Items where Subject is "Digital Media"

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Number of items at this level: 140.

A

Austin, Naomi (2018) The Call of the Sea. [Show/Exhibition]

B

Bradbury, Victoria and O'Hara, Suzy (2019) Reframing Innovation: Art, the Maker Movement and Critique. Media-N| The Journal of the New Media Caucus, 15 (2). pp. 5-19. ISSN 2159-6891

Broeg, Ralf (2018) 5 temporary soundworks for 3ModelRooms, Underground-Station Heinrich-Heine-Allee, Düsseldorf. [Show/Exhibition]

Broeg, Ralf (2016) Continuum & Cut - The Wehrhahn-Line - A Synthesis of the Arts. [Show/Exhibition]

Broeg, Ralf (2017) Continuum and Cut – The Dusseldorf Wehrhahn Line – A Synthesis of the Arts (catalogue). Kerber Culture . Kerber Verlag, Berlin/Bielefeld, Germany. ISBN 978-3-7356-0249-7

Broeg, Ralf (2009) Fuzzy Logics. [Artefact]

Broeg, Ralf (2016) Isolationen ZeigRaeume Fugen. [Show/Exhibition]

Broeg, Ralf (2011) Melancholy Boxes. [Artefact]

Broeg, Ralf (2013) Ralf Broeg & Anton Corbijn. [Show/Exhibition]

Broeg, Ralf (2016) Record Play Repeat. [Show/Exhibition]

Broeg, Ralf (2009) Records REF. [Artefact]

Broeg, Ralf (2017) Zero RPM Records-FuzzyLogics-XF Formats-Isolationen-Melancholien. [Show/Exhibition]

Brown, Kenneth and Ellis, Philip (2010) Enhanced autonomous control in interactive multisensory environments. In: DSAI2010: International Conference on Software Development for Enhancing Accessibility and Fighting Info-exclusion, 25-26 Nov 2010, Oxford, UK. (Unpublished)

C

Cook, Sarah (2011) Euphoria & Dystopia: The Banff New Media Institute Dialogues. Riverside Architectural Press / The Banff Centre Press, Toronto / Banff. ISBN 978-1894773225

Cook, Sarah (2011) Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair). In: Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair), 27 Sept -2 Oct 2011, Liverpool John Moore's University and FACT, Liverpool. (Unpublished)

Cope, Nicholas (2008) Whispering in the Leaves. [Artefact]

Cope, Nicholas (2008) Whispering in the Leaves. [Video] (Unpublished)

Cope, Nicholas and Howle, Tim (2011) Flags. [Show/Exhibition]

Cope, Nicholas and Howle, Tim Son et Lumières. [Show/Exhibition]

Cope, Nicholas and Wood, Eve The Beat is The Law - Fanfare for the Common People. [Artefact]

Cope, Nick (2009) Miles Away Dir. Nick Cope: Video/DVD 6’19”, 2009, soundtrack: Phil Thornton. [Video] (Submitted)

D

Davies, Peter (2004) Random Architecture. Art Editions North. ISBN 9781873757208

Dorrian, Edward and Hutchinson, James (2014) (Im)Possible School Book. As Found. In: (Im)Possible School Book. As Found. Public Series Edition 2014 . five Years, London, pp. 37-96. ISBN 9781903724101

G

Graham, Beryl (2019) An Aesthetics of Interaction and Participation? New Media Art, and Histories of Exhibitions. In: The Age of Art. Aesthetics and grammar of contemporary artistic languages, 16 Nov 2019, Italy, Florence, University of Florence.

Graham, Beryl (2016) Art Institutions of the 21st Century. Project Report. Montabonel Foundation, London.

Graham, Beryl (2014) Art, Media, and Museums: The Word Art. In: Cultural Value and the Digital, 7 July, Tate Modern, London.

Graham, Beryl (2019) CRUMB Radio Hour. In: Unfinished List radio streams, a project by ShuLea Chang for Ars Electronica, 8 September 2019, Online, hosted from Austria.

Graham, Beryl (2016) Chair’s Introduction - Equal Collaborations? In: Thinking Digital in the Arts: Unusual Collaborations, 10 May 2016, Gateshead, Sage.

Graham, Beryl (2015) Collecting After New Media panel. In: ISEA 2015 Symposium, 16-19 August, Vancouver.

Graham, Beryl (2015) Collecting New Media Art. In: CI Dialogues, Contemporary Istanbul Art Fair, November 2015, Istanbul.

