SURE

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Bradbury, Victoria and O'Hara, Suzy (2019) Reframing Innovation: Art, the Maker Movement and Critique. Media-N| The Journal of the New Media Caucus, 15 (2). pp. 5-19. ISSN 2159-6891

Brennan, Tim Enchiridion. In: Enchiridion. Information As Material.

Brennan, Tim (2008) ‘Luddite Manoeuvre’ (Performance). Radar, Mar 2008, Loughborough University.

Brennan, Tim (2010) 'The Manoeuvre’ (journal Article). Visual studies, 25 (1). pp. 80-81. ISSN 1472-5878

Brennan, Tim (2014) Mendicant Manoeuvre. [Artefact]

Brennan, Tim (2013) Roman Runner: Limes Germanicus I. [Artefact]

Brennan, Tim (2011) Vedute Manoeuvre- video. The Knowledge, 4 Jun - 27 Nov 2011, 54th Venice Biennale’Gervasuti Foundation.

Brennan, Tim (2008) iAmbic Pedometer: Ur Manoeuvre. Their Colours and Their Forms - Artists’ Responses to Wordsworth’, 02 Feb - 10 Mar 2013, Dove Cottage, Wordsworth Trust, Ambleside.

Brennan, Tim, Smith, Bob and Smith, Roberta (2011) New Ways of Curating. In: Organiser, Speaker, Documentation Artist, 27 Jan 2011, New Art Gallery Wallsall; various national locations.

Broeg, Ralf (2021) 3 ModelRooms [Website]. Ralf Broeg Studios.

Broeg, Ralf (2016) 3 Modellräume. Permanent public installation, opening 2016, Underground Station, Heinrich-Heine-Allee, Düsseldorf, Germany.

Broeg, Ralf (2018) 5 temporary soundworks for 3ModelRooms, Underground-Station Heinrich-Heine-Allee, Düsseldorf. Underground-Station Heinrich-Heine-Allee, 02 Dec 2018-06 Jan 2019, Düsseldorf, Germany.

Broeg, Ralf (2016) Continuum & Cut - The Wehrhahn-Line - A Synthesis of the Arts. 30.04.2016 - 09.06.2016, Aedes Architectural Forum, Berlin, Germany.

Broeg, Ralf (2016) Continuum and Cut – The Dusseldorf Wehrhahn Line – A Synthesis of the Arts (catalogue). Kerber Culture . Kerber Verlag, Berlin/Bielefeld, Germany. ISBN 9783735602497

Broeg, Ralf (2013) Doppler and Melancholy Box 57. [Artefact]

Broeg, Ralf (2022) Eigenklang_Modulation. Eigenklang-Modulation, May 13th – June 24th 2022 (24/7), 3ModelRooms (Laboratorium), Underground-Station, Heinrich-Heine-Allee, Düsseldorf, Germany.

Broeg, Ralf (2022) Falschlicht-Projektionen. October 31st 2022– January 31st 2023 (24/7), 3ModelRooms (Laboratorium), Underground-Station, Heinrich-Heine-Allee, Düsseldorf, Germany.

Broeg, Ralf (2022) "Kurven Eier Blasen", artist pages Salon Magazine #21. In: Salon #21. Gerhard Theewen, Cologne, Germany.

Broeg, Ralf MB (Melancholy-Boxes). [Artefact]

Broeg, Ralf (2011) MB 106" & MB 84", sitespecific installation. MB-106" & MB-83", permanent installation, Landwirtschaftsverlag Muenster, Germany.

Broeg, Ralf (2010) SITEmagazine 12: Institute of Lost Research. [Artefact]

Broeg, Ralf SITEmagazine_ongoing publication project. [Artefact]

Broeg, Ralf (2017) Zero RPM Records-FuzzyLogics-XF Formats-Isolationen-Melancholien. 19 May - 30 Jul 2017, Kunstverein Aalen.

Broeg, Ralf (2012) An den Rändern der Kunst group show at Markus Ambach Projekte, Düsseldorf. Am Rande der Kunst, 3 Mar - 5 May 2012, MAP, Bachstr. 139-143, 40217 Düsseldorf, Germany.

