Items where Subject is "New Media"

Sunderland Subject Areas (132)
- Fine Art (132)
  - New Media (132)

Group by: Creators | Item Type

Number of items at this level: 132.

Article

Bradbury, Victoria and O'Hara, Suzy (2019) Reframing Innovation: Art, the Maker Movement and Critique. Media-N| The Journal of the New Media Caucus, 15 (2). pp. 5-19. ISSN 2159-6891

Graham, Beryl (2013) Exhibition Histories and New Media Behaviours. Graham, Beryl (2013) “Exhibition Histories and New Media Behaviours.” Journal of Curatorial Studies, 2 (2 (summer)). ., 2 (2). pp. 242-262. ISSN 2045-5836

Graham, Beryl (2013) Interview with Beryl Graham by Crystal Sanchez and James Smith. Report on the Status and Need for Technical Standards in the Care of Time-Based Media and Digital Art..

Graham, Beryl (2012) Self-Institutionalisation: Who, in what kind of system? On-Curating. Institution as Medium. Curating as Institutional Critique? Part II (13). pp. 8-10. ISSN 0803-0391

Graham, Beryl and Cook, Sarah (2009) New Media and Digital Art Overview. China-UK: Connections Through Culture. Arts Overview. British Council.

Graham, Beryl and Gfader, Verina (2008) Curator as editor, translator or god? Edited CRUMB discussion list theme. Vagueterrain (11).

Moschovi, Alexandra and Galani, Areti (2013) Other People’s Stories: Bringing Public-Generated Photography into the Contemporary Art Museum. Museum and Society, 11 (2). pp. 172-184. ISSN 1479-8360

Wadsworth, Fabian, Llewellin, Edward, Rennie, Colin, Watkinson, Cate, Mitchell, Joanna, Vasseur, Jeremie, Mackie, Fleur, Carr, Alexandra, Schmiedel, Tobias, Witcher, Taylor, Soldati, Arianna, Jackson, Lucy E, Foster, Annabelle, Hess, Kai-Uwe, Dingwell, Donald B and Hand, Russell J (2022) Using obsidian in glass art practice. Volcanica Journal, 5 (1). pp. 183-207. ISSN 2610-3540

Book Section

Graham, Beryl (2011) Amplification: Rafael Lozano-Hemmer. In: Singapore Bienniale 2011 Catalogue. Singapore Art Museum, Singapore, pp. 244-245. ISBN 978-981-08-8050-7

Graham, Beryl (2016) Collecting New Media Art: The importance of audiences and exhibiting. In: Post-Screen: Intermittence + Interference. Edicoes Universitarias Lusofonas, Lisbon, pp. 20-27. ISBN 9789898771568

Graham, Beryl (2022) Digital Media as Contemporary Art and its Impact on Museum Practice. In: TechLab: Experiments in media art 1999-2019. Surrey Art Gallery, Vancouver, Canada, pp. 204-219. ISBN 978-1-926573-63-2

Graham, Beryl (2016) Exhibition Histories and Futures: The Importance of Participation and Audiences. In: A Companion to Digital Art. Blackwell Companions to Art History . Wiley-Blackwell, New York, pp. 575-596. ISBN 9781118475201

Graham, Beryl (2010) Fabulous un-live post-hype behaviours. In: The future isn't what it used to be. Postmasters and Centrum Sztuki, pp. 31-34.

Graham, Beryl (2019) Foreword: Rethinking Art Hacks for the Future. In: Art Hack Practice: Sites for Artistic Co-Production. Routledge, New York, xviii-xix. ISBN 9780815374916

Graham, Beryl (2014) Histories of Interaction and Participation: Critical Systems from New Media Art. In: Performativity in the Gallery: Staging Interactive Encounters. Peter Lang, Oxford, pp. 65-83. ISBN 978-3-0343-0966-0

Graham, Beryl (2016) Ken Goldberg. In: Grove Dictionary of Art Online. Oxford University Press, New York. ISBN 9780195170689

Graham, Beryl (2011) Museums, New Media Art, Documentation and Collection. In: EVA London 2011: Electronic Visualisation and the Arts. BCS, London, pp. 109-110. ISBN 9781906124885

