Items where Subject is "Cinema and Film"

Sunderland Subject Areas (93)
- Media (93)
  - Cinema and Film (93)

Group by: Creators | Item Type

Number of items at this level: 93.

Article

Ball, Vicky and Bell, Melanie (2013) Working women, women's work: Production, History, Gender. Journal of British Cinema and Television. ISSN 1743-4521

Cannon, Steve (1996) 'Not a mere question of form': The Hybrid Realism of Godard's Vivre sa vie. French Cultural Studies, 7 (21). pp. 283-294. ISSN 0957-1558

Cannon, Steve (2017) Pepín Martín Vázquez from 'Currito' to 'El Torero': la encarnación física de una virtud nacional? (Pepín Martín Vázquez from Currito de la Cruz to El Torero" The physical embodiment of a national virtue). Revista de Estudios Taurinos, 41. pp. 165-185. ISSN 1134-4970

Caramella, Silvia and Cannon, Steve (2016) Películas como documentos históricos: el archivo filmico familiar de juan belmonte y sus contribuciones a la investigación académica internacional (Movies as Historical Documents: Juan Belmonte's Family Film Archive and His Contributions to International Academic Research). Revista de Estudios Taurinos, 38. pp. 201-235. ISSN 1134-4970

Drainville, Elaine and Saeed, Amir (2011) Filming Palestinian “Banality”. Nebula: A Journal of Multidisciplinary Scholarship, 8 (1). pp. 106-115. ISSN 1449-7751

Drainville, Elaine and Saeed, Amir (2013) A right to exist. A Palestinian speaks. Feminist Media Studies, 13 (5). ISSN 1471-5902

Gledhill, Christine (2007) Reframing Women in 1920s British Cinema: The Case of Violet Hopson and Dinah Shurey. Journal of British Cinema and Television, 4 (1). pp. 1-17. ISSN 17434521

Gregson, Daniel (2020) Drawn to Story. Education Sciences, 10 (71). ISSN 2227-7102

Hulsmeier, Adelle (2020) Working beyond end-point assessments to deliver employability experiences: The University of Sunderland’s Crime Awareness student film projects in collaboration with Northumbria Police and its Sexual Assault Referral Centre (SARC). Enhancing Graduate Employability: a case study compendium. pp. 11-15.

Knight, Julia (2015) Feminism and Film Distribution: An Analysis of Cinenova's Management Committee Meeting Minutes, 1991–97. Film Studies, 13 (1). pp. 40-57. ISSN 1469-0314

Knight, Julia (2012) From analogue to digital distribution: A shifting landscape. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 215-218. ISSN 2045-6298

Knight, Julia and Thomas, Peter (2008) Distribution and the Question of Diversity: A Case Study of Cinenova. Screen, 49 (3). pp. 354-365. ISSN 0036-9543

Larke-Walsh, George S. (2017) Compassion in Kim Longinotto's Documentary Practice. Feminist Media Studies, 19 (1). pp. 147-160. ISSN 1468-0777

Larke-Walsh, George S. (2022) The Ethics of Bearing Witness: subject empowerment versus true crime intrigue in Kim Longinotto’s Shooting the Mafia (2019). Ethical Space: The International Journal of Communication Ethics, 19 (3/4). pp. 21-27. ISSN 1742-0105

Larke-Walsh, George S. (2012) The Family Curse: Mafia Identity as Inheritance in Abel Ferrara's The Funeral. Journal of Popular Film and Television, 40 (2). pp. 75-82. ISSN 0195-6051

Larke-Walsh, George S. and Leeder, Murray (2021) Introduction to Teaching Dossier: Online Teaching. Journal of Cinema and Media Studies (Summer). ISSN 0009-7101

Larke-Walsh, George S. and Oliver, Stephanie (2019) A Woman's Place in This Thing of Ours: Why there are no women bosses in American gangster films. Senses of Cinema, 91. ISSN 1443-4059

Shingler, Martin (2014) Aishwarya Rai Bachchan: from Miss World to world star. Transnational Cinemas, 5 (2). pp. 98-110. ISSN 2040 3526

Shingler, Martin (2017) The star system in Europe. Cinema Comparat/ive Cinema, 10. pp. 9-16. ISSN 2014-8933

Smith, Clarissa and Attwood, Feona (2014) Anti/pro/critical porn studies. Porn Studies, 1 (1-2). pp. 7-23. ISSN 2326-8743

Smith, Susan (1998) 'Hitchcock's Cameo in Lifeboat'. The MacGuffin. ISSN 1527-2346

Smith, Susan (2007) 'Singing Outside the Frame: The Female Voice-off in Gigi'. CineAction (72). ISSN 0826-9866