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Clayton, Ewan (2013) The Golden Thread: The Story of Writing. Atlantic Books, London, England. ISBN 9781848873629

Collier, Mike (2019) Ghosts of the Restless Shore: A Personal Pilgrimage. In: Walking, Landscape and Environment. Routledge, London. ISBN 9781315209753

Collier, Mike Meanders as Mobile Practice: Street Flowers – Urban Survivors of the Privileged Land. In: Tourism and Leisure Mobilities Politics, work, and play. Contemporary Geographies of Leisure, Tourism and Mobility . Routledge, London, pp. 15-26. ISBN 9781138921054

Collier, Mike (2010) NOTES on a return. In: NOTES on a return. AEN (Art Editions North, Sunderland, pp. 53-68. ISBN 978-0-9557478-6-1

Collier, Mike (2013) On Walking -Conference Proceedings. Art Editions North, North east England. ISBN 978–1–906832–18–6

Collier, Mike (2017) Singing the World. In: Making Beyond Words – Intersections Between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, 16-17 Jun 2017, Corsham Court: bath Spa University. (Unpublished)

Collier, Mike (2013) Street Flowers: Urban Survivors of the Privileged Land. Various, Sunderland.

Collier, Mike (2012) Street Flowers: Urban Survivors of the Privileged Land Conference Paper. In: Duration, 29 Mar - 31 Mar 2012, Culture Lab, Newcastle University. (Unpublished)

Collier, Mike (2012) Street Flowers: Urban Survivors of the Privileged Land: Conference Paper and Published Essay. In: Tourism, Roads and Cultural Itineraries: Meaning, Memory and Development. Laval University, Quebec. ISBN 978-2-7637-1789-0 (Unpublished)

Collier, Mike (2012) Street Flowers: Urban Survivors of the Privileged Land: Sound Walk. .

Collier, Mike, Clayton, Ewan, Cockburn, Ken, cowton, Jeff, Flint-Sato, Christine, Kunial, Zaffar, Kono, Eiichi, Ling, Manny, Mchugh, Chris, Monta, Nobuya, Panneels, Inge, Richardson, Andrew, Sakamoto, Nao, Skelton, Richard, Richardson, Autumn, Tani, Ayako, Thompson, Brian and Mckay, Carol (2014) Wordsworth and Basho: Walking Poets. May - Nov 2014, Dove Cottage: The Wordsworth Museum.

Collier, Mike and Hannam, Kevin (2013) In Temperley's Tread Conference Paper. In: Active Countryside Tourism, 23 - 25 Jan 2013, International Centre for Research in Events, Tourism and Hospitality, Leeds Metropolitan University.

Collier, Mike, Ley, Marcia and Bowey, Keith (2015) String Bedes , Walk 3 August 2106. Stringing Bedes Exhibition, Jul 2015 - Jul 2016, Bedes World , Roker Church, St Pauls, Church Jarrow. St Peters Church Sunderland..

Cook, Sarah (2011) Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair). In: Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair), 27 Sept -2 Oct 2011, Liverpool John Moore's University and FACT, Liverpool. (Unpublished)

Cope, Nicholas (2011) Contextualising Electroacoustic Movies. In: Seeing Sound 2; practice led international research symposium, 29-30 Oct 2011, Bath Spa University. (Unpublished)

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Dr Mike Collier, Dr M, Marcia Ley, M.G.P and Keith Bowey, K (2015) Response to Bewick. 21 Jan - 31 Mar 2015, Bewick gallery , Gateshead Civic centre.

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Gale, Natalie, Gawne, Hannah and Larkin, Fiona (2024) Speaking in Tongues at 'What Are Words Worth'. What Are Words Worth, 24 April-11 May 2024, Newcastle.