Graham, Beryl (2016) Collecting New Media Art. In: 14 July Media in the Expanded Field: Curators and museum professionals’ Think Tank, July 12-18, Casa Wabi, Puerto Escondido, Mexico.

Graham, Beryl (2016) Collecting New Media Art: The importance of audiences and exhibiting. In: Post-Screen: Intermittence + Interference. Edicoes Universitarias Lusofonas, Lisbon, pp. 20-27. ISBN 9789898771568

Graham, Beryl (2017) Collection-ish. In: Beyond GRAMMATRON: 20 Years into the Future, 15 Sep 2017, London, UK (British Computer Society).

Graham, Beryl (2020) Curating Art after New Media - Professional Development Course. In: Curating Art after New Media – Professional Development Course, Feb 2014 to Feb 2020 and ongoing, London, UK.

Graham, Beryl (2017) Curating New Media Art Between Institutional and Commercial Pressures. In: Contemporary Art // An Unknown. Series of events curated by Ebru Yetiskin, 13 Dec 2019, Turkey, Istanbul, Akbank Cultural Centre.

Graham, Beryl (2019) Curating and Collecting Interaction. In: Sentient Circuitries: Digital Media Art Symposium, 16 Nov 2019, Vancouver, Canada.

Graham, Beryl (2016) Digital Dark Ages Artists’ Panel. In: AND Festival, 10 May 2016, Castleton.

Graham, Beryl (2003) Directions in art: Digital media. Directions in Art . Heinemann, Oxford. ISBN 978-0431176567

Graham, Beryl (2015) Equal Partnerships. In: Policy Priorities for the Creative Industries - A Manifesto for the New Government, 9 July, London.

Graham, Beryl (2017) Exhibiting New Media and Digital Art: Educating Curators. In: EAST–International Conference on Education, Art, Science and Technology, 23–24 November 2017, China, Beijing: China Academy of Fine Arts (CAFA) and Beijing Visual Art Innovation Institute (BVAII).

Graham, Beryl (2016) Exhibition Histories and Futures: The Importance of Participation and Audiences. In: A Companion to Digital Art. Blackwell Companions to Art History . Wiley-Blackwell, New York, pp. 575-596. ISBN 9781118475201

Graham, Beryl (2019) Foreword: Rethinking Art Hacks for the Future. In: Art Hack Practice: Sites for Artistic Co-Production. Routledge, New York, xviii-xix. ISBN 9780815374916

Graham, Beryl (2014) Histories of Interaction and Participation: Critical Systems from New Media Art. In: Performativity in the Gallery: Staging Interactive Encounters. Peter Lang, Oxford, pp. 65-83. ISBN 978-3-0343-0966-0

Graham, Beryl (2019) Histories of Interactive New Media Art Exhibitions. In: Art Y Nuevos Medios: Reflectiones, Practicas, Desafios, Conference of Departamento de Historia y Teoría del Arte, 26 April 2019, Spain, Madrid, Universidad Autónoma de Madrid.

Graham, Beryl (2017) IRL to URL: Image Objects. Bloomberg New Contemporaries. 2-day Symposium. In: IRL to URL: Image Objects. Bloomberg New Contemporaries, 24 Nov 2017, BALTIC Centre for Contemporary Art, Gateshead.

Graham, Beryl (2017) In conversation: Gary Zhexi Zhang 'Erotics of the Interface'. In: Iniva Research Network Event. London: Iniva, 28 June, Iniva, London.

Graham, Beryl (2016) Ken Goldberg. In: Grove Dictionary of Art Online. Oxford University Press, New York. ISBN 9780195170689

Graham, Beryl (2014) Modes of Collection. In: New Collecting: Exhibiting and Audiences after New Media Art. Ashgate, London. ISBN 9781472406439

Graham, Beryl (2014) New Collecting: Exhibiting and Audiences after New Media Art. Routledge. ISBN 9780815399810

Graham, Beryl (2019) New Materialities and New Collecting: Future Exhibiting and Audiences After New Media Art. In: What do Museums Collect? National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea, pp. 191-206. ISBN 9788963032252

Graham, Beryl (2018) New Materialities and New Collecting: Future Exhibiting and Audiences After New Media Art (conference presentation). In: International Symposium: What do Museums Collect?, 29 Nov-1 Dec 2018, Seoul, Korea, National Museum of Modern and Contemporary Art (MMCA).

