SURE

A

Antonio, Jennifer (2009) The creative use of the tin-containing layer on float glass. Doctoral thesis, University of Sunderland.

B

Bainbridge, Eric (2017) Eric Bainbridge - Solo Exhibition. eric bainbridge, 27 Apr - 17 Jun 2017, monitor, Palazzo Sforza Cesarini via Sforza Cesarini 43a 00186, Roma, Italy.

Barkess, Donna (2018) The Understated Ampersand. In: The Understated Ampersand, 3 Apr 2018, The Water Rats, London. (Unpublished)

Bradbury, Victoria and O'Hara, Suzy (2019) Reframing Innovation: Art, the Maker Movement and Critique. Media-N| The Journal of the New Media Caucus, 15 (2). pp. 5-19. ISSN 2159-6891

Broeg, Ralf (2016) 3 Modellräume. Permanent public installation, opening 2016, Underground Station, Heinrich-Heine-Allee, Düsseldorf, Germany.

Broeg, Ralf (2016) Continuum and Cut – The Dusseldorf Wehrhahn Line – A Synthesis of the Arts (catalogue). Kerber Culture . Kerber Verlag, Berlin/Bielefeld, Germany. ISBN 9783735602497

Broeg, Ralf (2015) The Curves of the Needle. 03 Apr - 17 May 2015, Baltic 39, Newcastle NE1 1EW.

Broeg, Ralf (2014) DYSTOTAL. Dystotal, 07 Feb – 25 May 2014, Pori Art Museum, Pori, Finland.

Broeg, Ralf (2022) Eigenklang_Modulation. Eigenklang-Modulation, May 13th – June 24th 2022 (24/7), 3ModelRooms (Laboratorium), Underground-Station, Heinrich-Heine-Allee, Düsseldorf, Germany.

Broeg, Ralf (2022) Falschlicht-Projektionen. October 31st 2022– January 31st 2023 (24/7), 3ModelRooms (Laboratorium), Underground-Station, Heinrich-Heine-Allee, Düsseldorf, Germany.

Broeg, Ralf (2023) Fotografie (durchgestrichen) (trans.: Photography (crossed out)). Fotografie (durchgestrichen), 13 Oct - 26 Nov 2023, Kunst und Haltung e.V..

Broeg, Ralf (2021) Kurven Eier Blasen (trans.: Curves Eggs Bubbles). 05 June – 23 August 2021, Petra Rinck Galerie, Düsseldorf.

Broeg, Ralf (2022) "Kurven Eier Blasen", artist pages Salon Magazine #21. In: Salon #21. Gerhard Theewen, Cologne, Germany.

Broeg, Ralf (2016) Record Play Repeat. 20.05. – 09.07.2016, Petra Rinck Galerie, Dusseldorf, Germany.

Broeg, Ralf (2014) ZERO RPM RECORDS Higher States of Consciousness artist book & Collectors Edition. ZERO RPM RECORDS, 1 . HausAmMeer production, Duesseldorf.

Broeg, Ralf (2017) Zero RPM Records-FuzzyLogics-XF Formats-Isolationen-Melancholien. 19 May - 30 Jul 2017, Kunstverein Aalen.

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Collier, Mike (2016) Bats in the Hayloft, Cheeseburn. 27 - 29 Aug 2016, Cheeseburn Grange Sculpture House and Gardens.

Collier, Mike (2019) Ghosts of the Restless Shore: A Personal Pilgrimage. In: Walking, Landscape and Environment. Routledge, London. ISBN 9781315209753

Collier, Mike (2015) 'Ghosts of the Restless Shore: Space, Place and Memory'. 22 Aug - 15 Nov 2016, The Atkinson, Lord Street, Southport, PR8 1DB.

Collier, Mike (2017) Singing the World. 26 Aug - 3 Sep 2017, Cheeseburn.

Collier, Mike (2017) Singing the World. In: Making Beyond Words – Intersections Between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, 16-17 Jun 2017, Corsham Court: bath Spa University. (Unpublished)

Collier, Mike (2016) Wordsworth and Bashō: Walking Poets. 17 Sep - 3 Nov 2016, Kakimori Bunko, Itami, Japan.

Collier, Mike (2015) drawing? .

Collier, Mike, Ley, Marcia and Bowey, Keith (2015) String Bedes , Walk 3 August 2106. Stringing Bedes Exhibition, Jul 2015 - Jul 2016, Bedes World , Roker Church, St Pauls, Church Jarrow. St Peters Church Sunderland..