Gawne, Hannah, Gale, Natalie and Larkin, Fiona (2023) Speaking in Tongues, Do It, Show It, Say It. In: On Not Knowing: How Artists Teach at Glasgow School of Art, 09-10 Jun 2023, Glasgow School of Art. (Unpublished)

Gill, Wendy and Smith, Helen (2023) Autonomous Youth. [Image] (Unpublished)

Gill, Wendy and Smith, Helen (2023) Youth Music Collective. Exploring the Legacy. [Image] (Unpublished)

Gill, Wendy and Smith, Helen (2023) Youth Music Collectives. Exploring the Legacy. [Image] (Unpublished)

Gill, Wendy and Smith, Helen (2023) Youth Music Collectives. Exploring the Legacy. In: Youth Music Collectives. Exploring the Legacy, 25 November 2023, Newcastle Centre of Contemporary Art. (Unpublished)

Goetz, Lothar (2018) Backstage. 19th January - 10th March 2018, David Risley Gallery, Copenhagen, Denmark.

Goetz, Lothar (2009) Canon. [Artefact]

Goetz, Lothar (2021) Cloud for Arte in Nuvola, Rome. [Artefact]

Goetz, Lothar (2022) Colour Rush. [Artefact]

Goetz, Lothar (2020) DISCO-SQUARE, 2020 [Perspex cube, acrylic on wood 20x20x20cm] for CUBE3. [Artefact]

Goetz, Lothar (2023) Dance Diagonal - Lothar Götz. Towner Publishing, Towner, Eastbourne. ISBN 9781871360288

Goetz, Lothar (2015) Festival of Love. 28 June - 31 August 2014, Southbank Centre, London.

Goetz, Lothar (2018) Furniture by Artists Chair, Chair, Chair, Lamp, Table, Bed, Sofa. David Risley Gallery, 17 Mar-26 May 2018, Copenhagen, Denmark.

Goetz, Lothar (2018) Goetzbau. The Rural College of Art, 23 Jun 2018-ongoing, Bradfield, Essex. UK.

Goetz, Lothar (2019) If Only. Petra Rinck Gallery, 15 Mar-5 May 2019, Düsseldorf, Germany.

Goetz, Lothar (2022) Jump, commissioned by Canary Wharf for the Reuters Steps to celebrate Pride Month 2022 in London. [Artefact]

Goetz, Lothar (2022) Lothar Goetz In Hereford - with meadow Arts. Station Approach - Lothar Goetz in Hereford, Jun 15, 2022 ‐ Apr 30, 2023, Hereford College of Arts (HCA) and NMiTE’s new student accommodation.

Goetz, Lothar (2021) Porte de Couleur. [Artefact]

Goetz, Lothar (2018) Stripes with Pink. Adhoc, 18 May-3 Jun 2018, Bochum, Germany.

Goetz, Lothar (2022) Upbeat, commissioned by Canary Wharf for the Riverside Steps to celebrate Pride Month 2022 in London. [Artefact]

Goetz, Lothar, Ackermann, Franz, Brown, Alexander and Claerbout, David (2007) Idylle - Traum and Trugschluss (Dreams and Fallacy). In: Idyll: Illusion and Delusion. Hatje Cantz Publishers, Germany. ISBN 978-3-7757-1943-8

Graham, Beryl (2012) Self-Institutionalisation: Who, in what kind of system? On-Curating. Institution as Medium. Curating as Institutional Critique? Part II (13). pp. 8-10. ISSN 0803-0391

Graham, Yitka (2022) Research and knowledge exchange: capturing evidence of the impact of arts and creative-practice based social prescribing on wellbeing. In: Arts and Healtn, April 29th 2022, National Glass Centre, Sunderland.

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Hani, Melanie (2012) Film/Art Work: Gender Renaissance: Analysing the impact of animation, the production process and film (Good Hearts Model 2011) in tackling issues surrounding and relating to having a parent who is transgender. [Film/Video] (Unpublished)

Harvey, Peter (2008) 'Between Controversy and Ecumenism: Intra-Buddhist Relationships'. EOS- Editions St.Ottilien, St.Ottilien, pp. 114-42. ISBN 978-3-8306-7351-4

Harvey, Peter (2010) Buddhism: its outlook and qualities of character fostered by its practice, wqith reflections on Buddhism and the role of the armed forces. In: To be published in the Royal Army Chaplains magazine.