Graham, Beryl (2017) Peking Seminar: New Media Art. In: Peking University seminar series: Prof. Laozhu, staff and PhD researchers of Media Lab (National Committee of Experimental Art), Annual of Contemporary Art of China, 26 November 2017, Beijing.

Graham, Beryl (2019) Promises and Realities of Digital Technologies. In: Credit — a discussion about monetisation and value in the art world, 30 November 2019, London, UK (Central St. Martins).

Graham, Beryl (2007) Redefining digital art: Disrupting borders. In: Theorizing digital cultural heritage: A critical discourse. MIT Press, pp. 93-112. ISBN 0262033534

Graham, Beryl (2021) Sentient Systems: Exhibiting Interaction, Participation or Collaboration? In: Surrey Art Gallery: TechLab 20th Anniversary [TBC]. Surrey Art Gallery, Surrey, Vancouver, Canada. (Submitted)

Graham, Beryl (2021) Startup meets Artist programme, MediaFutures.eu. UNSPECIFIED.

Graham, Beryl (2017) Technostalgia Panel Conversation. In: Anthologies Launch Event, 23 March 2017, London, UK (Carroll Fletcher Gallery).

Graham, Beryl (2021) What is the shape of a PhD research process? In: Research Student Training Seminars, 28 January 2021, Glasgow, Graduate School of the College of Arts, University of Glasgow.

Graham, Beryl and Cook, Sarah (2010) Rethinking Curating, Art After New Media. Leonardo . MIT Press, Cambridge, MA.. ISBN 9780262013888

Graham, Beryl and Cook, Sarah (2016) Rethinking Curating: Art After New Media [Chinese edition, in Chinese]. Tsinghua University Press, Beijing. ISBN 9780262013888

Gregson, Daniel (2020) Drawn to Story. Education Sciences, 10 (71). ISSN 2227-7102

H

Hani, Melanie (2012) Film/Art Work: Gender Renaissance: Analysing the impact of animation, the production process and film (Good Hearts Model 2011) in tackling issues surrounding and relating to having a parent who is transgender. [Video] (Unpublished)

Howle, Tim and Cope, Nicholas (2008) In Girum (version/round 1.3, 2008) – Dir. Nick Cope: Video/DVD in collaboration with Composer Tim Howle, 6’05”. Awards: Abstracta International Abstract Cinema Exhibition, Rome, August 2009 – Honourable Mention of the Jury. [Video] (Unpublished)

Hutchinson, James 3d Glitch catalogue. [Show/Exhibition]

Hutchinson, James (2011) Circuit. [Show/Exhibition]

Hutchinson, James (2011) Circuit. [Show/Exhibition]

Hutchinson, James (2017) Clay Cage. [Show/Exhibition]

Hutchinson, James (2017) ‘Clay cage Blocky’. [Artefact]

Hutchinson, James (2013) Cubist emoji. [Image]

Hutchinson, James (2014) Exhibition at The European Forum on Additive Manufacturing. [Show/Exhibition]

Hutchinson, James (2010) From the earth to the space exobiology and biodiversity... [Show/Exhibition]

Hutchinson, James (2014) GB1. [Video]

Hutchinson, James (2013) Goed computer model for digiplasty. [Image]

Hutchinson, James (2010) The Hairy Project Berlin Liste. [Show/Exhibition]

Hutchinson, James (2015) The House of Ears at the What Things May Come exhibition. [Show/Exhibition]

Hutchinson, James (2009) Intersculpt 2009 From the Earth to the stars: the Darwinautes' travels. [Show/Exhibition]

Hutchinson, James (2019) James Hutchinson Art 2019. In: European Symposium on Additive Manufacturing, June 26-28 2019, Ecole Centrale Supelec France.

Hutchinson, James (2016) Mercury Remixed 1:1 Manchester School of Art. [Artefact]

Hutchinson, James (2017) Mercury Remixed installed at mesh Gallery Oldham. [Artefact]

Hutchinson, James Monolith and Amkahm. [Show/Exhibition]

Hutchinson, James OB1 Digital video still from space/socialspace exhibition at workplace gallery. [Show/Exhibition]

Hutchinson, James (2018) Reprint. In: reprint. Marmalade, pp. 168-177. ISBN 9780993337321

Hutchinson, James (2016) Saga (Tamaran). [Show/Exhibition]

Hutchinson, James (2009) Shaggy modernism. [Show/Exhibition]

