershot, pp. 165-174. ISBN 978-0-7546-7623-2

Graham, Beryl (2010) What kind of participative system? Critical vocabularies from new media art. In: The 'Do-it-Yourself' Artwork: Participation from Fluxus to New Media. Rethinking Art's Histories . Manchester University Press, Manchester, pp. 281-305. ISBN 978 07190 8144 6

Graham, Beryl (2010) Fabulous un-live post-hype behaviours. In: The future isn't what it used to be. Postmasters and Centrum Sztuki, pp. 31-34.

Graham, Beryl (2009) The ironic heirs to serendipity: British new media art 1980s to now. In: White Heat and Cold Logic: British computer arts 1960-1980. MIT Press, Cambridge, Mass., pp. 401-420. ISBN 9780262026536

Graham, Beryl (2008) Serious Games - case study. In: New Media in the White Cube and Beyond: Curatorial Models for Digital Art. University of California Press, Los Angeles, pp. 191-206. ISBN 0520255976

Graham, Beryl (2007) Redefining digital art: Disrupting borders. In: Theorizing digital cultural heritage: A critical discourse. MIT Press, pp. 93-112. ISBN 0262033534

Cook, Sarah and Graham, Beryl (2004) Curating new media art: Models and challenges. In: New media art: Practice and context in the UK 1994-2004. Arts Council of England, pp. 84-91. ISBN 0948797886

Graham, Beryl (2004) A dialogue with an idiot? Some interactive computer-based art. In: Bakhtinian Perspectives on Language and Culture: Meaning in Language, Art and New Media. Palgrave Macmillan, pp. 217-232. ISBN 140391690X

Monograph

Graham, Beryl (2016) Art Institutions of the 21st Century. Project Report. Montabonel Foundation, London.

Conference or Workshop Item

Graham, Beryl (2021) What is the shape of a PhD research process? In: Research Student Training Seminars, 28 January 2021, Glasgow, Graduate School of the College of Arts, University of Glasgow.

Graham, Beryl (2020) Curating Art after New Media - Professional Development Course. In: Curating Art after New Media – Professional Development Course, Feb 2014 to Feb 2020 and ongoing, London, UK.

Graham, Beryl (2019) Promises and Realities of Digital Technologies. In: Credit — a discussion about monetisation and value in the art world, 30 November 2019, London, UK (Central St. Martins).

Graham, Beryl (2019) Curating and Collecting Interaction. In: Sentient Circuitries: Digital Media Art Symposium, 16 Nov 2019, Vancouver, Canada.

Graham, Beryl (2019) CRUMB Radio Hour. In: Unfinished List radio streams, a project by ShuLea Chang for Ars Electronica, 8 September 2019, Online, hosted from Austria.

Graham, Beryl (2019) An Aesthetics of Interaction and Participation? New Media Art, and Histories of Exhibitions. In: The Age of Art. Aesthetics and grammar of contemporary artistic languages, 16 Nov 2019, Italy, Florence, University of Florence.

Graham, Beryl (2019) Histories of Interactive New Media Art Exhibitions. In: Art Y Nuevos Medios: Reflectiones, Practicas, Desafios, Conference of Departamento de Historia y Teoría del Arte, 26 April 2019, Spain, Madrid, Universidad Autónoma de Madrid.

Graham, Beryl (2018) New Materialities and New Collecting: Future Exhibiting and Audiences After New Media Art (conference presentation). In: International Symposium: What do Museums Collect?, 29 Nov-1 Dec 2018, Seoul, Korea, National Museum of Modern and Contemporary Art (MMCA).

Graham, Beryl (2017) Peking Seminar: New Media Art. In: Peking University seminar series: Prof. Laozhu, staff and PhD researchers of Media Lab (National Committee of Experimental Art), Annual of Contemporary Art of China, 26 November 2017, Beijing.

Graham, Beryl (2017) Collection-ish. In: Beyond GRAMMATRON: 20 Years into the Future, 15 Sep 2017, London, UK (British Computer Society).

Graham, Beryl (2017) Exhibiting New Media and Digital Art: Educating Curators. In: EAST–International Conference on Education, Art, Science and Technology, 23–24 November 2017, China, Beijing: China Academy of Fine Arts (CAFA) and Beijing Visual Art Innovation Institute (BVAII).

Graham, Beryl (2017) IRL to URL: Image Objects. Bloomberg New Contemporaries. 2-day Symposium. In: IRL to URL: Image Objects. Bloomberg New Contemporaries, 24 Nov 2017, BALTIC Centre for Contemporary Art, Gateshead.

Graham, Beryl (2017) In conversation: Gary Zhexi Zhang 'Erotics of the Interface'. In: Iniva Research Network Event. London: Iniva, 28 June, Iniva, London.

Graham, Beryl (2017) Curating New Media Art Between Institutional and Commercial Pressures. In: Contemporary Art // An Unknown. Series of events curated by Ebru Yetiskin, 13 Dec 2019, Turkey, Istanbul, Akbank Cultural Centre.

Graham, Beryl (2017) Technostalgia Panel Conversation. In: Anthologies Launch Event, 23 March 2017, London, UK (Carroll Fletcher Gallery).

Graham, Beryl (2016) Digital Dark Ages Artists’ Panel. In: AND Festival, 10 May 2016, Castleton.

Graham, Beryl (2016) Collecting New Media Art. In: 14 July Media in the Expanded Field: Curators and museum professionals’ Think Tank, July 12-18, Casa Wabi, Puerto Escondido, Mexico.

Graham, Beryl (2016) Chair’s Introduction - Equal Collaborations? In: Thinking Digital in the Arts: Unusual Collaborations, 10 May 2016, Gateshead, Sage.