Collier, Mike, Ley, Marcia and Bowey, Keith (2016) Thomas Bewick Woodcuts. Design Centre, 1-12 Feb 2016, Hutton Building University of Sunderland.

Collier, Mike and Ling, Manny (2014) Wordsworth & Basho—Walking Poets. Art Editions North, England, UK. ISBN 9781906832209

D

Dorrian, Edward and Hutchinson, James (2014) (Im)Possible School Book. As Found. In: (Im)Possible School Book. As Found. Public Series Edition 2014 . five Years, London, pp. 37-96. ISBN 9781903724101

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Gale, Natalie, Gawne, Hannah and Larkin, Fiona (2024) Speaking in Tongues at 'What Are Words Worth'. What Are Words Worth, 24 April-11 May 2024, Newcastle.

Gawne, Hannah, Gale, Natalie and Larkin, Fiona (2023) Speaking in Tongues, Do It, Show It, Say It. In: On Not Knowing: How Artists Teach at Glasgow School of Art, 09-10 Jun 2023, Glasgow School of Art. (Unpublished)

Gill, Wendy and Smith, Helen (2023) Autonomous Youth. [Image] (Unpublished)

Goetz, Lothar (2021) COLOURSPACE. 20 May - 31 Jul 2021, Mucciaccia Gallery, Rome, Italy.

Goetz, Lothar (2016) Drawing Rooms. 30 Apr - 30 Oct 2016, Hamburger Kunsthalle.

Goetz, Lothar (2022) Electro-Rainbow commissioned by Canary Wharf for the opening of the new Canary Wharf Elizabeth Line Station and to celebrate Pride month 2022. [Artefact]

Goetz, Lothar (2021) In Private. Petra Rinck Galerie, 13 Mar-31 May 2021, Dusseldorf, Germany.

Goetz, Lothar (2022) Jump, commissioned by Canary Wharf for the Reuters Steps to celebrate Pride Month 2022 in London. [Artefact]

Goetz, Lothar (2023) Lothar Götz Drawings. Petra Rinck Gallery, Petra Rinck Galerie, Dusseldorf.

Goetz, Lothar Project 07. Project 07 Lothar Goetz, 11 July - 31 Oct 2014, Contemporary Art Society London.

Goetz, Lothar (2017) Salsa 2. [Artefact]

Goetz, Lothar (2015) Soho Room at the House of St Barnabas. Soho Room, 1.7. 2014 - 2.10.2015, House of St Barnabas, London.

Graham, Beryl (2019) An Aesthetics of Interaction and Participation? New Media Art, and Histories of Exhibitions. In: The Age of Art. Aesthetics and grammar of contemporary artistic languages, 16 Nov 2019, Italy, Florence, University of Florence.

Graham, Beryl (2019) CRUMB Radio Hour. In: Unfinished List radio streams, a project by ShuLea Chang for Ars Electronica, 8 September 2019, Online, hosted from Austria.

Graham, Beryl (2016) Chair’s Introduction - Equal Collaborations? In: Thinking Digital in the Arts: Unusual Collaborations, 10 May 2016, Gateshead, Sage.

Graham, Beryl (2017) Collection-ish. In: Beyond GRAMMATRON: 20 Years into the Future, 15 Sep 2017, London, UK (British Computer Society).

Graham, Beryl (2020) Curating Art after New Media - Professional Development Course. In: Curating Art after New Media – Professional Development Course, Feb 2014 to Feb 2020 and ongoing, London, UK.

Graham, Beryl (2023) Curating Behaviours; New Media Art. In: Curating and Art History course, Curatorial Practice Now module invited speaker., 27 Oct 2023, York: University of York.. (Unpublished)

Graham, Beryl (2017) Curating New Media Art Between Institutional and Commercial Pressures. In: Contemporary Art // An Unknown. Series of events curated by Ebru Yetiskin, 13 Dec 2019, Turkey, Istanbul, Akbank Cultural Centre.

Graham, Beryl (2019) Curating and Collecting Interaction. In: Sentient Circuitries: Digital Media Art Symposium, 16 Nov 2019, Vancouver, Canada.

Graham, Beryl (2016) Digital Dark Ages Artists’ Panel. In: AND Festival, 10 May 2016, Castleton.