Graham, Beryl (2019) New Materialities and New Collecting: Future Exhibiting and Audiences After New Media Art. In: What do Museums Collect? National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea, pp. 191-206. ISBN 9788963032252

Graham, Beryl (2015) Open and closed systems: new media art in museums and galleries. In: Museum Media. The International Handbooks of Museum Studies, 4 Volume Set, V3 . Wiley-Blackwell, Hoboken and Oxford, pp. 499-472. ISBN 9781118829059

Graham, Beryl (2021) Sentient Systems: Exhibiting Interaction, Participation or Collaboration? In: Surrey Art Gallery: TechLab 20th Anniversary [TBC]. Surrey Art Gallery, Surrey, Vancouver, Canada. (Submitted)

Hutchinson, James (2021) Undocumented events and object permanence - book pages. In: Undocumented events and object permanence. Noemata.net, pp. 20-413. ISBN 9788292428863

Hutchinson, James and Dorrian, Edward (2020) All plastic bags are art. In: Being together is not enough. Public Series, 1 (8). Five years. ISBN 9781903724187

Livingstone, Andrew (2017) Extending Vocabularies: Distorting the Ceramic Familiar - Clay and the Performative 'Other'. In: The Ceramics Reader. Bloomsbury Academic Press, London, pp. 323-334. ISBN 978-1-4725-8443-4

Livingstone, Andrew (2011) Mit Feuer und Flamme Red Hot - Ceramics in Contemporary Art. In: Mit Feuer und Flamme. Biberacher Verlagsdruckerei, pp. 60-65. ISBN 9783933614964

Moschovi, Alexandra (2007) Photographie, photographies et le photographique: entre images, moyens d'expression et contextes. In: The Athens Effect: L'image photographique dans l'Art contemporain. Futura; Hellenic Cultural Organisation; Maison Europeenne de la photographie, Athens, pp. 13-22. ISBN 9789608276277

O'Hara, Suzy (2019) Little Inventors: From Artistic Method to Global Brand. In: Art Hack Practice Critical Intersections of Art, Innovation and the Maker Movement. Routledge, New York, pp. 108-120. ISBN 9780815374916

Young, Michael and Blackwell, Tim (2016) Live Algorithms for Music: Can Computers be Improvisers? In: The Oxford Handbook of Critical Improvisation Studies. Oxford University Press. ISBN 9780199892921

Reports, briefing/ working papers

Graham, Beryl (2016) Art Institutions of the 21st Century. Project Report. Montabonel Foundation, London.

O'Hara, Suzy (2023) SeaScapes CoLab, a creative engagement programme, part of SeaScapes: Tyne to Tees shores and seas (2021 - 2024). Project Report. UNSPECIFIED.

Conference or Workshop Item

Cook, Sarah (2011) Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair). In: Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair), 27 Sept -2 Oct 2011, Liverpool John Moore's University and FACT, Liverpool. (Unpublished)

Graham, Beryl (2019) An Aesthetics of Interaction and Participation? New Media Art, and Histories of Exhibitions. In: The Age of Art. Aesthetics and grammar of contemporary artistic languages, 16 Nov 2019, Italy, Florence, University of Florence.

Graham, Beryl (2014) Art, Media, and Museums: The Word Art. In: Cultural Value and the Digital, 7 July, Tate Modern, London.

Graham, Beryl (2019) CRUMB Radio Hour. In: Unfinished List radio streams, a project by ShuLea Chang for Ars Electronica, 8 September 2019, Online, hosted from Austria.

Graham, Beryl (2014) Catalogues and Exhibitions. In: Curating the Digital: Spaces for Art and Interaction, 26th- 27th April, Toronto. (Unpublished)

Graham, Beryl (2016) Chair’s Introduction - Equal Collaborations? In: Thinking Digital in the Arts: Unusual Collaborations, 10 May 2016, Gateshead, Sage.

Graham, Beryl (2015) Collecting After New Media panel. In: ISEA 2015 Symposium, 16-19 August, Vancouver.

Graham, Beryl (2015) Collecting New Media Art. In: CI Dialogues, Contemporary Istanbul Art Fair, November 2015, Istanbul.