Smith, Susan (1999) 'The Spatial World of Hitchcock's Films: The Point-of-View Shot, the Camera and Intrarealism'. CineAction (50). ISSN 0826-9866

Smith, Susan 'There's More Than One George Bailey!: the sharing of character between child actor and adult star in It's a Wonderful Life'. Screen, 53 (4). pp. 440-446. ISSN 0036-9543

Smith, Susan and Lawrence, Michael (2012) 'Child Performance Dossier: Introduction'. Screen, 53 (4). pp. 436-439. ISSN 0036-9543

Smith, Susan and Summers, Sam (2017) Enter Bugs Bunny: Matador and Star in Bully for Bugs [LA ALTERNATIVA DE BUGS BUNNY, MATADOR Y ESTRELLA EN “BULLY FOR BUGS” (CHUCK JONES, 1953)]. Revista de Estudios Taurinos, 41. pp. 251-278. ISSN 1134-4970

Stubbs, Gary (2024) Education Partnership BAFTA Albert Spotlight: Lead Me Here Showcases the Sustainable Learnings of albert Grads from Sunderland University. Education Partnership Spotlight: Lead Me Here Showcases the Sustainable Learnings of albert Grads from Sunderland University.

Book Section

Gledhill, Christine (2007) Genre and Nation. In: Genre and Cinema: Ireland and Transnationalism. Routledge, pp. 11-25. ISBN 0415770890

Gledhill, Christine (2007) The Screen Actress from Silence to Sound. In: The Cambridge Companion to the Actress. Cambridge University Press, pp. 193-214. ISBN 0521846064

Gomes Gargamala, Miguel (2012) From lofgeornost to the most eager for sex: 30 years of Beowulfian monsters on screen (1981-2011)in Weaving New perspectives together. Some reflections on literary studies. Edited by María Alonso Alonso, Jeannette Bello Mota, Alba de Béjar Muíños and Laura Torrado Mariñas. In: Weaving New perspectives together. Some reflections on literary studies. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 36-57. ISBN 978-1-4438-3911-2

Jacey, Helen (2015) Ida Lupino’s Way Out of Hell. In: Women Screenwriters: An International Guide. Palgrave Macmillan, Basingstoke, pp. 808-817. ISBN 9781137312365

Knight, Julia (2015) Cinema of Women: The Work of a Feminist Distribution Company. In: Doing Women's Film History: Reframing Cinemas, Past and Present. University of Illinois Press, Illinois. ISBN 9780252039683

Knight, Julia (2016) Distributing British Cinema. In: The Routledge Companion to British Cinema History. Routledge, London and New York, pp. 387-396. ISBN 978-0-415-70619-3 (hbk); 978-1-315-39218-9 (ebk)

Knight, Julia (2013) Getting to See Women's Cinema. In: Watching Films: New Perspectives on Movie-Going, Exhibition and Reception. Intellect, Bristol/Chicago, pp. 295-314. ISBN 978-1-84150-511-4

Larke-Walsh, George S. (2018) “The Godfather Legacy”: Homage and Allusion in Transnational Cinema”. In: A Companion to the Gangster Film. Wiley-Blackwell, Malden, MA, USA, pp. 446-462. ISBN 9781119041740

Larke-Walsh, George S. (2018) Introduction. In: A Companion to the Gangster Film. Wiley-Blackwell, Malden, MA, USA, pp. 1-20. ISBN 9781119041757

Shingler, Martin (2015) Bette Davis: Acting and Not Acting her Age. In: Women, Celebrity and Cultures of Ageing: Freeze Frame. Palgrave, London, pp. 43-58. ISBN 9781137495129

Shingler, Martin (2018) Modernising Melodrama: The Petrified Forest on American Stage and Screen (1935-1936). In: Melodrama Unbound: Across History, Media, and National Cultures. Columbia University Press, New York, USA, pp. 135-150. ISBN 9780231180665

Smith, Clarissa (2014) ‘It’s Important You Don’t Smell a Suit On This Stuff’: Aesthetics and Politics in Alt Porn. In: Porn After Porn. Mimesis, Udine Italy, pp. 57-81. ISBN 9788857523590

Smith, Clarissa (2017) ‘A Mother’s Love Cannot Be Denied: Ma Mere’. In: Tainted Love: Screening Sexual Perversities. I B Tauris, London, pp. 159-176. ISBN 9781780761954

Smith, Clarissa (2016) Sleazy Strip-Joints and Perverse Porn Circuses: The Remediation of Grindhouse Aesthetics in the porn productions of Jack the Zipper. In: Grindhouse: Transcultural Exchange on 42nd Street and Beyond. Bloomsbury, London, pp. 217-235. ISBN 9781628927450

