SURE

A

Ames, Craig (2009) Inkubator II: Bunker. INKUBATOR 2: An exhibition of Artists Books, Prints and Multiples, 12 Sept-18 Oct 2009, DLI Museum and Art Gallery, Durham.

Ames, Craig (2009) Research 09. Research: 09, 2009, Reg Vardy Gallery, University of Sunderland.

Ames, Craig (2008) War Memorial. 4 Oct- 23 Nov 2008, Aspex Gallery, Portsmouth.

B

Bainbridge, Eric (2008) Anxious Object. 21 Mar - 03 May 2008, Store Gallery, London.

Bainbridge, Eric (2010) The Economy of the Gift. 9 Apr - 22 May 2010, A Foundation / Bluecoat Arts Centre, Liverpool.

Bainbridge, Eric (2008) Forward Thinking 1976 – 2008. Forward Thinking, 29 Aug - 16 Nov 2008, MIMA, Middlesbrough Institute of Modern Art.

Bainbridge, Eric (2009) Gli Anni Ottanta. Gli Anni Ottanta (The eighties), 16 Oct 2009-14 Feb 2010, Villa Reale, Monza, Italy.

Bainbridge, Eric (2011) Modern British Sculpture. 22 Jan-7 Apr 2011, Royal Academy of Arts, London.

Bainbridge, Eric (2008) Monologue/Dialogue 11. An Exhibition of Thai and British Artists - Monologue/Dialogue Part II, 07 Mar-12 Apr 2008, Bischoff/Weiss Gallery, London.

Bainbridge, Eric (2010) Psychic Geography. 22 Jan - 20 Feb 2010, Workplace Gallery, Gateshead, UK.

Bainbridge, Eric (2008) STEW. 25 Jan - 23 Feb 2008, Art Space Gallery, London.

Bainbridge, Eric (2009) Supercollage. 11 Dec 2009 - 13 Feb 2010, Galleria Salvatore+Caroline Ala, Milan.

Bainbridge, Eric and Thurlow, Miles (2009) King Fisher's Tales. King Fisher's Tales; in association with Workplace Gallery, Gateshead, 19th Mar - 3rd May 2008, Union Gallery.

Brennan, Tim (2008) Great Northern Coalfield. So Far, Sat 19 Apr – Fri 1 Aug 2008, Institute of Contemporary Interdisciplinary Arts.

Brennan, Tim (2010) W.A.L.K. Cosmopoetics Conference. In: publication18340, 8-10th September 2010, Durham University.

Broeg, Ralf (2008) 42nd Art Cologne. 16-20 Apr 2008, Cologne, Germany.

Broeg, Ralf (2010) 44th Art Cologne. 21-25 Apr 2010, Cologne, Germany.

Broeg, Ralf (2023) Fotografie (durchgestrichen) (trans.: Photography (crossed out)). Fotografie (durchgestrichen), 13 Oct - 26 Nov 2023, Kunst und Haltung e.V..

Broeg, Ralf (2009) Fuzzy Logics. [Artefact]

Broeg, Ralf (2009) The London Art Book Fair, Whitechapel Gallery, London 2009. The London Art Book Fair, 25-27 Sept 2009, Whitechapel Gallery, London.

Broeg, Ralf (2010) The London Art Book Fair, Whitechapel Gallery, London 2010. The London Art Book Fair, 24-26 Sep 2010, Whitechapel Gallery, London.

Broeg, Ralf MB (Melancholy-Boxes). [Artefact]

Broeg, Ralf (2011) MB 106" & MB 84", sitespecific installation. MB-106" & MB-83", permanent installation, Landwirtschaftsverlag Muenster, Germany.

Broeg, Ralf (2010) MB Tanz - animated outdoor sculpture, Landwirtschaftsverlag, Munster (S)**. publication18343, , Pending Details. TBA.

Broeg, Ralf (2008) NADA Art Fair, Miami. 6th NADA (New Art Dealers Alliance) Art Fair, Dec 2008, Miami, Florida, USA.

Broeg, Ralf (2008) SITE special issue: Transatlantico 2 (gold issue)**. .

Broeg, Ralf (2010) SITEmagazine 12: Institute of Lost Research. [Artefact]

Broeg, Ralf (2008) Symposium Krabbesholm Højskole, in Skive, Denmark (G). Symposium Krabbesholm Højskole, 2008, Skive, Denmark.

Broeg, Ralf (2008) THE, The Suburban, Chicago (G)*. THE, 2008, The Suburban, Chicago.

Broeg, Ralf (2010) Vierwandekunst **. Vierwandekunst, 8-16 Oct 2010, Dusseldorf, Germany.

C

Clayton, Ewan (2009) Art and Memory: new perspectives on memorial art. The Memorial Arts Charity, Snape, Suffolk. ISBN 978-0-9515711-5-6

Clayton, Ewan (2009) Hans-Joachim Burgert. The Scribe (87). pp. 24-28.

Clayton, Ewan (2010) La Poetica Dello Spazio Scritto -The Poetics of Written Space. La Poetica dello Spazio Scritto, 2 October -31 October 2010, Venice, Italy.