Graham, Beryl (2016) Collecting New Media Art. In: 14 July Media in the Expanded Field: Curators and museum professionals’ Think Tank, July 12-18, Casa Wabi, Puerto Escondido, Mexico.

Graham, Beryl (2017) Collection-ish. In: Beyond GRAMMATRON: 20 Years into the Future, 15 Sep 2017, London, UK (British Computer Society).

Graham, Beryl (2023) Critical Digital and the PostDoc Condition: Have fun and change things. At British Academy Midlands Multidisciplinary Meet-up: Culture and Heritage in the Digital Age. In: British Academy Midlands Multidisciplinary Meet-up: Culture and Heritage in the Digital Age, 27-29 Mar 2023, Birmingham. (Unpublished)

Graham, Beryl (2020) Curating Art after New Media - Professional Development Course. In: Curating Art after New Media – Professional Development Course, Feb 2014 to Feb 2020 and ongoing, London, UK.

Graham, Beryl (2023) Curating Behaviours; New Media Art. In: Curating and Art History course, Curatorial Practice Now module invited speaker., 27 Oct 2023, York: University of York.. (Unpublished)

Graham, Beryl (2017) Curating New Media Art Between Institutional and Commercial Pressures. In: Contemporary Art // An Unknown. Series of events curated by Ebru Yetiskin, 13 Dec 2019, Turkey, Istanbul, Akbank Cultural Centre.

Graham, Beryl (2010) Curating New Media Art and Participation. In: 3rd Conference on Innovation and Cultural Dissemination, 29 October 2010, CCCB - Centre de Cultura Contemporània de Barcelona. (Unpublished)

Graham, Beryl (2012) Curating Participation. In: Vrije Universitieit Brussel/ IBBT Masterclass, 1 Mar 2012, Vrije Universitieit Brussel/ IBB, Brussels. (Unpublished)

Graham, Beryl (2019) Curating and Collecting Interaction. In: Sentient Circuitries: Digital Media Art Symposium, 16 Nov 2019, Vancouver, Canada.

Graham, Beryl (2011) Current: Collecting Digital Art. In: 2011 May Collecting Digital Art,, May 2011, UCLAN, The Harris Museum & Art Gallery and folly, Preston. (Unpublished)

Graham, Beryl (2016) Digital Dark Ages Artists’ Panel. In: AND Festival, 10 May 2016, Castleton.

Graham, Beryl (2010) Distributing Ourselves: New Media, Curating, Networks, and Collaborations. In: College Art Association (CAA) Conference., 7-10 Feb 2010, Chicago. (Unpublished)

Graham, Beryl (2015) Equal Partnerships. In: Policy Priorities for the Creative Industries - A Manifesto for the New Government, 9 July, London.

Graham, Beryl (2017) Exhibiting New Media and Digital Art: Educating Curators. In: EAST–International Conference on Education, Art, Science and Technology, 23–24 November 2017, China, Beijing: China Academy of Fine Arts (CAFA) and Beijing Visual Art Innovation Institute (BVAII).

Graham, Beryl (2012) Exhibiting new media and digital art. In: Dongguk University, Arts Administration course, 23 Oct 2012, Dongguk University, Seoul, Korea.

Graham, Beryl (2013) “Exhibiting new media and digital art: Interactive audiences and arts administrators/curators.”. In: Giving up the archive?: Reflections on the creation, examination and dissemination of arts organisations´ archives, 1st July 2013, White Cube Gallery, London. (Unpublished)

Graham, Beryl (2013) Exhibiting new media and digital art: Interactive audiences and arts administrators/curators. In: Giving up the archive? Reflections on the creation, examination and dissemination of arts organisations’ archives, 1 Jul 2013, London, White Cube Gallery.

Graham, Beryl (2014) Exhibition Histories of Critical Participatory Systems”. In: AAH 2014, 10th -12th April 2014, Royal College of Art, London. (Unpublished)

Graham, Beryl (2019) Histories of Interactive New Media Art Exhibitions. In: Art Y Nuevos Medios: Reflectiones, Practicas, Desafios, Conference of Departamento de Historia y Teoría del Arte, 26 April 2019, Spain, Madrid, Universidad Autónoma de Madrid.

