SURE

A

Adams, Paul, Adams, Andrea and Husband, Gary (2024) Melys: BBC Sessions Volume 1. Peel sessions and selected rarities. [Audio]

Allen, Becky (2023) A Human-Centered Artificial Intelligence Approach to Adaptable Digital Musical Instrument Development. In: CHIME Annual One-day Music and HCI Workshop, 04 Dec 2023, The Open University, Milton Keynes, UK.

B

Broeg, Ralf (2018) 5 temporary soundworks for 3ModelRooms, Underground-Station Heinrich-Heine-Allee, Düsseldorf. Underground-Station Heinrich-Heine-Allee, 02 Dec 2018-06 Jan 2019, Düsseldorf, Germany.

Broeg, Ralf (2016) Continuum & Cut - The Wehrhahn-Line - A Synthesis of the Arts. 30.04.2016 - 09.06.2016, Aedes Architectural Forum, Berlin, Germany.

C

Chan, Hiu-Ting, Mo, Ronald, Chau, Chuck-Jee and Horner, Andrew (2018) The Emotional Characteristics of Section String Instruments with Different Pitch and Dynamics. In: International Computer Music Conference, Aug 5, 2018 - Aug 10, 2018, Daegu, South Korea.

Chan, Hiu-Ting, Mo, Ronald, Keyes, Christopher and Horner, Andrew (2019) The Emotional Characteristics of Brass Musical Instruments with Different Pitch and Dynamics. In: International Computer Music Conference, Jun 16, 2019 - Jun 24, 2019, New York, USA.

Chau, Chuck-Jee, Mo, Ronald and Horner, Andrew (2016) The Emotional Characteristics of Piano Sounds with Different Pitch and Dynamics. Journal of the Audio Engineering Society, 64 (11). pp. 918-932. ISSN 15494950

Chau, Chuck-jee, Gilburt, Samuel, Mo, Ronald and Horner, Andrew (2017) The Emotional Characteristics of Bowed String Instruments with Different Pitch and Dynamics. Journal of the Audio Engineering Society, 65 (7/8). pp. 573-588. ISSN 15494950

Cope, Nicholas (2011) Contextualising Electroacoustic Movies. In: Seeing Sound 2; practice led international research symposium, 29-30 Oct 2011, Bath Spa University. (Unpublished)

Cope, Nicholas (2009) View From The Pass. [Artefact]

Cope, Nicholas (2008) Whispering in the Leaves. [Artefact]

Cope, Nicholas (2008) Whispering in the Leaves. [Film/Video] (Unpublished)

Cope, Nicholas and Howle, Tim (2011) Flags. The Engine Room 2011, 24.11.11 - 16.12.11, The Morley Gallery, 61 Westminster Bridge Road, London.

Cope, Nicholas and Howle, Tim Son et Lumières. Seeing Sound 2; practice led international research symposium, 29-30 Oct 2011, Bath Spa University.

Cope, Nicholas and Wood, Eve The Beat is The Law - Fanfare for the Common People. [Artefact]

Cope, Nick (2009) Miles Away Dir. Nick Cope: Video/DVD 6’19”, 2009, soundtrack: Phil Thornton. [Film/Video] (Submitted)

D

Day, Timothy Paul (2024) Musikarbeiter – Collapsing Dichotomies and Divisions Between STEM and Creative Frameworks in the Practice of Music Technology and Education. Doctoral thesis, The University of Sunderland.

E

Ellis, Philip, Van Leeuwen, Lieselotte and Brown, Kenneth (2008) Visual-music vibrations: Improving quality of life for the elderly and children with special needs. Digital Creativity, 19 (3). pp. 194-202. ISSN 1462-6268

H

Hong, Yu, Mo, Ronald K. and Horner, Andrew (2018) The Effects of Mode, Pitch, and Dynamics on Valence in Piano Scales and Chord Progressions. In: International Computer Music Conference, Aug 5, 2018 - Fri, Aug 10, 2018, Daegu, South Korea.