Collier, Mike (2010) Art Walking and Cosmopoetics. In: International Conference of Cosmopetics, Sept 2010, Durham University.

Collier, Mike (2019) Ghosts of the Restless Shore: A Personal Pilgrimage. In: Walking, Landscape and Environment. Routledge, London. ISBN 9781315209753

Collier, Mike Meanders as Mobile Practice: Street Flowers – Urban Survivors of the Privileged Land. In: Tourism and Leisure Mobilities Politics, work, and play. Contemporary Geographies of Leisure, Tourism and Mobility . Routledge, London, pp. 15-26. ISBN 9781138921054

Collier, Mike (2014) Wordsworth and Bashō: Walking Poets. 24 May - 2 Nov 2014, Dove Cottage, The Wordsworth Trust Museum Grasmere.

Collier, Mike (2016) Wordsworth and Bashō: Walking Poets. 17 Sep - 3 Nov 2016, Kakimori Bunko, Itami, Japan.

Cook, Sarah (2009) Beam Me Up. , xcult.org. Basel.

Cook, Sarah (2008) Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting from the 1970s to today. Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting, Feb 28 - April 5 2008, Hatton Gallery. Newcastle.

Cook, Sarah (2011) Euphoria & Dystopia: The Banff New Media Institute Dialogues. Riverside Architectural Press / The Banff Centre Press, Toronto / Banff. ISBN 978-1894773225

Cook, Sarah (2008) Immateriality and its discontents: models of curating new media art. University of California Press, Los Angeles. ISBN 0520255976

Cook, Sarah (2012) Journal of Curatorial Studies: special issue. Intellect Press, UK. ISBN 2045-5836 (Submitted)

Cook, Sarah (2008) Networked Memory: Always live and yet always an Archive. University of North Carolina, Greensboro, pp. 116-126. ISBN 1890949116

Cook, Sarah (2011) Q.E.D. Quod Erat Demonstrandum (exhibition). Q.E.D., September 2011, LJMU Art and Design Academy, Liverpool.

Cook, Sarah (2009) Radical Art. Liverpool University Press, England. ISBN 1846312299

Cook, Sarah (2009) Research and Networking. In: SuperHuman Curatorial Masterclass.

Cook, Sarah (2011) Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair). In: Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair), 27 Sept -2 Oct 2011, Liverpool John Moore's University and FACT, Liverpool. (Unpublished)

Cook, Sarah (2009) Understanding Quality: Curatorial Strategies for Online Artistic Production. In: Me, You, and Everyone We Know Is A Curator.

Cook, Sarah (2008) Untethered. , Eyebeam Art and Technology Center. New York.

Cook, Sarah (2008) The Work of Art in the Age of Ubiquitous Narrowcasting? Institute of Network Culture, Amsterdam. ISBN 978-90-78146-05-6

Cope, Nicholas and Howle, Tim Son et Lumières. Seeing Sound 2; practice led international research symposium, 29-30 Oct 2011, Bath Spa University.

Cope, Nicholas and Wood, Eve The Beat is The Law - Fanfare for the Common People. [Artefact]

D

Davies, Peter (2010) Glass North East-Nationala Glass Centre Exhibition. House of Parliament, London, , Pending Details. TBA.

E

Ewins, Neil (2008) British Ceramic Exports 1750-1850. In: Morley College Ceramic Circle Seminar, London.

Ewins, Neil (2009) The Impact of Far Eastern Manufacturing on UK ceramic design: its industry and ceramic consumption (c1990-2010). In: Parallels and Connections: A Ceramics and Glass Research Student Conference, National Glass Centre, Sunderland.

G

Gill, Wendy and Smith, Helen (2023) Autonomous Youth. [Image] (Unpublished)

Gill, Wendy and Smith, Helen (2023) Youth Music Collective. Exploring the Legacy. [Image] (Unpublished)

Gill, Wendy and Smith, Helen (2023) Youth Music Collectives. Exploring the Legacy. [Image] (Unpublished)

Gill, Wendy and Smith, Helen (2023) Youth Music Collectives. Exploring the Legacy. In: Youth Music Collectives. Exploring the Legacy, 25 November 2023, Newcastle Centre of Contemporary Art. (Unpublished)

Goetz, Lothar (2009) Canon. [Artefact]

Goetz, Lothar (2010) Optical Shift. 27 June- 17 Oct 2010, b-05 Kunst- und Kulturzentrum.

Goetz, Lothar (2010) Optical Shift - Illusion und Täuschung. b-05 Kunst-und Kulturzentrum Montabaur (D), , Pending Details. TBA.

Goetz, Lothar, Bar-Amotz, Guy, Kreh, Svenja and Russ, Gregory (2010) Le Sacre du Printemps. 17th April- 13th June 2010, Märkisches Museum Witten.

Goetz, Lothar and O'neil, Paul (2009) Coalesce: Happenstance. Coalesce:Happenstance, 10th Jan-22nd Feb 2009, SMART Project Space, Arie Biemondstraat 105-113, Amsterdam.