Graham, Beryl (2017) IRL to URL: Image Objects. Bloomberg New Contemporaries. 2-day Symposium. In: IRL to URL: Image Objects. Bloomberg New Contemporaries, 24 Nov 2017, BALTIC Centre for Contemporary Art, Gateshead.

Graham, Beryl (2011) Immaterial Portraits: Across Borders. In: Digital Portraits of Transculturalism, 25 Feb 2011, Centre for Creative Collaboration, Goldsmith’s College, London.. (Unpublished)

Graham, Beryl (2017) In conversation: Gary Zhexi Zhang 'Erotics of the Interface'. In: Iniva Research Network Event. London: Iniva, 28 June, Iniva, London.

Graham, Beryl (2018) New Materialities and New Collecting: Future Exhibiting and Audiences After New Media Art (conference presentation). In: International Symposium: What do Museums Collect?, 29 Nov-1 Dec 2018, Seoul, Korea, National Museum of Modern and Contemporary Art (MMCA).

Graham, Beryl (2010) New Media Art. In: Museums Association Conference. Manchester, October 2010, Manchester. (Unpublished)

Graham, Beryl (2012) New Media and Digital Art: Interactive Audiences. In: CAFA Art Museum, Guest Lecture, 12 June 2012., CAFA Art Museum, Beijing, China..

Graham, Beryl (2021) New Objects: Collecting New Media Art, Audiences and Exhibiting. In: Media Curating and Collection Research Seminar, Departamento de Historia y Teoría del Arte. Universidad Autónoma de Madrid., 21 Apr 2023, Departamento de Historia y Teoría del Arte. Universidad Autónoma de Madrid.. (Unpublished)

Graham, Beryl (2017) Peking Seminar: New Media Art. In: Peking University seminar series: Prof. Laozhu, staff and PhD researchers of Media Lab (National Committee of Experimental Art), Annual of Contemporary Art of China, 26 November 2017, Beijing.

Graham, Beryl (2019) Promises and Realities of Digital Technologies. In: Credit — a discussion about monetisation and value in the art world, 30 November 2019, London, UK (Central St. Martins).

Graham, Beryl (2017) Technostalgia Panel Conversation. In: Anthologies Launch Event, 23 March 2017, London, UK (Carroll Fletcher Gallery).

Graham, Beryl (2021) What is the shape of a PhD research process? In: Research Student Training Seminars, 28 January 2021, Glasgow, Graduate School of the College of Arts, University of Glasgow.

Hutchinson, James (2021) Being Sculpture(s) #shadowselfie. In: a-not-unruffled-surface-contemporary-sculpture-and-dress, 2021/02/24, online.

Hutchinson, James (2019) James Hutchinson Art 2019. In: European Symposium on Additive Manufacturing, June 26-28 2019, Ecole Centrale Supelec France.

Mitchell, Caroline (2022) Sonic Archaeology: Acoustic mapping with coastal communities. In: Sonic Cartography: Soundscape, Simulation and Re-enactment, 28 - 30 October 2022, University of Kent. (Submitted)

O'Hara, Suzy (2021) Apr Kelas Seni Rupa - Curating Art After New Media Professional Short Course. Jakarta, Indonesia. In: Apr Kelas Seni Rupa - Curating Art After New Media Professional Short Course., 21 & 22 April 2021, Jakarta, Indonesia (online).

O'Hara, Suzy (2020) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement Vorspiel 2020. In: Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement Panel Discussion and Book Launch Vorspiel Festival, 2020, 17 January 2020, ACUD Macht Neu, Veteranenstr 21, 10119 Berlin.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session I: Where do we work? In: Future Focus: Art Hack Practice Session I: Where do we work?, 13 May 2020, Future Everything - online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session II: At Home in the Network. In: Future Focus: Art Hack Practice Session II: At Home in the Network, 3 June 2020, Online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session III: Then and then. In: Future Focus: Art Hack Practice Session III: Then and then, 24 June 2020, Future Everything - online.

O'Hara, Suzy and Smith, Dominic (2018) Recoding the Wall 2018. In: ReCoding the Wall, 18 March 2018, Hope Street Xchange, University of Sunderland.