Howle, Tim and Cope, Nicholas (2008) In Girum (version/round 1.3, 2008) – Dir. Nick Cope: Video/DVD in collaboration with Composer Tim Howle, 6’05”. Awards: Abstracta International Abstract Cinema Exhibition, Rome, August 2009 – Honourable Mention of the Jury. [Film/Video] (Unpublished)

J

Jenkins, Hayley (2023) Anemometer for Babel Table and Electronics. [Composition]

Jenkins, Hayley (2021) Be the Sea Meditations. [Audio]

Jenkins, Hayley (2015) Gwyneth. [Composition] (Unpublished)

Jenkins, Hayley (2020) I hear you, Mr Blackbird. [Composition]

Jenkins, Hayley (2014) Kaleidoscope (2014) written for and performed by the Delta Saxophone Quartet. [Performance] (Unpublished)

Jenkins, Hayley (2019) Letters for choir. [Composition]

Jenkins, Hayley (2022) Mirror for Solo Vibraphone, two performers. [Composition]

Jenkins, Hayley (2020) Nightingales and Honey. [Composition]

Jenkins, Hayley (2021) Partition for cello and piano by Hayley Jenkins. [Composition]

Jenkins, Hayley (2023) Raasay Duets for Clarinets (Eb and/or Bb). [Composition]

Jenkins, Hayley (2018) Spectrum of a Peopled Street. [Composition]

Jenkins, Hayley (2019) The Storm Chorus. [Composition]

Jenkins, Hayley (2022) To My Cyst for soprano and piano. [Composition]

Jenkins, Hayley (2019) Wrong Jacket for Baritone and Piano. [Composition]

Jenkins, Hayley and Mackenzie, Louise (2021) Be the Sea Conversations. [Audio]

K

Keegan-Phipps, Simon and Winter, Trish (2017) The Englishness of Bishi. In: Mad Dogs and Englishness. Bloomsbury Academic. ISBN 9781501311277

Kefala Kerr, John (2019) Insulin at Teatime. [Composition]

Kefala Kerr, John (2020) Variations on a Theme of Agatha Christie. [Composition]

Kefala-Kerr, John (2018) Arcadia. [Composition]

Kefala-Kerr, John (2018) Arcadia. [Performance]

Kefala-Kerr, John (2018) Arcadia. Site-specific multimedia song cycle.

Kefala-Kerr, John (2017) Blood Choir. 2016, Participatory Arts Project.

Kefala-Kerr, John (2017) Blood Choir: Making Music from Glucose Readings. Sounding Board, 16 (3/1). pp. 14-16. ISSN 1464-6730

Kefala-Kerr, John Book of Bells. [Composition] (Unpublished)

Kefala-Kerr, John (2016) Book of Bells. [Performance] (Unpublished)

Kefala-Kerr, John (2018) Book of Bells. Sonorities Festival, 18-22 April 2018, Queen's University Belfast.

Kefala-Kerr, John (2014) "Chords Blur like Polaroids in Reverse": Reading Thimio's House — a novelistic symphony in seventy chapters (and four movements). In: International Words and Music Conference, 11 - 12 Apr 2014, Maribor, Slovenia. (Unpublished)

Kefala-Kerr, John (2011) Eight Bells: Elegy for Violin and Soundtrack. [Composition] (Unpublished)

Kefala-Kerr, John (2015) Flawed Notes for Unsound Ears. In: BEAST FEaST, 28-30 Apr 2016, Birmingham University. (Unpublished)

Kefala-Kerr, John (2022) "Fray": Associate Artist Residency and Exhibition (An Tobar and Mull Theatre). 'Fray'Associate Artist residency, 01/09/22 - 31/08/23, An Tobar and Mull Theatre.

Kefala-Kerr, John (2015) Grexit: Hellenic Objects in Crisis. [Performance] (Unpublished)

Kefala-Kerr, John (2020) Lockdown Diaries: The Outsider. [Composition]

Kefala-Kerr, John (2010) Reading Music: Further Adventures in Creative Musicology. In: 42nd Baltic Musicology Conference, 28-29 Oct 2010, Jāzeps Vītols Latvian Music Academy, Riga, Latvia.

Kefala-Kerr, John (2011) Reading Music: Further Adventures in Creative Musicology. Muzikas Akademijas Raksti, VIII. pp. 130-139. ISSN 2243-5719

Kefala-Kerr, John (2022) Sanctuary. [Composition]

Kefala-Kerr, John (2012) A Sign in Space. [Composition]

Kefala-Kerr, John (2014) Steamsong. [Composition]

Kefala-Kerr, John (2014) Steamsong. [Performance] (Unpublished)

Kefala-Kerr, John (2016) Take Your Seats Performance Symposium. [Performance] (Unpublished)

Kefala-Kerr, John (2013) Thimio's House. Perfect Edge Books, Winchester UK, Washington USA. ISBN 978-1-78279-053-2

Kefala-Kerr, John (2011) Uncommercial Plainsongs of the 21st Century. [Performance]

Kefala-Kerr, John (2021) Variations on a Theme of Agatha Christie. 21/10/21 - 12/03/22, National Centre for the Written Word.