Graham, Beryl (2017) Exhibiting New Media and Digital Art: Educating Curators. In: EAST–International Conference on Education, Art, Science and Technology, 23–24 November 2017, China, Beijing: China Academy of Fine Arts (CAFA) and Beijing Visual Art Innovation Institute (BVAII).

Graham, Beryl (2019) Histories of Interactive New Media Art Exhibitions. In: Art Y Nuevos Medios: Reflectiones, Practicas, Desafios, Conference of Departamento de Historia y Teoría del Arte, 26 April 2019, Spain, Madrid, Universidad Autónoma de Madrid.

Graham, Beryl (2017) IRL to URL: Image Objects. Bloomberg New Contemporaries. 2-day Symposium. In: IRL to URL: Image Objects. Bloomberg New Contemporaries, 24 Nov 2017, BALTIC Centre for Contemporary Art, Gateshead.

Graham, Beryl (2018) New Materialities and New Collecting: Future Exhibiting and Audiences After New Media Art (conference presentation). In: International Symposium: What do Museums Collect?, 29 Nov-1 Dec 2018, Seoul, Korea, National Museum of Modern and Contemporary Art (MMCA).

Graham, Beryl (2017) Peking Seminar: New Media Art. In: Peking University seminar series: Prof. Laozhu, staff and PhD researchers of Media Lab (National Committee of Experimental Art), Annual of Contemporary Art of China, 26 November 2017, Beijing.

Graham, Beryl (2019) Promises and Realities of Digital Technologies. In: Credit — a discussion about monetisation and value in the art world, 30 November 2019, London, UK (Central St. Martins).

Graham, Beryl (2021) Startup meets Artist programme, MediaFutures.eu. UNSPECIFIED.

Graham, Beryl (2017) Technostalgia Panel Conversation. In: Anthologies Launch Event, 23 March 2017, London, UK (Carroll Fletcher Gallery).

Graham, Beryl (2021) What is the shape of a PhD research process? In: Research Student Training Seminars, 28 January 2021, Glasgow, Graduate School of the College of Arts, University of Glasgow.

Grant, Jennifer (2012) Drawing and Glass: Integrating theoretical and contemporary drawing issues with studio glass practice. Doctoral thesis, University of Sunderland.

gilchrist, Bruce (2022) Poetics of Artificial Intelligence in Art Practice: (Mis)apprehended Bodies Remixed as Language. Doctoral thesis, University of Sunderland.

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Hayes, Catherine (2020) Defining and Operationalising Research: 'Case Study as Methodology and Method'. In: Graduate Research School (Research Methodologies Series), Wednesday 21st October 2020, Graduate Research School, University of Sunderland. (Unpublished)

Hayes, Catherine (2021) Integration of Dialogic Assessment in a Multi-disciplinary Professional Doctorate; Transformative Learning in Practice. In: Higher Education Advance Assessment Torchbearer, 04 Jul 2021, Higher Education Advance Global Torchbearer Event 2021.

Hayes, Catherine (2021) The PhD/MPhil Viva voce Examination. In: Graduate Research School - PhD Survival Skills, 14 Jun 2021, Graduate Research School, University of Sunderland. (Unpublished)

Hayes, Catherine and Capper, Stephen (2020) Reality, Insight and Interpretation with Mathematics. In: Beyond Disciplinarity: Historical Evolutions of Research Epistemology. Routledge, London UK. ISBN 9781138090934

Hayes, Catherine, Fulton, John and Petrie, Kevin (2019) Beyond Disciplinarity: Insights into the Development of Teaching Ontology, Epistemology and Philosophy on an Interdisciplinary Professional Doctorate Pathway. In: Advance HE’s Annual Teaching and Learning Conference 2019,Teaching in the spotlight: Innovation for teaching excellence, 2nd - 4th July 2019, Northumbria University.

Hayes, Catherine, Fulton, John, Petrie, Kevin, Todd, Claire Richenda, Livingstone, Andrew, Capper, Stephen, Bussey, Sonia and Rennie, Colin (2017) The Artistry of becoming a Scientist in Podiatric Medicine; Transcending and re-connecting Disciplinary Boundaries in Art and Science. In: : Society of Chiropodists and Podiatrists Annual Conference, 16-18 Nov 2017, ACC Liverpool. (Submitted)

Hayes, Catherine and Smith, Peter (2020) Defining and Framing Epistemology. In: Beyond Disciplinarity: Historical Evolutions of Research Epistemology. Routledge, London UK. ISBN 9781138090934

Hayes, Catherine and Todd, Claire Richenda (2020) Illustrating the Transcendence of Disciplinarity. In: Beyond Disciplinarity: Historical Evolutions of Research Epistemology. Routledge, London UK. ISBN 9781138090934

Hutchinson, James (2017) 3d Glitch catalogue. 3d glitch, JANUARY 19 2017 - FEBRUARY 10 2017, Filodrammatica Gallery Korzo 28/1, 51000 Rijeka, Croatia.