Plouviez, Arabella and Mckay, Carol (2011) Photography, walking and social networking: reflecting on critical photographic practice. In: The Versatile Image, Photography in the Age of Web 2.0, 24th - 26th Jun 2011, University of Sunderland & Newcastle University. (Unpublished)

Victoria, Bradbury and Suzy, O'Hara (2016) Evaluating Art Hacking Events Through Practice. In: ISEA 2016 (International Symposium for Electronic Art), 16 - 22 May 2016, Hong Kong.

Book

Cook, Sarah (2011) Euphoria & Dystopia: The Banff New Media Institute Dialogues. Riverside Architectural Press / The Banff Centre Press, Toronto / Banff. ISBN 978-1894773225

Cook, Sarah (2012) Journal of Curatorial Studies: special issue. Intellect Press, UK. ISBN 2045-5836 (Submitted)

Davies, Peter (2004) Random Architecture. Art Editions North. ISBN 9781873757208

Graham, Beryl (2003) Directions in art: Digital media. Directions in Art . Heinemann, Oxford. ISBN 978-0431176567

Graham, Beryl and Cook, Sarah (2016) Rethinking Curating: Art After New Media [Chinese edition, in Chinese]. Tsinghua University Press, Beijing. ISBN 9780262013888

Graham, Beryl and O'Hara, Suzy (2022) To Fit the New Art: 7 years of the Curating Art After New Media Curators’ Updating Course. University of Sunderland, Sunderland. ISBN 978-1-906832-48-3

Hutchinson, James and Davies, Peter (2007) James Hutchinson Works 2004 - 2007. Art Editions North. ISBN 9781873757475

Hutchinson, James, Davies, Peter, Carpenter, Ele and Robinson, Alistair (2011) ‘To The Future’ A monograph on the work of James Hutchinson from 2007-2011. Art Editions North. ISBN 9780954911997

Moschovi, Alexandra (2020) A Gust of Photo-Philia: Photography in the Art Museum. Lieven Gevaert Series, 29 . Leuven University Press, Leuven. ISBN 9789462702424

O'Hara, Suzy and Bradbury, Victoria (2019) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement. CRC Press, UK. ISBN 9780815374916

O'Hara, Suzy and Graham, Beryl (2023) To Fit the New Art: 7 years of the Curating Art After New Media Curators’ Updating Course. University of Sunderland, Sunderland. ISBN 978-1-906832-48-3

Artefact

Broeg, Ralf (2009) RECORDS. [Artefact]

Broeg, Ralf (2009) Records REF. [Artefact]

Hutchinson, James (2017) ‘Clay cage Blocky’. [Artefact]

Hutchinson, James (2017) Texan blob and plastic bag scan installation shot mesh exhibition gallery oldham. [Artefact]

Hutchinson, James (2013) The house of ears. [Artefact]

Livingstone, Andrew (2024) CICEMA Festival Internacional de Cine Ceramico de Manises - Performing Jeju Scoria. [Artefact]

O'Hara, Suzy and Coniffy, Helen (2016) Sunderland 10 x 10. [Artefact]

Richardson, Andrew (2013) Twitter Gospels. [Artefact]

Show/Exhibition

Bainbridge, Eric (2013) 'TIP OF THE ICEBERG'. 'Tip Of The Iceberg', 04 . 10 . 2013 - 03 01 2014, Contemporary Art Society, 59 Central Street London.

Broeg, Ralf (2016) 3 Modellräume. Permanent public installation, opening 2016, Underground Station, Heinrich-Heine-Allee, Düsseldorf, Germany.

Broeg, Ralf (2018) 5 temporary soundworks for 3ModelRooms, Underground-Station Heinrich-Heine-Allee, Düsseldorf. Underground-Station Heinrich-Heine-Allee, 02 Dec 2018-06 Jan 2019, Düsseldorf, Germany.

Broeg, Ralf (2016) Continuum & Cut - The Wehrhahn-Line - A Synthesis of the Arts. 30.04.2016 - 09.06.2016, Aedes Architectural Forum, Berlin, Germany.

Broeg, Ralf (2016) Isolationen ZeigRaeume Fugen. Isolationen ZeigRaeume Viersen, 20.02.-29.05.2016, Staedtische Galerie im Park, Viersen, Germany.