Kefala-Kerr, John (2010) WKD2. Friction Magazine and Journal. 01-600.

Kefala-Kerr, John (2021) "Washing the Shopping" by John Kefala Kerr. [Composition]

Kefala-Kerr, John, Webster-Saraamets, Claire and Bennett, Tim (2011) Fish and the Yesterday Song. [Performance]

M

Mellor, L, Merrifield, K, Jenkins, Hayley and Dawson, M (2015) MIM: Mahara in Music Project [2012-13]. In: The 9th International Conference for Research in Music Education, 14-18 Apr 2015, University of Exeter. (Unpublished)

Mo, Ronald (2017) The Effects of Audio Processing on the Perceived Emotional Characteristics of Musical Instrument Sounds. Doctoral thesis, Hong Kong University of Science and Technology.

Mo, Ronald, Choi, Ga, Lee, Chung and Horner, Andrew (2016) The Effects of MP3 Compression on Perceived Emotional Characteristics in Musical Instruments. Journal of the Audio Engineering Society, 64 (11). pp. 858-867. ISSN 15494950

Mo, Ronald, Choi, Ga Lam, Lee, Chung and Horner, Andrew (2016) The Effects of MP3 Compression on Emotional Characteristics. In: International Computer Music Conference, Sep 12, 2016 - Sep 16, 2016, Utrecht, Netherlands.

Mo, Ronald and Horner, Andrew (2024) The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds. Computer Music Journal, 47 (2). ISSN 1531-5169

Mo, Ronald, So, Richard and Horner, Andrew (2016) An Investigation into How Reverberation Effects the Space of Instrument Emotional Characteristics. Journal of the Audio Engineering Society, 64 (12). pp. 988-1002. ISSN 15494950

Mo, Ronald, Wu, Bin and Horner, Andrew (2016) The Effects of Reverberation Time and Amount on the Emotional Characteristics. In: International Computer Music Conference, Sep 12, 2016 - Sep 16, 2016, Utrecht, Netherlands.

Mo, Ronald, Wu, Bin and Horner, Andrew (2015) The Effects of Reverberation on the Emotional Characteristics of Musical Instruments. Journal of the Audio Engineering Society, 63 (12). pp. 966-979. ISSN 15494950

Mo, Ronald K. (2023) Electric Guitar Sound Restoration with Diffusion Models. In: DMRN+18: Digital Music Research Network One-day Workshop 2023, 19 Dec 2023, Queen Mary University of London, London, UK. (Unpublished)

Mo, Ronald K. (2023) Emotion-driven Motivic Development using Diffusion Models. In: CHIME Annual One-day Music and HCI Workshop, 04 Dec 2023, The Open University, Milton Keynes, UK.

Mo, Ronald K. and Horner, Andrew (2017) The Effects of Convolution Reverberation on the Emotional Characteristics. In: International Computer Music Conference, Oct 16, 2017 - Oct 20, 2017, Shanghai, China.

Mo, Ronald K., So, Richard H. Y. and Horner, Andrew (2017) How Does Parametric Reverberation Change the Space of Instrument Emotional Characteristics? In: International Computer Music Conference, Oct 16, 2017 - Oct 20, 2017, Shanghai, China.

Mo, Ronald K., So, Richard H. Y. and Horner, Andrew (2018) Investigating How Convolution Reverberation Effects the Space of Instrument Emotional Characteristics. In: International Computer Music Conference, Aug 5, 2018 - Aug 10, 2018, Daegu, South Korea.

O

O'Hara, Suzy (2023) SeaScapes CoLab, a creative engagement programme, part of SeaScapes: Tyne to Tees shores and seas (2021 - 2024). Project Report. UNSPECIFIED.

R

Roberts, Peter (2017) D.L Burdon Accidental Aesop. [Audio]

S

Smith, Helen and Gill, Wendy (2023) Tyne & Wear Music/Youth Collectivism from the 1980s and beyond…. Public discussion event Youth / Music Collectives: Exploring the legacy, Saturday 25th November, Newcastle Contemporary Art.