Graham, Beryl (2010) Delicate Controls. In: Recorders: Rafael Lozano Hemmer. Manchester Art Gallery, pp. 15-19. ISBN 978-0-901673-78-7

Graham, Beryl (2013) Exhibiting new media and digital art: Interactive audiences and arts administrators/curators. In: Giving up the archive? Reflections on the creation, examination and dissemination of arts organisations’ archives, 1 Jul 2013, London, White Cube Gallery.

Graham, Beryl (2013) Exhibition Histories and New Media Behaviours. Graham, Beryl (2013) “Exhibition Histories and New Media Behaviours.” Journal of Curatorial Studies, 2 (2 (summer)). ., 2 (2). pp. 242-262. ISSN 2045-5836

Graham, Beryl (2012) Histories of Participation and New Media Art. In: Association of Art Historians Conference 2012, 29 - 31 March 2012, Milton Keynes.

Graham, Beryl (2013) Interview with Beryl Graham by Crystal Sanchez and James Smith. Report on the Status and Need for Technical Standards in the Care of Time-Based Media and Digital Art..

Graham, Beryl (2015) Open and closed systems: new media art in museums and galleries. In: Museum Media. The International Handbooks of Museum Studies, 4 Volume Set, V3 . Wiley-Blackwell, Hoboken and Oxford, pp. 499-472. ISBN 9781118829059

Graham, Beryl (2008) Serious Games - case study. In: New Media in the White Cube and Beyond: Curatorial Models for Digital Art. University of California Press, Los Angeles, pp. 191-206. ISBN 0520255976

Graham, Beryl (2010) Tools, Methods, Practice, Process … and Curation. In: Art Practice in a Digital Culture. Digital Research in the Arts and Humanities . Ashgate, Aldershot, pp. 165-174. ISBN 978-0-7546-7623-2

Graham, Beryl (2010) What kind of participative system? Critical vocabularies from new media art. In: The 'Do-it-Yourself' Artwork: Participation from Fluxus to New Media. Rethinking Art's Histories . Manchester University Press, Manchester, pp. 281-305. ISBN 978 07190 8144 6

Graham, Beryl (2009) The ironic heirs to serendipity: British new media art 1980s to now. In: White Heat and Cold Logic: British computer arts 1960-1980. MIT Press, Cambridge, Mass., pp. 401-420. ISBN 9780262026536

Graham, Beryl and Cook, Sarah (2010) A Brief History of Curating New Media Art: Conversations with Curators. Green Box, Berlin. ISBN 978-3-941644-20-5

Graham, Beryl and Cook, Sarah (2010) A Brief History of Working With New Media Art: Conversations with Artists. Green Box, Berlin. ISBN 978-3-941644-21-2

Graham, Beryl and O'Hara, Suzy (2022) To Fit the New Art: 7 years of the Curating Art After New Media Curators’ Updating Course. University of Sunderland, Sunderland. ISBN 978-1-906832-48-3

H

Hayes, Catherine (2020) Positionality, Knowledge and Truth: So Where Lies Reality? In: Beyond Disciplinarity: Historical Evolutions of Research Epistemology. Routledge, London UK. ISBN 9781138090934

Hayes, Catherine, Fulton, John, Livingstone, Andrew, Todd, Claire, Capper, Stephen and Smith, Peter (2020) Beyond Disciplinarity: Historical Evolutions of Research Epistemology. Routledge, London UK. ISBN 9781138090934

Hayes, Catherine and Smith, Peter (2020) Defining and Framing Epistemology. In: Beyond Disciplinarity: Historical Evolutions of Research Epistemology. Routledge, London UK. ISBN 9781138090934

Hayes, Catherine and Todd, Claire Richenda (2020) Illustrating the Transcendence of Disciplinarity. In: Beyond Disciplinarity: Historical Evolutions of Research Epistemology. Routledge, London UK. ISBN 9781138090934

Hutchinson, James (2008) 10: The Chris Orr Years 1998-2008. Royal College of Art Kensington Gore London, , Royal College of Art. Royal College of Art.

Hutchinson, James (2008) 7TH LESSEDRA WORLD ART PRINT ANNUAL - MINI PRINT 2008. Lessedra Gallery Bulgaria, , LESSEDRA Gallery. Sofia.

Hutchinson, James (2008) Archive DVD. The (Self)Promotion Show., , Apexart. NYC.

Hutchinson, James (2010) Berliner Liste 2010. Molkenmarkt 2 10179 Berlin, , ..

Hutchinson, James (2010) Billboard. Backhouse Park Sunderland, , ..

Hutchinson, James (2010) CGI Fridays. Star and Shadow, , ..

Hutchinson, James (2010) COMVIDEO. Apexart, , Apexart. NYC.

Hutchinson, James (2008) Connecting principle 08. Newcastle University, , Newcastle University. Newcastle.

Hutchinson, James (2009) Gun. 101 Ouseburn Newcastle, , Jane and Steve Miller. 101 Ouseburn.

Hutchinson, James (2010) Hotspur Creatures. Hotspur primary school, , ..

Hutchinson, James (2010) The Late shows. Northern Print, , Northern Print. Newcastle upon Tyne.

Hutchinson, James (2008) The Most Curatorial Biennial of the Universe. Exhibition, , Apexart. NYC.

