SURE

Article

Moschovi, Alexandra (2021) The Democratic Picture: Grace McCann Morley and Photography in the San Francisco Museum of Art. The Classic.

Moschovi, Alexandra (2016) "Paisajes de crisis y crisis de paisaje" (Landscapes of crisis and the crisis of the landscape). Concreta (8). pp. 16-31. ISSN 2254-9757

Book Section

Ames, Craig (2013) Northern Ireland: 30 Years of Photography. In: Northern Ireland: 30 Years of Photography. Belfast Exposed Photography/The MAC. ISBN 978-0-9561766-1-5

Moschovi, Alexandra (2013) "Apo tin Anaparastasi tis Politikis stin Politiki tis Anaparastasis: Zitimata Ethnikis Tautotitas ke Oumanistika Ideodi stin Elliniki Fotografia apo ton Mesopolemo mexri Simera" (From the Politics of Representation to the Representation of Politics: Issues of National Identity and Humanist Ideals in Greek Photography from the Interwar Years to the Present). In: I Elleniki Fotografia ke i Fotografia stin Ellada: An Anthology of Texts (Hellenic Photography and Photography in Greece: An Anthology of Texts). Nefeli Publishing / Museum of Photography Thessaloniki, Athens/Thessaloniki, Greece.

Moschovi, Alexandra (2011) “The Authentic Snap? D.I.Y. Reporting in the Age of ‘We Media’”. In: Visual Conflicts: On the Formation of Political Memory in the History of Art and Visual Cultures. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 187-204. ISBN 978-1-4438-3172-7

Moschovi, Alexandra (2007) Distance and Proximity. In: Work. National Gallery of Malaysia, Kuala Lumpur, pp. 24-33. ISBN 9789833497188

Moschovi, Alexandra (2024) Από το στούντιο στον δρόμο: επαναξιολογώντας τη σειρά της Νέλλης Easter Parade (From the Studio to the Street: Re-interpreting Nelly’s Series Easter Parade). In: Nelly's: Αναγνώσεις του έργου της (Nelly's: Readings of her Work). Benaki Museum, Athens, pp. 402-439. ISBN 978-960-476-315-3

Moschovi, Alexandra (2007) The Face of Labour. In: Changing Faces: Work. Veenman Publishers, Rotterdam, pp. 139-149. ISBN 9789086900657

Moschovi, Alexandra (2015) Greece as photograph: histories, photographies, theories. In: Camera Graeca: Photographs, Narratives, Materialities. Routledge, London. ISBN 9781472424761

Moschovi, Alexandra (2009) "I Apli ke Anotheftos Fotografia" (The pure and unadulterated photography". In: Fotografikon Praktorion "D.A. Harissiadis" (Photographic Agency D.A. Harissiadis). Benaki Museum, Athens, Greece, pp. 23-34. ISBN 978-960-476-023-7

Moschovi, Alexandra (2006) The Museumification of Documentary Photography. In: Shifts: Archives in Dialogue and New Indentities in Documentarism. University of Sunderland and the Centre for Creative Photography Finland, Jyvaskyla, pp. 98-100. ISBN 1873757166

Moschovi, Alexandra (2022) The Persistence of Vision. In: In the same Space. National Museum of Contemporary Art, Athens, pp. 20-26. ISBN 978-618-5507-07-7

Moschovi, Alexandra (2007) Photography, Photographies and the Photographic: Between Images, Media, Contexts. In: The Athens Effect: Photographic Images in Contemporary Art. Futura, Fondazione Mudima, Athens, pp. 13-22. ISBN 9606654281

Moschovi, Alexandra (2010) “Re-Imag(in)ing Arcadia: British Intervention in the Post-War Reconstruction of Greece, c. 1945-1946”. In: Greece and Britain since 1945. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 61-97. ISBN 978-144-381-962-6

