This article will explore how images were used to define ‘us’ and ‘them’ by other sides during the First World War. I begin with a discussion of how the figure of the angel is found in both side’s propaganda, both embodying and protecting the fighting forces. The way the ‘other’ comes to be defined in hyper-real terms as being monstrous will be explored using Cohen’s (2002) discussion of ‘folk devils’ whose deviance from righteousness must be repelled. In addition, the ‘other’ that is found in the poetry of this time often draws upon images that emphasise the subhuman acts of warfare through tropes that we would later refer to as ‘zombie’. In this way, I contend the First World War draws on traditional images of angels and monsters, but for the first time employs the image of the zombie to articulate the horror of the first mechanised mass conflict.