Hutchinson, James (2010) New prints From Northern Print. Northern Print, , Northern Print. Newcastle upon Tyne.

Hutchinson, James (2009) Open source Embroidery. BildMuseet, Umeå University, Sweden, , bildMuseet. umeå University.

Hutchinson, James (2009) Platform 00000009. [Performance]

Hutchinson, James (2010) Roker Gates commission shortlist. Sunderland City Council HQ, , ..

Hutchinson, James (2008) Unique and original. Northern print, , Northern Print. Newcastle upon Tyne.

Hutchinson, James (2010) Unrealised Potential. Northern Gallery of contemporary Art, , Northern Gallery of Contemporary Art. Sunderland.

Hutchinson, James (2008) arts centre washington. billboard, , Arts Centre Washington. NE38 8AB.

Hutchinson, James (2009) ghost trace stellar. [Performance]

Hutchinson, James (2009) media exchange commission. Pending Details, TBA.

L

Larkin, Fiona (2023) History, Practice and Pedagogy: Empathic Engagements in the Visual Arts. In: History, Practice and Pedagogy: Empathic Engagements in the Visual Arts. Springer International Publishing (Verlag). ISBN 978-3-031-70254-9 (In Press)

Livingstone, Andrew (2009) 12th Westerwaldpreis Keramik Museum, Germany. Westerwald Keramik Museum, Westerwald, Germany, , Pending Details. TBA.

Livingstone, Andrew (2009) 5th World Ceramic Biennale, Korea. 5th World Ceramic Biennale,, , Korea.

Livingstone, Andrew (2009) Ceramic Practice and the Digital Interface: Video and ceramic - a discipline activated reading, International Conference, Sydney. In: Australian Ceramics Triennale, International Conference, Sydney, National Art School, Sydney, Australia.

Livingstone, Andrew (2011) ‘The Ceramic Regurgitant: Suitability and the Readymade’. In: Making or Unmaking? The Contexts of Contemporary Ceramics, 27-29 October 2011, Bergen, Norway. (Unpublished)

Livingstone, Andrew (2017) The Ceramics Reader: exploring ceramics and writing. In: Clay Matters: Thinking and Exhibiting Matter in Recent Art, 17-18 November 2017, PXL-MAD School of Arts, Hasselt, Belgium.

Livingstone, Andrew (2009) Creamer Divided. [Artefact]

Livingstone, Andrew (2008) Decentred Meaning: Ceramic materiality - relocating process & technique -, International Conference Helsinki. In: 'Crafticulation' International Conference University of Helsinki, 24-26 Sep 2008, University of Helsinki, Finland.

Livingstone, Andrew (2009) Disruption Rose Tinted II. Disruption, 10th July-8th August 2009, The Fraser Gallery Washington DC, USA.

Livingstone, Andrew (2009) Distorting the ceramic familiar: materiality and non-ceramic intervention, Conference, Keramik Museum, Germany. In: Ceramic Conference, Keramik Museum Westerwald, Germany.

Livingstone, Andrew (2009) 'Future-Forward' British Ceramics Biennial - Conference. In: UNSPECIFIED.

Livingstone, Andrew (2008) ICMEA Conference. Ceramic Review: The International Magazine of Ceramics, 231.

Livingstone, Andrew (2008) 'Juncture' Solo Show - Old Museum Arts Centre. 'Juncture' Solo Show -, 11 June-19th July 2008, Old Museum Arts Centre.

Livingstone, Andrew (2010) Pairings -Group Show. Pairings, Feb 5th-3rd April 2010, Farfield Mill, Cumbria.

Livingstone, Andrew (2018) Thinking Critically: writing about clay in Restating Clay conference 2018, Centre of Ceramic Art, York Art Gallery. In: Restating Clay, 19/20 March 2018, COCA - Centre of Ceramic Art, York..

Livingstone, Andrew (2008) thematic(s). The Patrochulan Press, England. ISBN 9780955850707

Livingstone, Andrew and Fulton, John (2020) Perspectives in Faith, Art and Science. In: Beyond Disciplinarity: Historical Evolutions of Research Epistemology. Routledge, London. ISBN 9781138090934

Livingstone, Andrew and Petrie, Kevin (2017) The Ceramics Reader. Bloomsbury Academic Crafts & Making . Bloomsbury Academic, London and New York. ISBN 9781472584427

Lockwood, Alex (2021) Loops. In: Songs of Place and Time. Cornerhouse Publications, Manchester. ISBN 9780993219290

Lockwood, Alex (2021) Objects of Virtue. In: Art and Animals. UNSPECIFIED, Stockholm. (In Press)

M

Masters, Raymond (2008) RWA Selected Photography Exhibition. RWA Photography Exhibition, , Pending Details. TBA.

Mckay, Carol (2018) Photography's Communities of Practice. In: John Kippin: based on a true story. Kerber Verlag, Berlin. ISBN 9783735604613

Mckay, Carol (2013) The Social: encountering photography. 18 Oct - 16 Nov 2013, venues across Sunderland and the North East of England.