Hutchinson, James (2019) Sleeping Shepherd Remixed Epicentre routers centre del carme valencia o1-17. [Show/Exhibition]

Hutchinson, James (2011) TO THE FUTURE NGCA transition space Sunderland. [Show/Exhibition]

Hutchinson, James (2017) Texan blob and plastic bag scan installation shot mesh exhibition gallery oldham. [Artefact]

Hutchinson, James (2014) Towards a new Brutalism. [Show/Exhibition]

Hutchinson, James (2018) 'all Plastic bags are art' (Performance). [Show/Exhibition]

Hutchinson, James (2013) The house of ears. [Artefact]

Hutchinson, James (2019) The spear bearer remixed by James Hutchinson for acropolis remix. [Show/Exhibition]

Hutchinson, James (2014) un equilibrium. [Show/Exhibition]

Hutchinson, James and Aitchison, Thomas (2011) We all own the Mona Lisa. [Show/Exhibition]

Hutchinson, James, Bainbridge, Eric, Goetz, Lothar and Broeg, Ralf (2014) socialspace. [Show/Exhibition]

Hutchinson, James and Bielik, Karl (2014) 'Two Black Circles' for OFF THE WALL The 9th Terrace Annual Open 2014. [Show/Exhibition]

Hutchinson, James and Davies, Peter (2007) James Hutchinson Works 2004 - 2007. Art Editions North. ISBN 9781873757475

Hutchinson, James, Davies, Peter, Carpenter, Ele and Robinson, Alistair (2011) ‘To The Future’ A monograph on the work of James Hutchinson from 2007-2011. Art Editions North. ISBN 9780954911997

Hutchinson, James and Dorrian, Edward (2020) All plastic bags are art. In: Being together is not enough. Public Series, 1 (8). Five years. ISBN 9781903724187

Hutchinson, James, Goetz, Lothar, Mitchinson, Graham and loebbecke, renate (2013) Moving Artbox. [Show/Exhibition]

Hutchinson, James, Goldsworthy, Janine and Branthwaite, Michael Ny Show #1 works by James Hutchinson carpet pixel modulation 1-4 and black space invader. [Show/Exhibition]

Hutchinson, James, Goldsworthy, Janine and Branthwaite, Michael 'Soundimage' 8min DVD, ‘BB4’ and ‘Texas Blob’ 3d Prints Ny Show#2. [Show/Exhibition]

Hutchinson, James, Jaf, Sardar and Lewis, Nick (2020) Cybercage. [Show/Exhibition]

Hutchinson, James and Mitchinson, Graham (2014) TCS3.0 for Untouchable noise curated by Franko B. [Show/Exhibition]

Hutchinson, James and Mitchinson, Graham (2014) Triangles Circles and squares. [Show/Exhibition]

Hutchinson, James and Sickert, Walter (2014) 'JH/WS Glitch' as part of Glitch Space at Tate Britain. [Show/Exhibition]

Hutchinson, James, Smith, Dominic, Dickson, Erin, Nissan, Bettina and Rennie, Colin (2018) Fabricated group show Hexham. [Show/Exhibition]

Hutchinson, James, Walker, Zoe and Bromwich, Neil (2015) 'Towards Concrete'. [Show/Exhibition]

K

Kefala-Kerr, John Book of Bells. [Composition] (Unpublished)

Kippin, John (2008) Unto this Last. [Show/Exhibition]

L

Ling, Manny (2008) Calligraphy Across Boundaries. Post-Doctoral thesis, The university of Sunderland.

Ling, Manny, Gregg, Carl, Hutchinson, James and MacDonald, Alistair Leonardo Objects Group show. [Show/Exhibition]

Livingstone, Andrew 3x2 Exhibition of Contemporary Clay. [Show/Exhibition]

Livingstone, Andrew (2016) The Deconstruction of Trade in Imaging the Blue and White - The Impact of the New. [Show/Exhibition]

Livingstone, Andrew (2017) Extending Vocabularies: Distorting the Ceramic Familiar - Clay and the Performative 'Other'. In: The Ceramics Reader. Bloomsbury Academic Press, London, pp. 323-334. ISBN 978-1-4725-8443-4

Livingstone, Andrew (2011) Mit Feuer und Flamme Red Hot - Ceramics in Contemporary Art Museum Villa-Rot, Bergieden, Germany. [Show/Exhibition]