Harvey, Peter (2009) Buddhist Perspectives on Crime and Punishment. In: Destroying Mara Forever: Buddhist Ethics Essays in Honor of Damien Keown. Snow Lion, Ithaca, New York, pp. 47-66. ISBN 1559393416

Harvey, Peter (2008) 'A Buddhist perspective on pre-implantation genetic diagnosis'. BioNews.

Harvey, Peter (2009) The Four Ariya-saccas as 'True Realities for the Spiritually Ennobled' - the Painful, its Origin, its Cessation, and the Way Going to this - Rather than 'Noble Truths' Concerning These. Buddhist Studies Review, 26 (2). pp. 197-227.

Harvey, Peter (2008) 'Resources for dissolving conflict in Theravada Buddhism'. The Key Publishing House, Toronto, pp. 89-141. ISBN 978-0-9780431-9-3

Harvey, Peter (2009) 'The approach to knowledge and truth in the Theravada record of the discourses of the Buddha', 'Theravada Philosophy of mind and the person: Anattalakkhana Sutta, Maha-nidana Sutta and Milindapanha', 'Theravada texts on ethics'. Oxford University Press, Oxford, n175-85, 265-754, 375-87. ISBN 978-0-19-532817-2

Harvey, Peter (2010) The nature of the eight-factored ariya, lokuttara magga in the Suttas, compared to the Abhidhamma idea of the momentary magga. In: Spalding Symposium on Indian Religions.

Hayes, Catherine, Fulton, John, Petrie, Kevin, Todd, Claire Richenda, Livingstone, Andrew, Capper, Stephen, Bussey, Sonia and Rennie, Colin (2017) The Artistry of becoming a Scientist in Podiatric Medicine; Transcending and re-connecting Disciplinary Boundaries in Art and Science. In: : Society of Chiropodists and Podiatrists Annual Conference, 16-18 Nov 2017, ACC Liverpool. (Submitted)

Husband, Gary (2023) The importance of education entry points in environmental artwork. Points of Return, 01 May 2023 - 25 Jun 2023, Umbrella Arts Center, Concord (MA.) USA.

Hutchinson, James (2017) 3d Glitch catalogue. 3d glitch, JANUARY 19 2017 - FEBRUARY 10 2017, Filodrammatica Gallery Korzo 28/1, 51000 Rijeka, Croatia.

Hutchinson, James (2014) Exhibition at The European Forum on Additive Manufacturing. The European Forum on Additive Manufacturing, 24 - 26 Jun 2014, Ecole Centrale Paris.

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Inge, Panneels (2016) Reflections: glass: water: art:science. UNSPECIFIED, Selkirk. (Unpublished)

Inge, Panneels and Mike, Collier (2017) Being Human. Mapping the Borders, 18-25 Nov 2017, Selkirk (exhibition) and Galashiels (walk).

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Jenkins, Hayley (2021) Be the Sea Meditations. [Audio]

Jenkins, Hayley and Mackenzie, Louise (2021) Be the Sea Conversations. [Audio]

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Larkin, Fiona (2023) History, Practice and Pedagogy: Empathic Engagements in the Visual Arts. In: History, Practice and Pedagogy: Empathic Engagements in the Visual Arts. Springer International Publishing (Verlag). ISBN 978-3-031-70254-9 (In Press)

Larkin, Fiona (2022) Public Talk: Hearing from Artists, MIMA, Middlesbrough. In: 'Hearing From Artists: Fiona Larkin', 24th Sept 2022, MIMA, Middlesbrough.

Larkin, Fiona Soft Structures. Middlesbrough Collection: Soft Structures at Middlesbrough Institute of Modern Art, 19 Sep 2023 – 31 Mar 2024, MIMA, Centre Square, Middlesbrough, TS1 2AZ.