Mike, Collier (2018) Selfscapes: Singing the World. In: Selfscapes, 23 Feb 2018, Dalby Forest.

Mike, Collier (2014) on-ko chi-shin. In: Wordsworth and Basho: Walking Poets. Kakimori Bunko, Itami, Japan, pp. 165-169. ISBN 9781906832209

Mike, Collier and Hannam, Kevin (2018) (Re)envisioning the Anti-Urban: artistic responses in the Walking with Wordsworth and Basho exhibition. In: Envisioning Networked Urban Mobilities: Art, Performances, Impact. Cosmobilities Network (4). Routledge, London, pp. 72-84. ISBN 9781138712362

Moschovi, Alexandra (2019) Another Picture: Inclusivity, Difference and Gender Politics at the San Francisco Museum of (Modern) Art. In: Fast Forward: How Women Work, 30 November- 2 December 2019, Tate Modern, London.

Moschovi, Alexandra (2010) “The Authentic Snap? D.I.Y. Reporting in the Age of We Media”. In: Supplementary Conflicts: Domesticities and Life Histories in Wartime session, 36th AAH Annual Conference 2010, 15 - 17 April 2010, University of Glasgow, Scotland.

Moschovi, Alexandra (2007) Changing Places: The Rebranding of Photography as Contemporary Art. In: Contestations: 33rd Annual Conference of the Association of Art Historians,, 12 - 14 Apr 2007, University of Ulster, Belfast. (Unpublished)

Moschovi, Alexandra (2008) “Changing Places: The Rebranding of Photography as Contemporary Art”. In: Photography between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art. Leuver Gevaert (7). Leuven University Press/Cornell University Publications, Leuven, pp. 143-155. ISBN 978-9058676641

Moschovi, Alexandra (2021) The Democratic Picture: Grace McCann Morley and Photography in the San Francisco Museum of Art. The Classic.

Moschovi, Alexandra (2011) Epimelitikes praktikes peri tis fotografias: Ekdoches, synecdoches, symbraxeis ke antipalotites” (Curatorial practices around photography: Approaches, synecdoches, coalitions and animosities). Criticism and Art (4). pp. 114-120.

Moschovi, Alexandra (2023) From the Studio to the Street. In: N E L LY'S Το έργο της φωτογράφου Έλλης Σουγιουλτζόγλου-Σεραϊδάρη 1899-1998. Benaki Museum, Αthens, p. 402.

Moschovi, Alexandra (2023) From the Studio to the Street: Re-interpreting Nelly’s series Easter Parade. In: Conference dedicated to the work of photographer Elli Souyoutzoglou-Seraidaris (Nelly’s), 13-14 May 2023, Benaki Museum, Athens, Greece. (Submitted)

Moschovi, Alexandra (2011) Greece as Photograph: Histories, Photographies, Theories. In: Greek (Hi)stories through the Lens: Photographs, Photographers and their Testimonies,, 8-11 June 2011, Safra Lecture Theatre, King's College, London.

Moschovi, Alexandra (2020) A Gust of Photo-Philia: Photography in the Art Museum. Lieven Gevaert Series, 29 . Leuven University Press, Leuven. ISBN 9789462702424

Moschovi, Alexandra (2022) A Gust of Photo-Philia: Photography in the Art Museum. In: Faculty of Recorded Media Arts, Institut Seni Indonesia Yogyakarta, the Indonesia Photography Society and the Indonesian Photography Study Program Association, Indonesia, 21 Jan 2022, Online. (Unpublished)

Moschovi, Alexandra (2024) HerPhotographies: Towards an Expanded Photographic Field. In: Herstories: Photographic Practices in Greece. MOMus Thessaloniki Museum of Photography, Thessaloniki, pp. 116-151. ISBN 9786185426460

Moschovi, Alexandra (2009) "I Apli ke Anotheftos Fotografia" (The pure and unadulterated photography". In: Fotografikon Praktorion "D.A. Harissiadis" (Photographic Agency D.A. Harissiadis). Benaki Museum, Athens, Greece, pp. 23-34. ISBN 978-960-476-023-7

Moschovi, Alexandra (2021) Intersections and Disjunctions: The Institutional Profiles of ‘American’ Photography. In: Making American Photographies: Writing Histories of Photography and the United States, 16 Nov - 18 Nov 2021, Online (Rijkmuseum, the Netherlands).

Moschovi, Alexandra (2021) Introduction. In: SHIFTS: Photography in the 21st Century Museum, 7 July 2021, online, NEPN. (Unpublished)

Moschovi, Alexandra (2009) 'Introduction' Airs, Waters, Places. In: UNSPECIFIED Doukas, Athens.

Moschovi, Alexandra (2024) Museum Dialogues: An Introduction. In: Museum Dialigues: Problems and Definitions, 22 Mar 2024, Northern Centre of Photography, Online.

Moschovi, Alexandra (2006) The Museumification of Documentary Photography. In: Shifts: Archives in Dialogue and New Indentities in Documentarism. University of Sunderland and the Centre for Creative Photography Finland, Jyvaskyla, pp. 98-100. ISBN 1873757166

Moschovi, Alexandra (2010) Near Documentary: Certainties and Ambiguities. In: 5th National Conference on the History of Greek Photography, Kithira Photographic Encounters, Kithira, Greece.