Hutchinson, James (2017) Clay Cage. Mesh, 11 Mar - 3 Jun 2017, Gallery Oldham.

Hutchinson, James (2017) ‘Clay cage Blocky’. [Artefact]

Hutchinson, James (2019) James Hutchinson Art 2019. In: European Symposium on Additive Manufacturing, June 26-28 2019, Ecole Centrale Supelec France.

Hutchinson, James (2016) Mercury Remixed 1:1 Manchester School of Art. [Artefact]

Hutchinson, James (2017) Mercury Remixed installed at mesh Gallery Oldham. [Artefact]

Hutchinson, James Monolith and Amkahm. 11 Mar - 3 Jun 2017, Gallery Oldham.

Hutchinson, James Nine paintings with no more nails. November 8 to December 8 2017, Priestman Gallery Sunderland sr13pz.

Hutchinson, James (2018) Reprint. In: reprint. Marmalade, pp. 168-177. ISBN 9780993337321

Hutchinson, James (2016) Saga (Tamaran). saga tamaran, 2-5 Mar 2016, El Castillo, Santa Brigida, Gran Canaria.

Hutchinson, James (2019) Sleeping Shepherd Remixed. The Wrong epicentre routers, 1 Nov 2019-1 Mar 2020, Centre del Carme Valencia, Spain.

Hutchinson, James (2017) Texan blob and plastic bag scan installation shot mesh exhibition gallery oldham. [Artefact]

Hutchinson, James, Jaf, Sardar and Lewis, Nick (2020) Cybercage. Breeze Creatives, 25-19 Oct 2020, Newcastle, UK.

Hutchinson, James, Shaw, Tamara, Chatzipavlou, Areti and Mitchinson, Graham (2018) Bagist sailboat performance. [Film/Video]

Hutchinson, James, Smith, Dominic, Dickson, Erin, Nissan, Bettina and Rennie, Colin (2018) Fabricated group show Hexham. 10 Mar– 14 Apr 2018, Queens Hall Arts Centre Hexham, UK.

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Inge, Panneels (2016) Reflections: glass: water: art:science. UNSPECIFIED, Selkirk. (Unpublished)

Inge, Panneels and Mike, Collier (2017) Being Human. Mapping the Borders, 18-25 Nov 2017, Selkirk (exhibition) and Galashiels (walk).

Inge, Panneels and Mike, Collier (2017) Mapping the Borders: Pushing New Boundaries. [Film/Video]

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Johnston, John (2018) ‘Critical Visual Arts Education’ A Pedagogy of Conflict Transformation In Search of the ‘Moral Imagination’. Doctoral thesis, University of Sunderland.

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Kefala-Kerr, John (2022) "Fray": Associate Artist Residency and Exhibition (An Tobar and Mull Theatre). 'Fray'Associate Artist residency, 01/09/22 - 31/08/23, An Tobar and Mull Theatre.

Kefala-Kerr, John (2022) Sanctuary. [Composition]

Kefala-Kerr, John (2021) Variations on a Theme of Agatha Christie. 21/10/21 - 12/03/22, National Centre for the Written Word.

Kirkham, Jill (2019) Slow Fashion: Ethics and Sustainability in the Fashion Industry. Project Report. UNSPECIFIED. (Unpublished)

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Larkin, Fiona (2022) Empathic Attention, gesture and feeling into, photography Dr. Fiona Larkin. In: Conference paper given at Photo Ireland in Dublin, Ireland Aug 25th 2022 Photography: An Empathetic Gesture? Convened by Ailbhe Greaney with PHOTOIRELAND and ULSTER UNIVERSITY, Aug 25th 2022, Dublin Castle, Ireland.

Larkin, Fiona (2022) Public Talk: Hearing from Artists, MIMA, Middlesbrough. In: 'Hearing From Artists: Fiona Larkin', 24th Sept 2022, MIMA, Middlesbrough.