Larkin, Fiona, Gale, Natalie and Gawne, Hannah (2024) Speaking in Tongues - Contemporary Art Research Forum at Northumbria University. In: Contemporary Art Research Forum at Northumbria University, 07 May 2024, Northumbria University. (Unpublished)

Ley, Marcia (2015) Room For You Arts in Health presentation Arts and Society 10th conference 2015. In: 10th International Conference on The Arts and Society, 22-25 Jul 2015, Imperial College London. (Unpublished)

Ley, Marcia and Hutchinson, James (2012) I've never passed my cycling proficiency test. [Film/Video] (Unpublished)

Ley, Marcia and Mulqueen, Mark (2014) Room for You: Arts in Health (Participatory Arts). In: The Art of Good Health and Wellbeing-International Arts and Health Conference, 11-13 Nov 2014, National Gallery of Victoria, Melbourne, Australia. (Unpublished)

Livingstone, Andrew (2011) ‘The Ceramic Regurgitant: Suitability and the Readymade’. In: Making or Unmaking? The Contexts of Contemporary Ceramics, 27-29 October 2011, Bergen, Norway. (Unpublished)

Livingstone, Andrew (2011) The Ceramic Regurgitant: Sustainability and the Readymade. In: Ceramic Arts and Design for a Sustainable Society; International Ceramics Symposium 2011, 7 - 11 Mar 2011, Frölunda Culture Centre, Gothenburg, Sweden.

Livingstone, Andrew (2023) Confluence Ceramics><Glass. Confluence Ceramics >< Glass, 25 March 2023 - 10 September 2023, National Glass Centre.

Livingstone, Andrew (2017) Extending Vocabularies: Distorting the Ceramic Familiar - Clay and the Performative 'Other'. In: The Ceramics Reader. Bloomsbury Academic Press, London, pp. 323-334. ISBN 978-1-4725-8443-4

Livingstone, Andrew (2011) Mit Feuer und Flamme Red Hot - Ceramics in Contemporary Art. In: Mit Feuer und Flamme. Biberacher Verlagsdruckerei, pp. 60-65. ISBN 9783933614964

Livingstone, Andrew (2022) Perfection of Understanding. In: Perfection of Understanding. Independent Publishing Network, UK, pp. 123-127. ISBN 9781800685666

Livingstone, Andrew (2018) Thinking Critically: writing about clay in Restating Clay conference 2018, Centre of Ceramic Art, York Art Gallery. In: Restating Clay, 19/20 March 2018, COCA - Centre of Ceramic Art, York..

Livingstone, Andrew (2017) U(nu)sed and Abused: Social and Political Potentiality - Material, manufacture and Abandoned Sites, in The Post-Industrial Landscape as Site for Creative Practice - Material Memory. In: The Post-Industrial Landscape as Site for Creative Practice - Material Memory. Cambridge Scholars Publishing, UK, pp. 63-67. ISBN 9781443899376

Livingstone, Andrew and Kim, Jeoung-Ah (2011) Ceramic Arts and Design for a Sustainable Society. In: Ceramic Arts and Design for a Sustainable Society. Frolunda Culture centre, Gothenberg, pp. 36-53. ISBN 9789163381843

Livingstone, Andrew and Petrie, Kevin (2017) The Ceramics Reader. Bloomsbury Academic Crafts & Making . Bloomsbury Academic, London and New York. ISBN 9781472584427

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Marcia Ley, M.Ley (2017) George Washing school Banner. [Artefact]

McGhie, Helen (2021) Dark Matter. SelfScapes 2021, 12 April - 2 July, Dalby Forest.

McGhie, Helen (2021) Stargazing at the 'Invisible': Photography and the Power of Obscured Light - A Research Partnership with Kielder Observatory. In: EGU General Assembly 2021, 19 - 30 April 2021, Online.

Mckay, Carol (2013) The Social: encountering photography. 18 Oct - 16 Nov 2013, venues across Sunderland and the North East of England.

Mckay, Carol and Strachan, John (2013) Their Colours and their Forms, Artists' Responses to Wordsworth. AEN and Wordsworth Trust, UK. ISBN 978-906832-06-3

Mitchell, Caroline (2022) Sonic Archaeology: Acoustic mapping with coastal communities. In: Sonic Cartography: Soundscape, Simulation and Re-enactment, 28 - 30 October 2022, University of Kent. (Submitted)

Moschovi, Alexandra (2019) Another Picture: Inclusivity, Difference and Gender Politics at the San Francisco Museum of (Modern) Art. In: Fast Forward: How Women Work, 30 November- 2 December 2019, Tate Modern, London.