Moschovi, Alexandra (2022) The Persistence of Vision. In: In the same Space. National Museum of Contemporary Art, Athens, pp. 20-26. ISBN 978-618-5507-07-7

Moschovi, Alexandra (2007) Photographie, photographies et le photographique: entre images, moyens d'expression et contextes. In: The Athens Effect: L'image photographique dans l'Art contemporain. Futura; Hellenic Cultural Organisation; Maison Europeenne de la photographie, Athens, pp. 13-22. ISBN 9789608276277

Moschovi, Alexandra (2007) Photography, Photographies and the Photographic: Between Images, Media, Contexts. In: The Athens Effect: Photographic Images in Contemporary Art. Futura, Fondazione Mudima, Athens, pp. 13-22. ISBN 9606654281

Moschovi, Alexandra (2013) “Pragmatikotites kai Pithanotites: To Authentiko Plasto? Anaparastaseis tou Pragmatikou se Fotografikes Istories” (Realities and Plausibilities: The Authentic fake? Representations of the Real in Photographic Histories). In: I Elleniki Fotografia ke i Fotografia stin Ellada: An Anthology of Texts (Hellenic Photography and Photography in Greece: An Anthology of Texts). Nefeli Publishing / Museum of Photography Thessaloniki.

Moschovi, Alexandra (2010) “Re-Imag(in)ing Arcadia: British Intervention in the Post-War Reconstruction of Greece, c. 1945-1946”. In: Greece and Britain since 1945. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 61-97. ISBN 978-144-381-962-6

Moschovi, Alexandra (2010) "Re-imag(in)ing Arcadia: Representations of Post-War Greece". In: Friends of the Princeton University Library talk, May 2010, Firestone Library, Princeton, U.S.A..

Moschovi, Alexandra (2010) Re-imag(in)ing Arcadia: The Photographic Representation of Relief and Rehabilitation Programmes in Greece, 1944-1946. In: Modern Greek Studies seminar, January 2010, Centre for Hellenic Studies, King's College London.

Moschovi, Alexandra (2009) Realities and Plausibilities: Re-enacting Realism in Contemporary Photographic Art, curator Alexandra Moschovi. Realities and Plausibilities: Re-enacting Realism in Contemporary Photographic Art, 15 October-20 December 2009, Galerie Xippas, Athens, Greece.

Moschovi, Alexandra (2018) Rebranding Photography: The Cultural Value of Photographs in the Art Museum. In: Visual Culture, Visual Research, 31 July 2018, Faculty of Education, State University of Surabaya, Indonesia.

Moschovi, Alexandra (2016) 'So sachich, dass sie fast funktional zu nennen ist'. Die Neukonstituierung der dokumentarischen Fotografie als Kunst im Museum of Modern Art ('So factual that it may almost be called functional': The Refashioning of the Photographic Document as Art at the Museum of Modern Art). In: Ortsbestimmungen: Das Dokumentarische zwischen Kino und Kunst (Texte zum Dokumentarfilm). Texts on Documentary Film . Verlag Vorwerk 8, Berlin, pp. 70-93. ISBN 9783940384805

Moschovi, Alexandra (2008) Stories of Displacement. In: Pavlos Kozalidis: Searching for a Lost Homeland. Benaki Museum, Athens, pp. 101-106.

Moschovi, Alexandra (2009) A Sudden Gust of Photophilia?: The Rebranding of Photography in the Museum. In: Modern Greek Studies lecture series, 10 Feb 2009, Hellenic Studies Department, Princeton University, Princeton, U.S.A..

Moschovi, Alexandra (2008) Tales of Urbanity in Contemporary Greek Photography. In: Modern Greek Studies lecture series, 6 May 2008, Hellenic Studies Department, Princeton University, Princeton, U.S.A.

Moschovi, Alexandra (2009) Tales of Urbanity in Contemporary Greek Photography. In: Mapping the City, postgraduate course, 8 - 19 Jun 2009, Hellenic Studies Department, Princeton University, Athens, Greece.

Moschovi, Alexandra (2005) Who's afraid of Contemporary Art: The Metamorphosis of Tate Gallery in the Postmodern Period. In: When was Modern Art? A Contemporary Question, 9 Apr 2005, Museum of Modern Art, New York.

Moschovi, Alexandra, Fox, Anna and Kapajeva, Maria (2024) Closing Remarks. In: Hidden (Hi)stories: New Perspectives of Women’s Photographies, 17-19 May 2024, MOMus-Museum of Contemporary Art- Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections, Thessaloniki, Greece.