Larkin, Fiona, Gale, Natalie and Gawne, Hannah (2024) Speaking in Tongues - Contemporary Art Research Forum at Northumbria University. In: Contemporary Art Research Forum at Northumbria University, 07 May 2024, Northumbria University. (Unpublished)

Leeson, Miles, Petrie, Kevin, Richardson, Matthew and Sommer, Carol (2023) Iris Murdoch and Artistic Inspiration Iris Murdoch Society Podcast. [Audio]

Ley, Marcia (2015) Room For You Arts in Health presentation Arts and Society 10th conference 2015. In: 10th International Conference on The Arts and Society, 22-25 Jul 2015, Imperial College London. (Unpublished)

Ley, Marcia (2019) Tales of the Tyne exhibition. Gateshead Library Gallery, 12 Oct 2018-13 Jan 2019, Gateshead UK.

Ling, Manny, Gregg, Carl, Hutchinson, James and MacDonald, Alistair Leonardo Objects Group show. leonardo objects, 1 February - 6 May 2019, sunderland museum & wintergardens.

Livingstone, Andrew (2024) CICEMA Festival Internacional de Cine Ceramico de Manises - Performing Jeju Scoria. [Artefact]

Livingstone, Andrew (2017) The Ceramics Reader: exploring ceramics and writing. In: Clay Matters: Thinking and Exhibiting Matter in Recent Art, 17-18 November 2017, PXL-MAD School of Arts, Hasselt, Belgium.

Livingstone, Andrew (2016) The Deconstruction of Trade in Imaging the Blue and White - The Impact of the New. Imaging the Blue and White - The Impact of the New, 19 Nov 2015 - 27 Mar 2016, Yingge Ceramics Museum, New Taipei City, Taiwan.

Livingstone, Andrew (2017) Extending Vocabularies: Distorting the Ceramic Familiar - Clay and the Performative 'Other'. In: The Ceramics Reader. Bloomsbury Academic Press, London, pp. 323-334. ISBN 978-1-4725-8443-4

Livingstone, Andrew (2024) Future Archaeology, how will they tell? and Emoji Fruit. Baltic Open 2024, 17 Mar - 01 Sep 2024, Baltic Centre for Contemporary Art, Gateshead, Tyne & Wear.

Livingstone, Andrew (2017) U(nu)sed and Abused: Social and Political Potentiality - Material, manufacture and Abandoned Sites, in The Post-Industrial Landscape as Site for Creative Practice - Material Memory. In: The Post-Industrial Landscape as Site for Creative Practice - Material Memory. Cambridge Scholars Publishing, UK, pp. 63-67. ISBN 9781443899376

Livingstone, Andrew and Fulton, John (2020) Perspectives in Faith, Art and Science. In: Beyond Disciplinarity: Historical Evolutions of Research Epistemology. Routledge, London. ISBN 9781138090934

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Marcia ley, M.G.P.Ley and Mark Todman, M.J. Todman (2017) Scenes Ancient and Modern Exhibition of painting and prints. Private view, 1 Feb 2017, Design Centre.

Maskrey, James (2017) Craft and Design Magazine. Craft and Design Magazine, 249. p. 15.

Mckay, Carol (2018) Photography's Communities of Practice. In: John Kippin: based on a true story. Kerber Verlag, Berlin. ISBN 9783735604613

Mike, Collier and Hannam, Kevin (2018) (Re)envisioning the Anti-Urban: artistic responses in the Walking with Wordsworth and Basho exhibition. In: Envisioning Networked Urban Mobilities: Art, Performances, Impact. Cosmobilities Network (4). Routledge, London, pp. 72-84. ISBN 9781138712362

Moschovi, Alexandra (2007) The Colour of Politics or the Politics of Colour? The Reinvention of British Documentary Photography in the 1980s. In: Colour Photography: From Autochrome to Cibachrome, 10 Nov 2007, London, UK (Courtauld Institute of Art).

Moschovi, Alexandra (2022) A Gust of Photo-Philia: Photography in the Art Museum. In: Faculty of Recorded Media Arts, Institut Seni Indonesia Yogyakarta, the Indonesia Photography Society and the Indonesian Photography Study Program Association, Indonesia, 21 Jan 2022, Online. (Unpublished)

Moschovi, Alexandra (2024) HerPhotographies: Towards an Expanded Photographic Field. In: Herstories: Photographic Practices in Greece. MOMus Thessaloniki Museum of Photography, Thessaloniki, pp. 116-151. ISBN 9786185426460

Moschovi, Alexandra (2023) Intermedia Pictures. In: Not a Photography Collection. Zeppos and Yannopoulos, Athens, pp. 12-15.