Moschovi, Alexandra (2010) “The Authentic Snap? D.I.Y. Reporting in the Age of We Media”. In: Supplementary Conflicts: Domesticities and Life Histories in Wartime session, 36th AAH Annual Conference 2010, 15 - 17 April 2010, University of Glasgow, Scotland.

Moschovi, Alexandra (2008) “Changing Places: The Rebranding of Photography as Contemporary Art”. In: Photography between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art. Leuver Gevaert (7). Leuven University Press/Cornell University Publications, Leuven, pp. 143-155. ISBN 978-9058676641

Moschovi, Alexandra (2021) The Democratic Picture: Grace McCann Morley and Photography in the San Francisco Museum of Art. The Classic.

Moschovi, Alexandra (2024) Discursive Encounters: Embracing Photography in the Art Museum. In: Engendering Photography, 19 Aug 2024, National Gallery Singapore.

Moschovi, Alexandra (2011) Epimelitikes praktikes peri tis fotografias: Ekdoches, synecdoches, symbraxeis ke antipalotites” (Curatorial practices around photography: Approaches, synecdoches, coalitions and animosities). Criticism and Art (4). pp. 114-120.

Moschovi, Alexandra (2020) A Gust of Photo-Philia: Photography in the Art Museum. Lieven Gevaert Series, 29 . Leuven University Press, Leuven. ISBN 9789462702424

Moschovi, Alexandra (2022) A Gust of Photo-Philia: Photography in the Art Museum. In: Faculty of Recorded Media Arts, Institut Seni Indonesia Yogyakarta, the Indonesia Photography Society and the Indonesian Photography Study Program Association, Indonesia, 21 Jan 2022, Online. (Unpublished)

Moschovi, Alexandra (2024) HerPhotographies: Towards an Expanded Photographic Field. In: Herstories: Photographic Practices in Greece. MOMus Thessaloniki Museum of Photography, Thessaloniki, pp. 116-151. ISBN 9786185426460

Moschovi, Alexandra (2021) Intersections and Disjunctions: The Institutional Profiles of ‘American’ Photography. In: Making American Photographies: Writing Histories of Photography and the United States, 16 Nov - 18 Nov 2021, Online (Rijkmuseum, the Netherlands).

Moschovi, Alexandra (2021) Introduction. In: SHIFTS: Photography in the 21st Century Museum, 7 July 2021, online, NEPN. (Unpublished)

Moschovi, Alexandra (2024) Museum Dialogues: An Introduction. In: Museum Dialigues: Problems and Definitions, 22 Mar 2024, Northern Centre of Photography, Online.

Moschovi, Alexandra (2006) The Museumification of Documentary Photography. In: Shifts: Archives in Dialogue and New Indentities in Documentarism. University of Sunderland and the Centre for Creative Photography Finland, Jyvaskyla, pp. 98-100. ISBN 1873757166

Moschovi, Alexandra (2009) “No Control: Reporting the Greek Riots in the Age of Social Networking Media”. In: Photography and International Conflict, 25 - 26 Jun 2009, UCD Clinton Institute for American Studies, Dublin, Ireland. (Unpublished)

Moschovi, Alexandra (2022) The Persistence of Vision. In: In the same Space. National Museum of Contemporary Art, Athens, pp. 20-26. ISBN 978-618-5507-07-7

Moschovi, Alexandra (2007) Photographie, photographies et le photographique: entre images, moyens d'expression et contextes. In: The Athens Effect: L'image photographique dans l'Art contemporain. Futura; Hellenic Cultural Organisation; Maison Europeenne de la photographie, Athens, pp. 13-22. ISBN 9789608276277

Moschovi, Alexandra (2024) Photography in the Art Museum: Historical Shifts and Contemporary Challenges, introduction to round table discussion Collecting Photography in Southeast Asian Museums. In: ICAS 13, Crossways of Knowledge, The 13th International Convention of Asia Scholars, Conference and Festival, 28 Jul-1 Aug 2024, Universitas Airlangga, Surabaya, Indonesia.