Smith, Clarissa and Attwood, Feona (2013) Emotional Truths and Thrilling Slide Shows: The Resurgence of Antiporn Feminism. In: The Feminist Porn Book: The Politics of Producing Pleasure. The Feminist Press New York, New York, pp. 41-57. ISBN 9781558618183

Smith, Clarissa, Attwood, Feona and Barker, Martin (2017) Porn Audiences Online. In: Digital Media: Transformations in Human Communication. Peter Lang, New York, pp. 235-244. ISBN 978-1-4331-3956-7

Smith, Clarissa and Kennedy, Julia (2013) ‘His Soul Shatters at About 0:23: Self-Scaring and Hyberbolic Shock in YouTube Reaction Videos’. In: Controversial Images. Palgrave MacMillan, London, pp. 239-253. ISBN 978-0-230-28405-0

Smith, Clarissa and Taylor Harman, Sarah (2017) ”I want James Deen to Deen Me with his Deen”: The multi-layered stardom of James Deen. In: Revisiting Star Studies. Edinburgh University Press, Edinburgh, pp. 261-278. ISBN 9781474404310

Smith, Susan (1999) 'Disruption, Destruction, Denial: Hitchcock as Saboteur'. In: Alfred Hitchcock: Centenary Essays. British Film Institute, London. ISBN 0851707351

Smith, Susan (2005) 'Disruption, Destruction, Denial: Hitchcock as Saboteur'. In: Terrorism, Media, Liberation. Rutgers University Press, New Jersey and London. ISBN 978-0-8135-3607-1

Smith, Susan (2013) "Get off your asses for these old broads!": Elizabeth Taylor, ageing and the television comeback movie. In: Female Celebrity and Ageing: Back in the Spotlight. Routledge, London. ISBN 9780415832366

Smith, Susan (2015) 'Taylor, Dame Elizabeth Rosemond (1932-2011)'. In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Smith, Susan (2018) Toy Stories Through Song: Pixar, Randy Newman and the Sublimated Film Musical. In: Toy Story: How Pixar Reinvented the Animated Feature. Bloomsbury, pp. 105-126. ISBN 9781501324918

Smith, Susan (2012) '"The shock of each moment, of still being alive": Vocal Sensations in Boom!'. In: Electrified Voices: Medial, Socio-Historical and Cultural Aspects of Voice Transfer. Vandenhoeck & Ruprecht, Gottingen, Germany. ISBN 9783847100249

Smith, Susan, Brown, Noel and Summers, Sam (2018) Introduction. In: Toy Story: How Pixar Reinvented the Animated Feature. Bloomsbury, pp. 1-6. ISBN 9781501324918

Ward, Daniel (2011) “’I sized you up the moment I saw you’: Masculinity and Male Body Objectification in Casino Royale”. In: The Cultures of James Bond. WVT, Trier. ISBN 9783868213263

Ward, Daniel (2021) Making a Killing: Science Fiction Through the Lens of Nordic Noir in 'Crocodile' and 'Hated in the Nation'. In: Reading Black Mirror: Insights Into Technology & The Post-Media Condition. Transcript, Bielefeld, Germany, pp. 201-218. ISBN 9783837652321

Ward, Daniel (2020) “Your Body Belongs to the State”: The Mobilization of the Action Heroine in Service of the State in Red Sparrow and Atomic Blonde. In: Cold War II: Hollywood's Renewed Obsession With Russia. University Press of Mississippi, Jackson, Mississippi, pp. 112-128. ISBN 9781496831149

Conference or Workshop Item

Knight, Julia (2013) The Impact of Feminism on the Running of Women's Moving Image Organisations in the UK during the 1980s and 1990s. In: Gender in Focus: (New) Trends in Media, 20-21 Jun 2013, University of Minho, Braga, Portugal. (Unpublished)

Knight, Julia (2012) Three Issues for Experimental Moving Image in the Era of Digital Distribution. In: World Cinema On-Demand: Film Distribution and Education in the Streaming Media Era, 15-16 Jun 2012, Belfast. (Unpublished)

Larke-Walsh, George S. (2017) The Armchair Juror: audience engagement in true crime injustice narratives. In: Film Philosophy Annual Conference, July 4-6 2017, University of Lancaster, UK.

Larke-Walsh, George S. (2016) The Cultural Value of Transnational Remakes: a discussion of Sarkar (2005, Ram Gopal Varma). In: London Film and Media Conference, July 7-9, London, UK.

Larke-Walsh, George S. (2015) Ethics in the Essay Film. In: University Film and Video Association Annual Conference, Aug 4-8, 2015, American University, Washington DC, USA.

Larke-Walsh, George S. (2019) Injustice Narratives in a Post-Truth Society. In: Visible Evidence Annual Conference, July 24-28 2019, Los Angeles, USA.