Moschovi, Alexandra (2021) Intersections and Disjunctions: The Institutional Profiles of ‘American’ Photography. In: Making American Photographies: Writing Histories of Photography and the United States, 16 Nov - 18 Nov 2021, Online (Rijkmuseum, the Netherlands).

Moschovi, Alexandra (2024) Museum Dialogues: An Introduction. In: Museum Dialigues: Problems and Definitions, 22 Mar 2024, Northern Centre of Photography, Online.

Moschovi, Alexandra (2006) The Museumification of Documentary Photography. In: Shifts: Archives in Dialogue and New Indentities in Documentarism. University of Sunderland and the Centre for Creative Photography Finland, Jyvaskyla, pp. 98-100. ISBN 1873757166

Moschovi, Alexandra (2022) The Persistence of Vision. In: In the same Space. National Museum of Contemporary Art, Athens, pp. 20-26. ISBN 978-618-5507-07-7

Moschovi, Alexandra (2007) Photographie, photographies et le photographique: entre images, moyens d'expression et contextes. In: The Athens Effect: L'image photographique dans l'Art contemporain. Futura; Hellenic Cultural Organisation; Maison Europeenne de la photographie, Athens, pp. 13-22. ISBN 9789608276277

Moschovi, Alexandra (2007) Photography, Photographies and the Photographic: Between Images, Media, Contexts. In: The Athens Effect: Photographic Images in Contemporary Art. Futura, Fondazione Mudima, Athens, pp. 13-22. ISBN 9606654281

Moschovi, Alexandra, Fox, Anna and Kapajeva, Maria (2024) Closing Remarks. In: Hidden (Hi)stories: New Perspectives of Women’s Photographies, 17-19 May 2024, MOMus-Museum of Contemporary Art- Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections, Thessaloniki, Greece.

Moschovi, Alexandra and Supartono, Alexander (2015) Shifting Powers: Digitality, Modularity and (Im)materiality in the 21st Century Post-Colonial Archive. In: Photography in the 21st Century: Art, Philosophy Technique, 5-6 June 2015, Central St. Martins, London.

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O'Hara, Suzy (2021) Apr Kelas Seni Rupa - Curating Art After New Media Professional Short Course. Jakarta, Indonesia. In: Apr Kelas Seni Rupa - Curating Art After New Media Professional Short Course., 21 & 22 April 2021, Jakarta, Indonesia (online).

O'Hara, Suzy (2019) Little Inventors - Thinking Like a Child - Professional Development Workshop. In: Little Inventors - Thinking Like a Child, 15 November 2019, Gala Theatre, Durham.

O'Hara, Suzy (2023) SeaScapes CoLab, a creative engagement programme, part of SeaScapes: Tyne to Tees shores and seas (2021 - 2024). Project Report. UNSPECIFIED.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session I: Where do we work? In: Future Focus: Art Hack Practice Session I: Where do we work?, 13 May 2020, Future Everything - online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session II: At Home in the Network. In: Future Focus: Art Hack Practice Session II: At Home in the Network, 3 June 2020, Online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session III: Then and then. In: Future Focus: Art Hack Practice Session III: Then and then, 24 June 2020, Future Everything - online.

O'Hara, Suzy and Coniffy, Helen (2016) Sunderland 10 x 10. [Artefact]

O'Hara, Suzy and Smith, Dominic (2018) Recoding the Wall 2018. In: ReCoding the Wall, 18 March 2018, Hope Street Xchange, University of Sunderland.

O'Hara, Suzy and Smith, Rob (2024) Sound mirror with Rob Smith. Various, Various, Sunderland, Seaham, Hartlepool.

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Panneels, Inge (2015) British Glass Biennale 2015, exhibition. British Glass Biennale 2015, 28 May - 28 Jun 2015, Stourbridge.

Panneels, Inge (2015) Map-i: Blue Marble. n/a. (Unpublished)

Panneels, Inge Trace: an exhibition exploring the language of mapping. Trace, 9-15th September 2015, 1, Tower Street, Selkirk.