Moschovi, Alexandra (2007) Photography, Photographies and the Photographic: Between Images, Media, Contexts. In: The Athens Effect: Photographic Images in Contemporary Art. Futura, Fondazione Mudima, Athens, pp. 13-22. ISBN 9606654281

Moschovi, Alexandra (2009) Realities and Plausibilities: Re-enacting Realism in Contemporary Photographic Art, curator Alexandra Moschovi. Realities and Plausibilities: Re-enacting Realism in Contemporary Photographic Art, 15 October-20 December 2009, Galerie Xippas, Athens, Greece.

Moschovi, Alexandra (2018) Rebranding Photography: The Cultural Value of Photographs in the Art Museum. In: Visual Culture, Visual Research, 31 July 2018, Faculty of Education, State University of Surabaya, Indonesia.

Moschovi, Alexandra (2016) 'So sachich, dass sie fast funktional zu nennen ist'. Die Neukonstituierung der dokumentarischen Fotografie als Kunst im Museum of Modern Art ('So factual that it may almost be called functional': The Refashioning of the Photographic Document as Art at the Museum of Modern Art). In: Ortsbestimmungen: Das Dokumentarische zwischen Kino und Kunst (Texte zum Dokumentarfilm). Texts on Documentary Film . Verlag Vorwerk 8, Berlin, pp. 70-93. ISBN 9783940384805

Moschovi, Alexandra (2012) The Ubiquitous Image: The Novel Cult Value of Public-generated Snaps in the ecosystem of Web 2.0. In: Beyond Representation: Photography, Humans & Computers, 24 - 25 May 2012, Centre for Media & Culture Research, London South Bank University in association with the journal Philosophy of Photography. (Unpublished)

Moschovi, Alexandra, Fox, Anna and Kapajeva, Maria (2024) Closing Remarks. In: Hidden (Hi)stories: New Perspectives of Women’s Photographies, 17-19 May 2024, MOMus-Museum of Contemporary Art- Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections, Thessaloniki, Greece.

Moschovi, Alexandra and Galani, Areti (2009) “A Democracy of Images? The Accommodation/Assimilation of Amateur Imagery in the Museum”. In: Private Eyes - Amateur Photography and Collective History, 12-13 November 2009, University of Copenhagen. (Unpublished)

Moschovi, Alexandra and Galani, Areti (2010) “Trans/forming Museum Narratives: The Accommodation of Photography 2.0 in Contemporary Exhibitions”. In: Transforming Culture in the Digital Age: International Conference in Tartu, 14-16 April 2010. Estonian National Museum, Estonian Literary Museum, University of Tartu, Tartu, pp. 187-193. ISBN 978-9949-417-59-9

Moschovi, Alexandra and Galani, Areti (2012) ‘Your Photographs on our Walls’: Public-Generated Photography in Art Exhibitions', conference session. In: 38th Annual AAH Conference & Bookfair, 29 - 31 March 2012, The Open University, Milton Keynes. (Unpublished)

Moschovi, Alexandra, Katsaridou, Iro, Leopoulou, Areti and Petsini, Penelope (2024) HerStories. Photographic Practices, 1974-2024. 07 May - 15 Sep 2024, MOMus Thessaloniki Museum of Photography and the Experimental Center for the Arts of MOMus.

Moschovi, Alexandra and Memou, Antigoni (2008) Introduction (as co-convenor) of the conference session “Relocations: Photography Within, Across and Outside the Museum since the 1970s”. In: Location: The Museum, the Academy and the Studio, 34th AAH Annual Conference, 2-4 April 2008, Tate Modern and Tate Britain, London. (Unpublished)

Moschovi, Alexandra and Supartono, Alexander (2015) Re-Visiting the Colonial Archive in the Era of Web 2.0. In: The Impact of Digitization on Photographic Heritage, Europeanna, 29-30 January 2015, CS Digital (KU Leuven) and the Lieven Gevaert Centre for Photography, Leuven Belgium.

Moschovi, Alexandra and Supartono, Alexander (2015) Shifting Powers: Digitality, Modularity and (Im)materiality in the 21st Century Post-Colonial Archive. In: Photography in the 21st Century: Art, Philosophy Technique, 5-6 June 2015, Central St. Martins, London.

