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Sunderland Repository records the research produced by the University of Sunderland including practice-based research and theses.

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Number of items: 45.

C

Clayton, Ewan (2019) Where did writing begin? The British Library Website.

Clayton, Ewan (2019) Why did humans start writing? The British Library Website.

Clayton, Ewan (2019) Writing: Making Your Mark. The British Library, 26 Apr-27 Aug 2019, London, UK.

Clayton, Ewan (2019) Writing: Making Your Mark [Research portfolio]. The British Library, London, UK.

Clayton, Ewan (2019) A brief history of writing materials and technologies. The British Library Website.

Clayton, Ewan (2019) The evolution of the alphabet. The British Library Website.

Clayton, Ewan (2019) The evolution of writing – 5000 BC to today. The British Library Website.

Collier, Mike (2019) Dawn Chorus: Mimesis And Birdsong. Platform A, 31 Jan-7 Mar 2019, Middlesbrough, UK.

Collier, Mike (2019) Ghosts of the Restless Shore: A Personal Pilgrimage. In: Walking, Landscape and Environment. Routledge, London. ISBN 9781315209753

Collier, Mike (2019) LISTEN: Singing the World: A Dawn Chorus. Black Swan Arts, 20 Jul–1 Sep 2019, Frome, UK.

E

Ewins, Neil (2019) Association For Art History. In: Annual Conference 2019, 4-6 April 2019, Brighton, UK. (Unpublished)

G

Goetz, Lothar (2019) Back to the Future. Oberbeck-Gesellschaft, 30 Apr 2019, Lübeck Germany.

Goetz, Lothar (2019) Brewers Towner Commission - Dance Diagonal. [Artefact]

Goetz, Lothar (2019) Colour Balance. Frestonoian Gallery, 11 Dec 2019-11 Jan 2020, London, UK.

Goetz, Lothar (2019) Examining and challenging the visions and politics of early modernism using contemporary architectural paintings as a methodology. [Research Portfolio]. Contemporary architectural paintings.

Goetz, Lothar (2019) If Only. Petra Rinck Gallery, 15 Mar-5 May 2019, Düsseldorf, Germany.

Goetz, Lothar (2019) Kein Zufall. Grölle Pass Projects, 31 Aug-13 Oct 2019, Wuppertal, Germany.

Goetz, Lothar (2019) Lothar Götz: Fairground Abstract. Hatton Gallery, 5 Oct 2019-4 Jan 2020, Newcastle, UK.

Goetz, Lothar (2019) Salsa Orange. Glass Cloud Gallery, 17 Jul-10 Aug 2019, London, UK.

Goetz, Lothar (2019) Unfinished Business. The Ex Libris Gallery & The Long Gallery, 8 Apr-3 May 2019, Newcastle, UK.

Goetz, Lothar (2019) Zig Zag Orange. [Artefact]

Graham, Beryl (2019) An Aesthetics of Interaction and Participation? New Media Art, and Histories of Exhibitions. In: The Age of Art. Aesthetics and grammar of contemporary artistic languages, 16 Nov 2019, Italy, Florence, University of Florence.

Graham, Beryl (2019) CRUMB Radio Hour. In: Unfinished List radio streams, a project by ShuLea Chang for Ars Electronica, 8 September 2019, Online, hosted from Austria.

Graham, Beryl (2019) Curating and Collecting Interaction. In: Sentient Circuitries: Digital Media Art Symposium, 16 Nov 2019, Vancouver, Canada.

Graham, Beryl (2019) Foreword: Rethinking Art Hacks for the Future. In: Art Hack Practice: Sites for Artistic Co-Production. Routledge, New York, xviii-xix. ISBN 9780815374916

Graham, Beryl (2019) Histories of Interactive New Media Art Exhibitions. In: Art Y Nuevos Medios: Reflectiones, Practicas, Desafios, Conference of Departamento de Historia y Teoría del Arte, 26 April 2019, Spain, Madrid, Universidad Autónoma de Madrid.

Graham, Beryl (2019) New Materialities and New Collecting: Future Exhibiting and Audiences After New Media Art. In: What do Museums Collect? National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea, pp. 191-206. ISBN 9788963032252

Graham, Beryl (2019) Promises and Realities of Digital Technologies. In: Credit — a discussion about monetisation and value in the art world, 30 November 2019, London, UK (Central St. Martins).

H

Hutchinson, James (2019) James Hutchinson Art 2019. In: European Symposium on Additive Manufacturing, June 26-28 2019, Ecole Centrale Supelec France.

Hutchinson, James (2019) Sleeping Shepherd Remixed. The Wrong epicentre routers, 1 Nov 2019-1 Mar 2020, Centre del Carme Valencia, Spain.

L

Ley, Marcia (2019) Tales of the Tyne exhibition. Gateshead Library Gallery, 12 Oct 2018-13 Jan 2019, Gateshead UK.

M

Mckay, Carol (2019) Exploring approaches to foregrounding independent photographic research practice in NE England. [Research portfolio]. Two book chapters.

Mckay, Carol (2019) In Conversation: Tim Mitchell and Carol McKay. In: Product/ Tim Mitchell. Kerber, Berlin, pp. 328-345. ISBN 9783735606020

Moschovi, Alexandra (2019) Another Picture: Inclusivity, Difference and Gender Politics at the San Francisco Museum of (Modern) Art. In: Fast Forward: How Women Work, 30 November- 2 December 2019, Tate Modern, London.

Moschovi, Alexandra and Supartono, Alexander (2019) Cultural Antinomies, Creative Complicities: Agan Harahap’s Digital Hoaxes. In: The Routledge International Handbook in New Digital Practices in Galleries, Libraries Archives, Museums and Heritage Sites. Routledge, London/New York, pp. 227-240. ISBN 9781138581296

N

Nikolskaya, Xenia (2019) Dust: Photographing colonial architectural heritage In Egypt. Doctoral thesis, University of Sunderland.

O

O'Hara, Suzy (2019) Art Hack Practice: Critical Intersections between Art, Innovation and the Maker Movement [Research Portfolio]. Book and projects.

O'Hara, Suzy and Bradbury, Victoria (2019) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement. CRC Press, UK. ISBN 9780815374916

S

Sarmiento, Jeffrey (2019) Co Lab Workshop: Print Mashup. In: Co Lab Workshop: Print Mash Up, 19-22 February 2019, Whanganui, New Zealand.

Sarmiento, Jeffrey (2019) Freedom of Assembly. Glass Quarterly (154). pp. 26-33. ISSN 1064-900X

Sarmiento, Jeffrey (2019) Graphic Swim: 2D and 3D printing in glass Casting. MDPI Arts, 8 (29). ISSN 2076-0752

Singh, Gurpreet and Pickard, Michael (2019) The Chunder Thunder Illusion. [Video]

Smithson, Georgia (2019) Experimental and Creative Approaches to Collecting and Distributing New Media Art within Regional Arts Organisations. Arts, 8 (3). e85. ISSN 2076-0752

W

Watkinson, Cate and Rennie, Colin (2019) Grosseteste in Glass. ‘Colour is light in a diaphanous medium’ (Gross d.1253). In: Napa Light Festival, 19 Jan 2019, Napa, CA, USA.

Watkinson, Cate, Rennie, Colin, Wadsworth, Fabian and Llewellin, Edward (2019) In Vulcan's Forge. Nature Geoscience, 12 (2-3). ISSN 1752-0908

This list was generated on Tue Jan 25 14:11:53 2022 GMT.