Panneels, Inge and Collier, Mike (2018) Mapping the Borders Exhibition. [Film/Video]

Panneels, Inge and Van Royen, Harry (2013) Map-i: Mercator Revisited. Snoeck, Belgium. ISBN 978-94-6161-086-7

Petrie, Kevin (2023) Other Journeys: Reflections on reading Iris Murdoch and Making Art. In: The Iris Murdoch Review. Iris Murdoch Research Centre, University of Chichester, pp. 74-80. ISBN 978-1-907852-74-9

Petrie, Kevin (2024) Reading Iris Murdoch and making art – aspirations and inspirations. In: Eleventh International Iris Murdoch Conference, 30th August – 1st September 2024, University of Chichester.

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Ryley, Marjolaine (2013) 'Growing up in the New Age' - Artists Monograph. Daylight Imprint, New York USA. ISBN 9780983231684

Ryley, Marjolaine (2022) A Guide to Eco-Printing in 'ReSource'. In: ReSource. Sustainable Darkroom.

Ryley, Marjolaine (2022) The Mushroom Who Saw the Future. Mycologies - Antennae The Journal of Nature in Visual Culture, 58 (58). pp. 179-191.

Ryley, Marjolaine (2022) A Tendril of Creeper as part of 'A Rose is a Rose is a Rose' exhibition. https://www.hestercombe.com/whats-on/artists-discussion-a-rose-is-a-rose, , Hestercombe Gsllery.

Ryley, Marjolaine (2020) 'This is What I See' Mid Career Retrospective at Northern Gallery for Contemporary Art. https://sunderlandculture.org.uk/events/marjolaine-ryley-this-is-what-i-see/, .

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Scarfuto, Rosalinda Ruiz (2018) Investigations into the impact of tactile perception on the artist’s creative process expressed on a 3D Poetic Canvas using the methodology of a ‘Forest Flaneur’. Doctoral thesis, University of Sunderland.

Schizakis, Stamatios (2022) Plugged In: The Introduction of New Media Art Practices in Greece in the 1970s AND 1980s. Doctoral thesis, University of Sunderland.

Smith, HELEN (2023) Nowhere Like This Place. Feminist Practices: What Do We Know About How Sally Made Work, 21/02/2023, Newcastle Contemporary Art.

Smith, Peter (2014) The PhD Viva How to Prepare for your Oral Examination. Palgrave Research Skills . Palgrave, London. ISBN 9781137395764

Suzy, O'Hara (2019) Co/Lab Sunderland Pilot 2018/19). .

Suzy, O'Hara (2022) One Cell At A Time, public engagement project for Human Cell Atlas, led by Wellcome Sanger Institute. Funded by Wellcome Trust. One Cell At A Time: public engagement with the Human Cell Atla, Jul 2020 - Dec 2021.

Suzy, O'Hara and Di, Mainstone (2018) Wonderlooper, by Di Mainstone: Reinventing Sunderland through innovative art making. New Wear Crossing Bridge, 16 Sep 2018, Sunderland, UK.

Suzy, O'Hara and Lottie, Steele (2024) SeaScapes Co/Lab Podcasts. [Audio]

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Tyrrell, John (2000) Built form in Koshirakura, an Activity Centre and Speed Reading Urban Design in Yokohama. In: AA Files 41, 1999, Japan, East and West..

Tyrrell, John (2015) Pret-a-Dessin/Drawing-in-a-box. In: Beyond The Frame, Society for Animation Conference, 13 - 15 Jul 2015, Canterbury. (Unpublished)

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Victoria, Bradbury and Suzy, O'Hara (2016) Evaluating Art Hacking Events Through Practice. In: ISEA 2016 (International Symposium for Electronic Art), 16 - 22 May 2016, Hong Kong.

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Wadsworth, Fabian, Llewellin, Edward, Rennie, Colin, Watkinson, Cate, Mitchell, Joanna, Vasseur, Jeremie, Mackie, Fleur, Carr, Alexandra, Schmiedel, Tobias, Witcher, Taylor, Soldati, Arianna, Jackson, Lucy E, Foster, Annabelle, Hess, Kai-Uwe, Dingwell, Donald B and Hand, Russell J (2022) Using obsidian in glass art practice. Volcanica Journal, 5 (1). pp. 183-207. ISSN 2610-3540

Watkinson, Cate (2013) The Changing Nature of Architectural Glass A narrative of one artist’s commissioned works realised between 1990 and 2012 in the North East of England. The Changing Nature of Architectural Glass, September to November 2013, National Glass Centre Sunderland.

Watkinson, Cate (2016) Invited as stained glass specialist and selection panel member for new window for the North Quire Aisle of Durham Cathedral. UNSPECIFIED.

Watkinson, Cate (2024) Restoration and repair of stained glass artworks in Monkseaton Metro station. Nexus, UK.