Moschovi, Alexandra and Galani, Areti (2009) “A Democracy of Images? The Accommodation/Assimilation of Amateur Imagery in the Museum”. In: Private Eyes - Amateur Photography and Collective History, 12-13 November 2009, University of Copenhagen. (Unpublished)

Moschovi, Alexandra and Galani, Areti (2013) Other People’s Stories: Bringing Public-Generated Photography into the Contemporary Art Museum. Museum and Society, 11 (2). pp. 172-184. ISSN 1479-8360

Moschovi, Alexandra and Galani, Areti (2012) ‘Your Photographs on our Walls’: Public-Generated Photography in Art Exhibitions', conference session. In: 38th Annual AAH Conference & Bookfair, 29 - 31 March 2012, The Open University, Milton Keynes. (Unpublished)

Moschovi, Alexandra, Katsaridou, Iro, Leopoulou, Areti and Petsini, Penelope (2024) HerStories. Photographic Practices, 1974-2024. 07 May - 15 Sep 2024, MOMus Thessaloniki Museum of Photography and the Experimental Center for the Arts of MOMus.

Moschovi, Alexandra and Kokkinias, Panos (2012) Panos Kokkinias in conversation with Alexandra Moschovi. In: Panos Kokkinias: Here We Are. Powerhouse, New York City, pp. 122-127. ISBN 978-1-576787-574-2

Moschovi, Alexandra and Memou, Antigoni (2008) Introduction (as co-convenor) of the conference session “Relocations: Photography Within, Across and Outside the Museum since the 1970s”. In: Location: The Museum, the Academy and the Studio, 34th AAH Annual Conference, 2-4 April 2008, Tate Modern and Tate Britain, London. (Unpublished)

Moschovi, Alexandra and Skoufias, Manolis (2017) Redefining photography in the exhibition Portrayals of History. In: Kythera Photographic Encounters Annual Conference, 27 Sep–1 Oct 2017, Kythera, Greece.

Moschovi, Alexandra and Supartono, Alexander (2015) Shifting Powers: Digitality, Modularity and (Im)materiality in the 21st Century Post-Colonial Archive. In: Photography in the 21st Century: Art, Philosophy Technique, 5-6 June 2015, Central St. Martins, London.

Moschovi, Alexandra, Tsirgialou, Aliki and Asdrahas, Spyros (2007) I Ellada mesa apo ti Fotografia: 160 Chronia Optikes Martyries (Greece through Photographs: 160 Years of Visual Testimony). Melissa Publishing, Athens Greece. ISBN 978960204816

O

O'Hara, Suzy (2020) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement Vorspiel 2020. In: Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement Panel Discussion and Book Launch Vorspiel Festival, 2020, 17 January 2020, ACUD Macht Neu, Veteranenstr 21, 10119 Berlin.

O'Hara, Suzy (2019) Little Inventors: From Artistic Method to Global Brand. In: Art Hack Practice Critical Intersections of Art, Innovation and the Maker Movement. Routledge, New York, pp. 108-120. ISBN 9780815374916

O'Hara, Suzy (2023) SeaScapes CoLab, a creative engagement programme, part of SeaScapes: Tyne to Tees shores and seas (2021 - 2024). Project Report. UNSPECIFIED.

O'Hara, Suzy and Bradbury, Victoria (2019) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement. CRC Press, UK. ISBN 9780815374916

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session I: Where do we work? In: Future Focus: Art Hack Practice Session I: Where do we work?, 13 May 2020, Future Everything - online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session II: At Home in the Network. In: Future Focus: Art Hack Practice Session II: At Home in the Network, 3 June 2020, Online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session III: Then and then. In: Future Focus: Art Hack Practice Session III: Then and then, 24 June 2020, Future Everything - online.

O'Hara, Suzy and Graham, Beryl (2023) To Fit the New Art: 7 years of the Curating Art After New Media Curators’ Updating Course. University of Sunderland, Sunderland. ISBN 978-1-906832-48-3

P

Panneels, Inge (2010) 'Pairings' group exhibition. , Manchester Metropolitan University.

Petrie, Kevin (2012) The Prints of Erwin Eisch. In: Erwin Eisch: Wolken waren schon immer mein letzter Halt. Glas und Bilder /Erwin Eisch: Clouds have been my foothold all along. Glass and Paintings. Munich:, Hirmer. ISBN 978-3777453811

Petrie, Kevin (2021) Reflections on the art of Erwin Eisch - Exhibition catalogue essay and gallery talk. In: Erwin Eisch - Heaven Starts on the Ground. NA, NA (NA). FGCU Art Galleries, Florida USA, pp. 9-16. ISBN NA

Petrova, Sylva (2010) "British Glass Biennale 2010 - Context, Content, and Relevance.". In: 2010 British Glass Biennale. British Glass Biennale, pp. 9-12. ISBN 978-09547573-3-5

Petrova, Sylva (2008) Czech and Slovak Glass in Exile. Czech and Slovak Glass in Exile - 2 new international exhibition venues, 2008, NDETEB. Botswana.

Petrova, Sylva (2009) Glass In Sunderland. Fjoezzz. pp. 9-13. ISSN 18711782

Petrova, Sylva (2009) Ivan Mares - A sculptor of Romantic Abstract Visions. New Glass/Neues Glass. pp. 18-23.