Graham, Beryl (2015) Collecting New Media Art. In: CI Dialogues, Contemporary Istanbul Art Fair, November 2015, Istanbul.

Graham, Beryl (2015) Collecting After New Media panel. In: ISEA 2015 Symposium, 16-19 August, Vancouver.

Graham, Beryl (2015) Equal Partnerships. In: Policy Priorities for the Creative Industries - A Manifesto for the New Government, 9 July, London.

Graham, Beryl (2014) Art, Media, and Museums: The Word Art. In: Cultural Value and the Digital, 7 July, Tate Modern, London.

Graham, Beryl (2014) Catalogues and Exhibitions. In: Curating the Digital: Spaces for Art and Interaction, 26th- 27th April, Toronto. (Unpublished)

Graham, Beryl (2014) Exhibition Histories of Critical Participatory Systems”. In: AAH 2014, 10th -12th April 2014, Royal College of Art, London. (Unpublished)

Graham, Beryl (2013) “Exhibiting new media and digital art: Interactive audiences and arts administrators/curators.”. In: Giving up the archive?: Reflections on the creation, examination and dissemination of arts organisations´ archives, 1st July 2013, White Cube Gallery, London. (Unpublished)

Graham, Beryl (2013) Exhibiting new media and digital art: Interactive audiences and arts administrators/curators. In: Giving up the archive? Reflections on the creation, examination and dissemination of arts organisations’ archives, 1 Jul 2013, London, White Cube Gallery.

Graham, Beryl (2012) Curating Participation. In: Vrije Universitieit Brussel/ IBBT Masterclass, 1 Mar 2012, Vrije Universitieit Brussel/ IBB, Brussels. (Unpublished)

Graham, Beryl (2012) Histories of Participation and New Media Art. In: Association of Art Historians Conference 2012, 29 - 31 March 2012, Milton Keynes.

Graham, Beryl (2012) Exhibiting new media and digital art. In: Dongguk University, Arts Administration course, 23 Oct 2012, Dongguk University, Seoul, Korea.

Graham, Beryl (2012) New Media and Digital Art: Interactive Audiences. In: CAFA Art Museum, Guest Lecture, 12 June 2012., CAFA Art Museum, Beijing, China..

Graham, Beryl (2011) Curating Participatory Art. In: Curating Masters, HGDK University Zurich, May 2011, HGDK University Zurich. (Unpublished)

Graham, Beryl (2011) Current: Collecting Digital Art. In: 2011 May Collecting Digital Art,, May 2011, UCLAN, The Harris Museum & Art Gallery and folly, Preston. (Unpublished)

Graham, Beryl (2011) Immaterial Portraits: Across Borders. In: Digital Portraits of Transculturalism, 25 Feb 2011, Centre for Creative Collaboration, Goldsmith’s College, London.. (Unpublished)

Graham, Beryl (2010) Curating New Media Art and Participation. In: 3rd Conference on Innovation and Cultural Dissemination, 29 October 2010, CCCB - Centre de Cultura Contemporània de Barcelona. (Unpublished)

Graham, Beryl (2010) Distributing Ourselves: New Media, Curating, Networks, and Collaborations. In: College Art Association (CAA) Conference., 7-10 Feb 2010, Chicago. (Unpublished)

Graham, Beryl (2010) New Media Art. In: Museums Association Conference. Manchester, October 2010, Manchester. (Unpublished)

Graham, Beryl (2005) Taxonomies of new media art: Real world namings. In: Museums and the Web 2005: Proceedings. Toronto: Archives & Museum Informatics..

Graham, Beryl (2004) Interaction and Audience. In: ISEA 2004 (International Symposium on Electronic Art). Helsinki.

Book

O'Hara, Suzy and Bradbury, Victoria (2019) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement. CRC Press, UK. ISBN 9780815374916

Graham, Beryl and Cook, Sarah (2016) Rethinking Curating: Art After New Media [Chinese edition, in Chinese]. Tsinghua University Press, Beijing. ISBN 9780262013888

Graham, Beryl (2014) New Collecting: Exhibiting and Audiences after New Media Art. Routledge. ISBN 9780815399810

Cook, Sarah (2012) Journal of Curatorial Studies: special issue. Intellect Press, UK. ISBN 2045-5836 (Submitted)

Graham, Beryl and Cook, Sarah (2010) Rethinking Curating, Art After New Media. Leonardo . MIT Press, Cambridge, MA.. ISBN 9780262013888

Graham, Beryl and Cook, Sarah (2010) A Brief History of Curating New Media Art: Conversations with Curators. Green Box, Berlin. ISBN 978-3-941644-20-5

Graham, Beryl and Cook, Sarah (2010) A Brief History of Working With New Media Art: Conversations with Artists. Green Box, Berlin. ISBN 978-3-941644-21-2

Graham, Beryl (2003) Directions in art: Digital media. Directions in Art . Heinemann, Oxford. ISBN 978-0431176567

Thesis

Joelson, Jo (2020) Library of Light: An artistic framework to explore light, material culture and social experience. Doctoral thesis, University of Sunderland.

Carter, Ed (2019) Rhythm, Scale, and Liminality: Sonic composition and interdisciplinary artwork developed in response to architectural contexts. Doctoral thesis, University of Sunderland.

Show/Exhibition

Graham, Beryl (2011) DEmaterial: Electronic Village Galleries. 2011, Online and in rural locations in Cornwall.

Other

Graham, Beryl (2021) Startup meets Artist programme, MediaFutures.eu. UNSPECIFIED.

This list was generated on Thu Jun 30 16:37:06 2022 BST.