Moschovi, Alexandra (2016) 'So sachich, dass sie fast funktional zu nennen ist'. Die Neukonstituierung der dokumentarischen Fotografie als Kunst im Museum of Modern Art ('So factual that it may almost be called functional': The Refashioning of the Photographic Document as Art at the Museum of Modern Art). In: Ortsbestimmungen: Das Dokumentarische zwischen Kino und Kunst (Texte zum Dokumentarfilm). Texts on Documentary Film . Verlag Vorwerk 8, Berlin, pp. 70-93. ISBN 9783940384805

Moschovi, Alexandra (2014) This is Greece: Visualising Greekness in the Work of Nelly's and Voula Papaioannou. (Greek/English). In: Tourism Landscapes: Remaking Greece, 14th International Architectural Exhibition, La Biennale di Venezia, Greek Participation. Domes Publishing, Venice/Athens, pp. 234-244. ISBN 9789608963351

Moschovi, Alexandra (2015) This is Greece: Visualizing Greekness. In: TOURISM LANDSCAPES Remaking Greece (2nd Edition). Domes, Athens. ISBN 9789608963351

Moschovi, Alexandra (2018) Typologies of Labour: An Archaeology. In: Capitalist Realism: Future Perfect/Past Continuous. University of Macedonia Press, Thessaloniki, pp. 42-55. ISBN 9786185196356

Moschovi, Alexandra and Supartono, Alexander (2019) Cultural Antinomies, Creative Complicities: Agan Harahap’s Digital Hoaxes. In: The Routledge International Handbook in New Digital Practices in Galleries, Libraries Archives, Museums and Heritage Sites. Routledge, London/New York, pp. 227-240. ISBN 9781138581296

Supartono, Alexander (2013) The Sweet and Sour Story of Sugar. An exhibition about globalization through the former Dutch Sugar Empire. In: The Sweet and Sour Story of Sugar: Sugar in a globalized world. Noorderlicht, Netherlands. ISBN 978 90 76703 50

Winter, Trish, Woodward, Rachel and Jenkings, Neil (2010) I Used To Keep a Camera in My Top Left-Hand Pocket: British Soldiers, Their Photographs and the Performance of Geopolitical Power. In: Observant States: Geopolitics and Visual Culture. I B Tauris & Co Ltd, London. ISBN 978-1845119454

Conference or Workshop Item

Moschovi, Alexandra (2007) The Colour of Politics or the Politics of Colour? The Reinvention of British Documentary Photography in the 1980s. In: Colour Photography: From Autochrome to Cibachrome, 10 Nov 2007, London, UK (Courtauld Institute of Art).

Moschovi, Alexandra (2023) From Photo-phobia to Photo-Philia: Institutionalising Photography in Post-war Britain. In: Photography and the Museum: Processes of and Chances for Institutionalizing the Medium, 01 Dec 2023, Photography Network Online. (Unpublished)

Moschovi, Alexandra (2011) Greece as Photograph: Histories, Photographies, Theories. In: Greek (Hi)stories through the Lens: Photographs, Photographers and their Testimonies,, 8-11 June 2011, Safra Lecture Theatre, King's College, London.

Moschovi, Alexandra (2021) Intersections and Disjunctions: The Institutional Profiles of ‘American’ Photography. In: Making American Photographies: Writing Histories of Photography and the United States, 16 Nov - 18 Nov 2021, Online (Rijkmuseum, the Netherlands).

Moschovi, Alexandra (2021) Introduction. In: SHIFTS: Photography in the 21st Century Museum, 7 July 2021, online, NEPN. (Unpublished)

Moschovi, Alexandra (2024) Museum Dialogues: An Introduction. In: Museum Dialigues: Problems and Definitions, 22 Mar 2024, Northern Centre of Photography, Online.

Moschovi, Alexandra and Skoufias, Manolis (2017) Redefining photography in the exhibition Portrayals of History. In: Kythera Photographic Encounters Annual Conference, 27 Sep–1 Oct 2017, Kythera, Greece.