Mulqueen, Mark (2014) Room for You- Arts in Health. In: The Art of Good Health and Wellbeing-International Arts and Health Conference, 11-13 Nov 2014, National Gallery of Victoria, Melbourne, Australia.

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O'Hara, Suzy (2020) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement Vorspiel 2020. In: Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement Panel Discussion and Book Launch Vorspiel Festival, 2020, 17 January 2020, ACUD Macht Neu, Veteranenstr 21, 10119 Berlin.

O'Hara, Suzy (2023) Blue Futures The Word, South Shields, UK 19 July - 29 November 2023. .

O'Hara, Suzy (2019) Little Inventors: From Artistic Method to Global Brand. In: Art Hack Practice Critical Intersections of Art, Innovation and the Maker Movement. Routledge, New York, pp. 108-120. ISBN 9780815374916

O'Hara, Suzy (2023) SeaScapes CoLab, a creative engagement programme, part of SeaScapes: Tyne to Tees shores and seas (2021 - 2024). Project Report. UNSPECIFIED.

O'Hara, Suzy and Bradbury, Victoria (2019) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement. CRC Press, UK. ISBN 9780815374916

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session I: Where do we work? In: Future Focus: Art Hack Practice Session I: Where do we work?, 13 May 2020, Future Everything - online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session II: At Home in the Network. In: Future Focus: Art Hack Practice Session II: At Home in the Network, 3 June 2020, Online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session III: Then and then. In: Future Focus: Art Hack Practice Session III: Then and then, 24 June 2020, Future Everything - online.

O'Hara, Suzy and Coniffy, Helen (2016) Sunderland 10 x 10. [Artefact]

O'Hara, Suzy and Smith, Rob (2024) Sound mirror with Rob Smith. Various, Various, Sunderland, Seaham, Hartlepool.

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Panneels, Inge (2012) Map as Metaphor: 500 years of Mercator; a window on the world. In: Proceedings of the International Conference Mercator Revisited. University Press. Zelzate, Sint-Niklaas - Belgium, pp. 69-82. ISBN 978-94-6197036-7

Panneels, Inge (2018) Mapping the Borders: charting change. MapLines, Spring.

Panneels, Inge and Collier, Mike (2018) Mapping the Borders Exhibition. [Film/Video]

Panneels, Inge and Wiszniewski, Dorian (2016) Reflections: glass: water: art: science. Blurb. ISBN 978-0-D-9573892-6-7

Petrie, Kevin (2021) Reflections on the art of Erwin Eisch - Exhibition catalogue essay and gallery talk. In: Erwin Eisch - Heaven Starts on the Ground. NA, NA (NA). FGCU Art Galleries, Florida USA, pp. 9-16. ISBN NA

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Rennie, Colin and Carr, Alexandra (2024) Only Breath. [Artefact]

Rennie, Colin and Watkinson, Cate (2016) "off the grid" silverlink point. [Artefact]

Ryley, Marjolaine (2013) 'Growing up in the New Age' - Artists Monograph. Daylight Imprint, New York USA. ISBN 9780983231684

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Smith, Helen and Gill, Wendy (2023) Tyne & Wear Music/Youth Collectivism from the 1980s and beyond…. Public discussion event Youth / Music Collectives: Exploring the legacy, Saturday 25th November, Newcastle Contemporary Art.

Suzy, O'Hara (2023) Blue Futures. 20 Jul 2023 - 03 Dec 2023, National Centre for the Written Word.

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Victoria, Bradbury and Suzy, O'Hara (2016) Evaluating Art Hacking Events Through Practice. In: ISEA 2016 (International Symposium for Electronic Art), 16 - 22 May 2016, Hong Kong.

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Watkinson, Cate (2013) The Changing Nature of Architectural Glass A narrative of one artist’s commissioned works realised between 1990 and 2012 in the North East of England. The Changing Nature of Architectural Glass, September to November 2013, National Glass Centre Sunderland.

Watkinson, Cate (2024) Restoration and repair of stained glass artworks in Monkseaton Metro station. Nexus, UK.