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Graham, Beryl (2025) Anti-Hype Irony: Keeping Up with New Media Artists in Whatever Discipline. In: Afterwards: Art in the Time of Change. CURA, Russia, pp. 118-127. ISBN 978-88-99776-49-7

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Abstract

Abstract

Curating new media art across disciplines from live art to media art: Is this fake or manipulated media? Is this like curating Live Art or Performance Art? Aren’t computers the opposite of live—the ersatz android, or merely artificial intelligence? Was Alexei Shulgin’s immaculate sense of Russian irony an essential tool for defusing the commercial hype around new technology, and rendering it as art? Afterwards: Art in the Time of Change. Russia: CURA. https://curamagazine.com/product/afterwards/. 118-127.

Item Type: Book Section
Uncontrolled Keywords: New media art curating AI economics
Depositing User: Beryl Graham
URI: https://sure.sunderland.ac.uk/id/eprint/19994

Further Details

More Information

Uncontrolled Keywords
New media art curating AI economics
Depositing User
Beryl Graham

Identifiers

Item ID
19994
ISBN
978-88-99776-49-7

Users with ORCIDS

ORCID for Beryl Graham
ORCID iD orcid.org/0000-0001-9922-540X

Catalogue record

Date Deposited
02 Mar 2026 09:01
Last Modified
02 Mar 2026 09:01

Contributors

Author
Beryl Graham ORCID iD
Unspecified
Paige King

University Divisions

Faculty of Education, Society and Creative Industries > School of Media and Creative Industries

Subjects

Fine Art > Curating
Fine Art > Art in Context
Fine Art > Digital Media
Fine Art > New Media

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