Petrova, Sylva (2010) On the Path. In: Petr Vlcek Works 1988-2008. Studio Glass Gallery, Bratislava, Prague and London, 3 - 5. ISBN 978-80-254-7137-1

Petrova, Sylva (2008) 'Preface' to SKLO Union: Art Before Industry: 20th Century Czech Pressed Glass. In: SKLO Union: Art Before Industry: 20th Century Czech Pressed Glass. Hope Fountain Books, pp. 3-5. ISBN 978-0-9560623-0-7

Petrova, Sylva (2010) There Have Been Great Women Artists in the Czech Glass. In: Glass Forum - Women artists Working in Glass: Celebrating Innovation and Vision Across Generations, 15 - 18 Jul 2010, Seattle.

Pickard, Michael (2008) Best Visual Illusion of the Year Contest 2008. UNSPECIFIED.

Plouviez, Arabella (2008) Naristan. Naristan exhibition, 2008, Dhaka, Bangladesh.

Plouviez, Arabella (2010) Poster project. Essen Poster project, Sep 2010, Essen.

Plouviez, Arabella and Mckay, Carol (2012) Mass-Participatory Photography and the Critically-Engaged Practitioner: Commissioning and Exhibiting Contemporary Photography. In: Association of Art Historians Conference 2012, 29 - 31 March 2012, Milton Keynes. (Unpublished)

Plouviez, Arabella and Mckay, Carol (2011) Photography, walking and social networking: reflecting on critical
photographic practice. In: The Versatile Image, Photography in the Age of Web 2.0, 24th - 26th Jun 2011, University of Sunderland & Newcastle University. (Unpublished)

R

Rennie, Colin (2010) Flora. Flora - The Botanical Experience, 26 Mar - 29 Sep 2010, glasmuseet Ebeltoft. Ebletoft.

Richardson, Andrew (2009) Moving Wallpaper-Digital Interactive Projections. In: Offf International Festival for the The Post-Digital Creation Culture, May 2009, Lisbon,Portugal.

Richardson, Andrew (2010) Shine 2010: Urban Garden. [Artefact]

Robinson, Sean (2008) Contribution to Design4Science. , Nobel Museum, Stockholm, Sweden.

Ryley, Marjolaine (2010) The Guru and Earth Changes. Photographic works exploring a personal history. Like Tears in Rain, 11 Jun - 28 Jul 2010, Palácio das Artes – Fábrica de Talentos, Porto, Portugal.

S

Sarmiento, Jeffrey (2009) Thick with Images. In: BeCon 2009, Jun 2009, Portland State University campus, Bullseye Glass Factory, Bullseye Gallery, Bullseye Resource Center, and various local kiln-glass studios.

Sarmiento, Jeffrey (2008) Translations Solo Exhibition. 12 Aug - 27 Sep 2008, Bullseye Gallery. Portland, Oregon.

Suzy, O'Hara (2023) Blue Futures. 20 Jul 2023 - 03 Dec 2023, National Centre for the Written Word.

Suzy, O'Hara (2022) One Cell At A Time, public engagement project for Human Cell Atlas, led by Wellcome Sanger Institute. Funded by Wellcome Trust. One Cell At A Time: public engagement with the Human Cell Atla, Jul 2020 - Dec 2021.

T

Thompson, Brian (2009) Journeys Series #3. Nomadic: Stories of Art and Science, 17 Sep 2009, University of Porto, Portugal.

Thurlow, Miles (2009) "To The Demon King's Castle, of course...". 21 Mar - 18 Apr 2009, Workplace Gallery, Gateshead.

Thurlow, Miles (2009) Tomorrow The Future. 4 - 22 Nov 2008, Fishmarket Gallery, Northampton.

Tornari, Vivi (2013) Holographic Interference: Structural Deformation Detection Applied to Cultural Heritage Objects. Doctoral thesis, University of Sunderland.

V

Victoria, Bradbury and Suzy, O'Hara (2016) Evaluating Art Hacking Events Through Practice. In: ISEA 2016 (International Symposium for Electronic Art), 16 - 22 May 2016, Hong Kong.

W

Woodhouse, Joe (2010) 400 Women. Shoreditch Town Hall, , Pending Details. TBA.

Woodhouse, Joe (2010) Can You Hear It. Curated by Franko B, The Nunnery, London, , Pending Details. TBA.

Woodhouse, Joe (2009) Crystal Cathedrals. Pending Details, TBA.

Woodhouse, Joe (2010) Drawing. NAFFAE annual conference, Swedenborg Society, London, , Pending Details. TBA.

Woodhouse, Joe (2010) Form. Transition Gallery, London, , Pending Details. TBA.

Woodhouse, Joe (2008) Harker Herald Billboard Project. [Artefact]

Woodhouse, Joe (2010) I Love New York. Broadway Gallery, New York, , Pending Details. TBA.

Woodhouse, Joe (2008) Lust and Luxuria. Whitechapel Gallery, London, , Pending Details. TBA.

Woodhouse, Joe (2010) Storm. Whitechapel Gallery, London, , Pending Details. TBA.

Woodhouse, Joe (2010) Works on Paper (with Michael Mulvihill). The Hanging Wall, Newcastle, , Pending Details. TBA.

Woodhouse, Joe and Mulvihill, Michael (2011) Graphite. 28th Jan 2011- 28th Feb2011, Gallery north, Newcastle.