Smith, Peter (2017) An Analysis of The Clash in Concert: 1977 to 1982. In: The Clash Takes on the World: Transnational Perspectives on The Only Band that Matters. Bloomsbury. ISBN 9781501317330

Smith, Peter (2015) Holidays in the Sun: The Sex Pistols at the Seaside. Popular Music and Society, 38 (4). pp. 487-499. ISSN 0300-7766

Smith, Peter (2013) Ladies and Gentlemen, the Greatest Rock ‘n’ Roll Band in the World: Reflections of the Rolling Stones in concert. In: The Rolling Stones: Sociological Perspectives. Lexington Books. ISBN 978-0739176719

Smith, Peter (2013) Ladies and Gentlemen: The Rolling Stones in Concert. In: The Rolling Stones: Sociological Perspectives. Lexington books. ISBN 978-0-7391-7671-9

Smith, Peter (2015) A Personal History of UK Arena Concerts: Reflections on Gigs over the Past Forty Years. In: The Arena Concert: Music, Media and Mass Entertainment. Bloomsbury. ISBN 9781628925555

Smith, Peter (2015) The Roots of Trance: Reflections of Space Rock, Psychedelia, Krautrock and post punk live in the 1970s and 1980s. In: Exploring Psychedelic Trance and Electronic Dance Music in Modern Culture. IGI Global. ISBN 9781466686656

Smith, Peter (2016) An analysis of The Who in concert: 1971 to 2014. In: The Who and Philosophy. Lexington Books, pp. 209-222. ISBN 978-1-4985-1447-7

Storey, John (2011) 'A Forgotten History of Opera'. In: Invited seminar paper, Northumbria University, 2010, Northumbria University.

W

Winter, T and Keegan-Phipps, S (2009) English Folk Music as World Music. In: International Association for the Study of Popular Music Conference, 13-17 Jul 2009, University of Liverpool.

Winter, Trish (2017) "Free Range, Home Grown" - Music For the Dales: External Evaluation Phase Two, 'All Together Now'. Project Report. UNSPECIFIED, Sunderland, UK. (Unpublished)

Winter, Trish (2016) "Free Range, Home Grown" - Music for the Dales: External Evaluation Phase I, Musical Affinity and Beyond. Project Report. University of Sunderland, Sunderland, UK. (Unpublished)

Winter, Trish and Keegan-Phipps, Simon (2009) Constructions of Englishness: The multicultural/intercultural in contemporary English folk music. In: Newcastle Music Research Forum, Newcastle University, Mar 2009, Newcastle University.

Winter, Trish and Keegan-Phipps, Simon (2009) Constructions of Englishness: multiculturalism and diversity in new English folk music. In: Centre for Research in Media and Cultural Studies Research Seminar, Feb 2009, University of Sunderland.

Winter, Trish and Keegan-Phipps, Simon (2014) Contemporary English Folk Music and the Folk Industry. In: The Oxford Handbook of Music Revival. Oxford University Press, Australia and New Zealand. ISBN 9780199935321

Winter, Trish and Keegan-Phipps, Simon (2009) English Folk Music as World Music. In: 15th Biennial IASPM International Conference, 13 - 17 Jul 2009, The Institute of Popular Music, School of Music at the University of Liverpool.

Winter, Trish and Keegan-Phipps, Simon (2010) Performing Englishness in New English Folk Music and Dance. In: All Party Parliamentary Group for Folk Arts, Jan 2010, Committee Room 15, House of Commons, Westminster.

Winter, Trish and Keegan-Phipps, Simon (2010) Performing Englishness in New English Folk Music and Dance: Research Project Closing Report. Project Report. University of Sunderland, Sunderland.

Y

Young, Michael (2016) Interactive and Generative Music: a quagmire for the musical analyst. In: Expanding the Horizon of Electroacoustic Music Analysis. Cambridge University Press. ISBN 9781107118324

Young, Michael (2014) Piano_prosthesis. [Audio]

Young, Michael and Blackwell, Tim (2016) Live Algorithms for Music: Can Computers be Improvisers? In: The Oxford Handbook of Critical Improvisation Studies. Oxford University Press. ISBN 9780199892921

Yuill, Kevin (2008) Constructing Country: Fakery and "Strictly American" Music; Part 2. Reconstruction: Studies in Contemporary Culture, 8 (4). ISSN 1547-4348

Yuill, Kevin (2008) Creating an American Music: A Critical View of the Origins of Country; Part 1: The UnCountry Beginnings of Country Music. Reconstruction: Studies in Contemporary Culture, 8 (4). ISSN 1547-4348