Broeg, Ralf (2016) Record Play Repeat. 20.05. – 09.07.2016, Petra Rinck Galerie, Dusseldorf, Germany.

Broeg, Ralf (2017) Zero RPM Records-FuzzyLogics-XF Formats-Isolationen-Melancholien. 19 May - 30 Jul 2017, Kunstverein Aalen.

Collier, Mike Fields Notes. Summer Walk up the Tyne and the North Tyne: from sea to source., 20 May-17 June 2011.

Collier, Mike (2015) 'Ghosts of the Restless Shore: Space, Place and Memory'. 22 Aug - 15 Nov 2016, The Atkinson, Lord Street, Southport, PR8 1DB.

Collier, Mike (2015) drawing? .

Cook, Sarah (2008) Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting from the 1970s to today. Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting, Feb 28 - April 5 2008, Hatton Gallery. Newcastle.

Cook, Sarah (2011) Q.E.D. Quod Erat Demonstrandum (exhibition). Q.E.D., September 2011, LJMU Art and Design Academy, Liverpool.

Graham, Beryl (2011) DEmaterial: Electronic Village Galleries. 2011, Online and in rural locations in Cornwall.

Hutchinson, James (2017) 3d Glitch catalogue. 3d glitch, JANUARY 19 2017 - FEBRUARY 10 2017, Filodrammatica Gallery Korzo 28/1, 51000 Rijeka, Croatia.

Hutchinson, James (2011) Circuit. 21 Apr-26 May 2011, Unit24 Gallery, London.

Hutchinson, James (2020) Clay cages installation. make your own exhibition, 1 Aug-30 Aug 2020, Zurich.

Hutchinson, James (2009) Shaggy modernism. Open Source Embroidery, 6 Jun–20 Sept 2009, Bildmuseet, Umea University, Sweden.

Hutchinson, James (2019) Sleeping Shepherd Remixed. The Wrong epicentre routers, 1 Nov 2019-1 Mar 2020, Centre del Carme Valencia, Spain.

Hutchinson, James (2014) un equilibrium. un equlibrium, 7 Mar – 2 Apr 2014, system gallery Newcastle.

Hutchinson, James and Mitchinson, Graham (2014) Triangles Circles and squares. New contemporary art fair, 29 - 31 Aug 2014, Old Shire Hall Durham, UK.

Larkin, Fiona Soft Structures. Middlesbrough Collection: Soft Structures at Middlesbrough Institute of Modern Art, 19 Sep 2023 – 31 Mar 2024, MIMA, Centre Square, Middlesbrough, TS1 2AZ.

Livingstone, Andrew 3x2 Exhibition of Contemporary Clay. 3 - 19 Nov 11, The Shed, Middle Pier, Galway Harbour, Ireland.

Livingstone, Andrew (2016) The Deconstruction of Trade in Imaging the Blue and White - The Impact of the New. Imaging the Blue and White - The Impact of the New, 19 Nov 2015 - 27 Mar 2016, Yingge Ceramics Museum, New Taipei City, Taiwan.

O'Hara, Suzy (2023) Blue Futures The Word, South Shields, UK 19 July - 29 November 2023. .

O'Hara, Suzy and Smith, Rob (2024) Sound mirror with Rob Smith. Various, Various, Sunderland, Seaham, Hartlepool.

Rennie, Colin (2011) Negative Entropy. Kith and Kin: New Glass and Ceramics, 11 Nov 2011-19 Feb 2012, National Glass centre, University of Sunderland.

Suzy, O'Hara (2023) Blue Futures. 20 Jul 2023 - 03 Dec 2023, National Centre for the Written Word.

Suzy, O'Hara (2019) Co/Lab Sunderland Pilot 2018/19). .

Suzy, O'Hara (2022) One Cell At A Time, public engagement project for Human Cell Atlas, led by Wellcome Sanger Institute. Funded by Wellcome Trust. One Cell At A Time: public engagement with the Human Cell Atla, Jul 2020 - Dec 2021.

Suzy, O'Hara and Di, Mainstone (2018) Wonderlooper, by Di Mainstone: Reinventing Sunderland through innovative art making. New Wear Crossing Bridge, 16 Sep 2018, Sunderland, UK.