Moschovi, Alexandra and Supartono, Alexander (2017) The (Post)colonial Archive: Re-imag(in)ing Southeast Asia. In: ASEASUK Conference 2016. The (Post)colonial Archive: Re-imag(in)ing Southeast Asia, academic panel in ASEASUK Conference 2016, 16-18 Sep 2016, SOAS, University of London. (Unpublished)

Moschovi, Alexandra and Supartono, Alexander (2015) Re-Visiting the Colonial Archive in the Era of Web 2.0. In: The Impact of Digitization on Photographic Heritage, Europeanna, 29-30 January 2015, CS Digital (KU Leuven) and the Lieven Gevaert Centre for Photography, Leuven Belgium.

Moschovi, Alexandra and Supartono, Alexander (2015) Shifting Powers: Digitality, Modularity and (Im)materiality in the 21st Century Post-Colonial Archive. In: Photography in the 21st Century: Art, Philosophy Technique, 5-6 June 2015, Central St. Martins, London.

Book

Germain, Julian (2012) Classroom Portraits. Classroom Portraits 2004-2012, 1 . Prestel Random House. ISBN 978-3-7913-4748-6

Kippin, John (2011) Local. n/a . Arts Editions North, Sunderland. ISBN 978-0 9557478-7-8

Moschovi, Alexandra (2020) A Gust of Photo-Philia: Photography in the Art Museum. Lieven Gevaert Series, 29 . Leuven University Press, Leuven. ISBN 9789462702424

Moschovi, Alexandra, Tsirgialou, Aliki and Asdrahas, Spyros (2007) I Ellada mesa apo ti Fotografia: 160 Chronia Optikes Martyries (Greece through Photographs: 160 Years of Visual Testimony). Melissa Publishing, Athens Greece. ISBN 978960204816

Ryley, Marjolaine (2013) 'Growing up in the New Age' - Artists Monograph. Daylight Imprint, New York USA. ISBN 9780983231684

Thesis

Meecham, Charles (2015) The Oldham Road Rephotography Project. Doctoral thesis, University of Sunderland.

Artefact

Germain, Julian, Azvedo, Patricia and Godoy, Murilo (2012) No Ola da Rua –The Beautiful Horizon. The photographic works made with the street children of Brazil. [Artefact]

Show/Exhibition

Mckay, Carol (2013) The Social: encountering photography. 18 Oct - 16 Nov 2013, venues across Sunderland and the North East of England.

Moschovi, Alexandra and Kechagioglou, Maria Poetics, Materialities, Performances: Greek Photographic Books 2000-2023. 19 Oct - 19 Nov 2023, MOMus-Museum of Contemporary Art-Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections.

Moschovi, Alexandra and Skoufias, Manolis (2017) Portrayals of History, Voula Papaioannou – Dimitris Harissiadis 1940-1960, Works from the Benaki Museum Photographic Archives, Thessaloniki Museum of Photography. Portrayals of History, Voula Papaioannou – Dimitris Harissiadis 1940-1960, Works from the Benaki Museum Photographic Archives, 6 Apr - 10 Sep 2017, Thessaloniki, Greece.

Supartono, Alexander (2008) Mapping Invisible Cities. Mapping Invisible Cities. An exhibition about an urban experience in six Asian megacities., Various, Various.

Supartono, Alexander (2013) The (Post) Colonial Photo Studio. An exhibition about the stereotypical colonial portrait. ‘The Social: Encountering Photography’, 28 Sep - 23 Nov 2013, NGCA.

Supartono, Alexander (2013) Revisiting Colonial Narratives: New Approaches to the Colonial Representation of the Dutch East Indies. Revisiting Colonial Narratives, Various, Various.

Film/Video

Ryley, Marjolaine (2012) The Thin Blue Line/ The Deep Red Sea. [Film/Video] (Unpublished)