Watkinson, Cate and Cutler, Vanessa (2016) 'Tall Trees' screen printed glass sculpture designed and made in collaboration with Dr Vanessa Cutler. [Artefact]

Watkinson, Cate, Gasper, Giles and McLeish, Tom (2018) Medieval concepts of colour turned into glass artwork in new exhibition. The Conversation Trust.

Watkinson, Cate, Gasper, Giles and McLeish, Tom (2018) Medieval concepts of colour turned into glass artwork in new exhibition. The Independent Online.

Watkinson, Cate, Rennie, Colin, Wadsworth, Fabian and Llewellin, Edward (2019) In Vulcan's Forge. Nature Geoscience, 12 (2-3). ISSN 1752-0908

Wolland, Peter (2009) Energy was in the Air. , University Gallery & Baring Wing, Northumbria University, Newcastle.

Wolland, Peter (1992) From Tyne to Tay Newcastle Group. , Francis Cooper Gallery, Dundee, Scotland.

Wolland, Peter (2005) Head Paintings. .

Wolland, Peter (2002) Head Paintings. , Waygood Gallery.

Wolland, Peter (2004) Head for Colour. , Gateshead Library Gallery.

Wolland, Peter (1991) International Art Fair 91. , The Moving Gallery, Business Design Centre, London.

Wolland, Peter (1996) The Italian Connection. , The Vicarage Cottage Gallery, North Shields.

Wolland, Peter (1998) Lyrical Orientation. , Beatrice Royal Gallery, Eastleigh.

Wolland, Peter (1993) Mark Jones & Peter Wolland Paintings. , The Myles Meehan Gallery, Darlington.

Wolland, Peter (1993) New English Art in Riga, Newcastle Group. , Academy of Arts Riga, Latvia.

Wolland, Peter (1997) New Images: Britain and Australia into the 21st Century, Friends from the North, Newcastle Group. 1997-1998, Newcastle Regional Art Gallery Australia. Penrith Regional Gallery and The Lewers Bequest, Emu Plains NSW Australia.

Wolland, Peter (1992) Newcastle Group. 1992-1993, Tampera Art Museum, Finland.

Wolland, Peter (1992) Newcastle Group. , Central Hall of the Artists, Moscow Russia.

Wolland, Peter (2017) Ottava. Spectrum Cultural Hub Gallery, , Seaham.

Wolland, Peter (2016) Paint, Colour and Cut. , Priestman Gallery, University of Sunderland.

Wolland, Peter (1990) The Permanent Collection. , Newcastle Upon Tyne Polytechnic.

Wolland, Peter (1989) Peter Wolland. 5th International Art Fair (Oxford Gallery), , Olympia London.

Wolland, Peter (1989) Peter Wolland Paintings. , Oxford Gallery.

Wolland, Peter (1989) Peter Wolland Paintings. , The Polytechnic Gallery, Newcastle upon Tyne.

Wolland, Peter (1989) Rome Scholars 1980-1990. , Royal College of Art London.

Wolland, Peter (2016) Spectrum Inaugural Exhibition. Spectrum Cultural Hub Gallery, , Seaham.

Wolland, Peter (1988) Ten British Artists, Mostra. , British School at Rome.

Wolland, Peter (2004) Think of a Space. , Musa Fine Art, St Mary’s, Gateshead.

Woodhouse, Joe (2016) Foundation Art and Design, pedagogies past and present. In: The Hidden Curriculum, National Association of Fine Art Education, Annual Symposium for Fine Art Educators, 22 Jan 2016, London Metropolitan University.

Woodhouse, Joe (2016) Foundation Press: using active learning to establish research methodologies in Art and Design. In: HEA Conference, Inspire: sharing great practice in Arts and Humanities teaching and learning. Brighton, 2016., 3-4th Mar 2016, Brighton. (Unpublished)

Woodhouse, Joe (2017) Foundations of a Creative Curriculum. In: Foundations of a Creative Curriculum, 20 May 2017, BALTIC Centre for Contemporary Art. (Unpublished)

Woodhouse, Joe and Mulvihill, Michael (2011) Graphite. Northumbria University, Newcastle upon Tyne. ISBN 978-0-9565433-0-1

Woodhouse, Joe, Phillips, Adam and Madge, Tom (2014) Print in Practice, NewBridge Projects, Newcastle. International Print Biennial, June 2014, NewBridge Books, Newcastle.