Larke-Walsh, George S. (2016) The King’s Shilling: Post WWI Masculinity in Peaky Blinders. In: Film and History Annual Conference, Oct 26-30, Milkwaukee, WI, USA.

Larke-Walsh, George S. (2018) “The Part of Me that Dreams is Gypsy”: Rural Space, Place and Performance in Peaky Blinders (BBC, 2013-Present). In: Literature Film Association Annual Conference, Nov 29 - Dec 1, 2018, New Orleans, LA, USA.

Larke-Walsh, George S. (2020) The Rise of the satellite character: Boardwalk Empire’s Nelson Van Alden. In: SCMS (Society for Cinema and Media Studies) Annual Conference, March 17-21 2021, Online.

Larke-Walsh, George S. (2019) Transnational adaptation of a classic: The Godfather Trilogy. In: Literature Film Association Annual Conference, September 12-14, Portland, Oregon, USA.

Smith, Susan (2012) '"The Child in Hitchcock", Hitchcock and Film Authorship: Cinema, Culture, Collaboration'. In: SCMS (Society for Cinema and Media Studies) Annual Conference, 21-25 Mar 2012, Boston, MA, USA. (Unpublished)

Smith, Susan (2014) '"Come on, Baggy, get with the beat!" Exploring song and dance in Disney musicals'. In: Discussing Disney, 3-4 Sep 2014, University of Hull. (Unpublished)

Smith, Susan (2016) ‘Dancing raindrops and a singing teapot: Disney’s love affair with the musical’, “CG symphonies: the modern animated film soundtrack through the lens of three key studios”. In: Music for Audio-Visual Media II Conference, 20-22 Jun 2016, University of Leeds. (Unpublished)

Smith, Susan (2015) 'Disney, Broadway and the Contemporary Animated Film Musical'. In: 27th Society for Animation Studies annual conference: Beyond the Frame, 13-16 Jul 2015, Canterbury Christ Church University. (Unpublished)

Smith, Susan (2015) 'The Musical Landscape of Frozen'. In: Symfrozium, 12 May 2015, University of East Anglia. (Unpublished)

Smith, Susan (2013) 'Palettes of emotion: texture and range in Elizabeth Taylor's performances'. In: Research Seminar, Invited Speaker, 24 Apr 2013, University of Salford, Manchester. (Unpublished)

Smith, Susan (2014) ‘When You Wish Upon a Star‘. An Analysis of the Singing Voice in Disney’s Films of the Classical Era. In: Voice and Singing in Popular Music in the U.S.A. (1900–1960), 6-7 June 2014, Liszt School of Music, Weimar, Germany. (Unpublished)

Smith, Susan (2013) 'Writing Elizabeth Taylor', "Developing the BFI Film Stars Series panel. In: Revisiting Star Studies: International Conference, 12-13 Jun 2013, Newcastle University. (Unpublished)

Smith, Susan and Shingler, Martin (2013) Co-chair (with Martin Shingler) of a panel on the BFI Film Stars series. In: Revisiting Star Studies: International Conference, 12-13 Jun 2013, Newcastle University. (Unpublished)

Stubbs, Gary (2024) ScreenSkills Select/RTS Scotland/AD Guild Assistant Directing Webinar. In: ScreenSkills Select/RTS Scotland/AD Guild Industry Insight Assistant Directing Webinar, 12 Nov 2024, Online. (Unpublished)

Book

Ambrosini, M, Maina, Giovanna and Marcheschi, E (2009) I film in tasca. Videofonio, cinema e televisione. Felici, Pisa. ISBN 978-88-6019-313-1

Knight, Julia (1992) Women and the New German Cinema. Questions for Feminism . Verso, London. ISBN 978-0860915683

Knight, Julia and Gledhill, Christine (2015) Doing Women's Film History: Reframing Cinemas, Past and Present. University of Illinois Press, Illinois. ISBN 0252081188

Larke-Walsh, George S. (2018) A Companion to the Gangster Film. Wiley-Blackwell, Hoboken, New Jersey, USA. ISBN 9781119041665

Larke-Walsh, George S. (2010) Screening the Mafia: Masculinity, Ethnicity and Mobsters from The Godfather to The Sopranos. McFarland, Jefferson, NC, USA. ISBN 9780786443116

Larke-Walsh, George S. (2023) True Crime in American Media. Routledge Research in Cultural and Media Studies . Routledge, London. ISBN 9781032123479

Smith, Clarissa, Werndly, Angela and Richardson, Niall (2013) Studying Sexualities: Theories, Representations, Cultures. Palgrave MacMillan, London. ISBN 9780230220423

Smith, Susan (2000) Hitchcock: Suspense, Humour and Tone. British Film Institute/ Palgrave Macmillan. ISBN 0851707807