Livingstone, Andrew (2011) Mit Feuer und Flamme Red Hot - Ceramics in Contemporary Art. In: Mit Feuer und Flamme. Biberacher Verlagsdruckerei, pp. 60-65. ISBN 9783933614964

Livingstone, Andrew (2011) Parallax View. Art Editions North. ISBN 9781906832056

Livingstone, Andrew (2010) Parallax View. [Show/Exhibition]

Livingstone, Andrew (2011) Parallax View: Interpreting Ceramics – Museum Collections and Artist Intervention. Ceramics Ireland (27). pp. 22-27. ISSN 1393-9513

Livingstone, Andrew (2010) Parallax View: interpreting ceramics - museum collections and artist intervention. In: 3rd International Ceramic Magazine Editors Association (ICMEA) Conference, 7-11 Nov 2010, Fuping, Shaanxi, China.

M

Moschovi, Alexandra (2010) “The Authentic Snap? D.I.Y. Reporting in the Age of We Media”. In: Supplementary Conflicts: Domesticities and Life Histories in Wartime session, 36th AAH Annual Conference 2010, 15 - 17 April 2010, University of Glasgow, Scotland.

Moschovi, Alexandra (2012) The Ubiquitous Image: The Novel Cult Value of Public-generated Snaps in the ecosystem of Web 2.0. In: Beyond Representation: Photography, Humans & Computers, 24 - 25 May 2012, Centre for Media & Culture Research, London South Bank University in association with the journal Philosophy of Photography. (Unpublished)

Moschovi, Alexandra and Galani, Areti (2009) “A Democracy of Images? The Accommodation/Assimilation of Amateur Imagery in the Museum”. In: Private Eyes - Amateur Photography and Collective History, 12-13 November 2009, University of Copenhagen. (Unpublished)

Moschovi, Alexandra and Galani, Areti (2010) “Trans/forming Museum Narratives: The Accommodation of Photography 2.0 in Contemporary Exhibitions”. In: Transforming Culture in the Digital Age: International Conference in Tartu, 14-16 April 2010. Estonian National Museum, Estonian Literary Museum, University of Tartu, Tartu, pp. 187-193. ISBN 978-9949-417-59-9

Moschovi, Alexandra and Galani, Areti (2012) ‘Your Photographs on our Walls’: Public-Generated Photography in Art Exhibitions', conference session. In: 38th Annual AAH Conference & Bookfair, 29 - 31 March 2012, The Open University, Milton Keynes. (Unpublished)

Moschovi, Alexandra and Supartono, Alexander (2015) Re-Visiting the Colonial Archive in the Era of Web 2.0. In: The Impact of Digitization on Photographic Heritage, Europeanna, 29-30 January 2015, CS Digital (KU Leuven) and the Lieven Gevaert Centre for Photography, Leuven Belgium.

Moschovi, Alexandra and Supartono, Alexander (2015) Shifting Powers: Digitality, Modularity and (Im)materiality in the 21st Century Post-Colonial Archive. In: Photography in the 21st Century: Art, Philosophy Technique, 5-6 June 2015, Central St. Martins, London.

O

O'Hara, Suzy (2020) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement Vorspiel 2020. In: Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement Panel Discussion and Book Launch Vorspiel Festival, 2020, 17 January 2020, ACUD Macht Neu, Veteranenstr 21, 10119 Berlin.

O'Hara, Suzy (2016) Collaborations between Arts and Commercial Digital Industry Sectors: A Curatorial Practice-led Investigation of Modes of Production. Doctoral thesis, University of Sunderland.

O'Hara, Suzy and Bradbury, Victoria (2019) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement. CRC Press, UK. ISBN 9780815374916

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session I: Where do we work? In: Future Focus: Art Hack Practice Session I: Where do we work?, 13 May 2020, Future Everything - online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session II: At Home in the Network. In: Future Focus: Art Hack Practice Session II: At Home in the Network, 3 June 2020, Online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session III: Then and then. In: Future Focus: Art Hack Practice Session III: Then and then, 24 June 2020, Future Everything - online.

P

Power, Gary and Debby, Akam (2008) Ecocentric. [Video] (Unpublished)

R

Rennie, Colin (2014) Digital Glass Interface. In: Glassac14, 12 Sep 2014, Durham Universtiy. (Unpublished)

Rennie, Colin (2018) Fabricated. [Show/Exhibition]

Rennie, Colin and Watkinson, Cate (2017) ‘Illuminating Colour’ exhibition with Colin Rennie at the main gallery of the National Glass Centre, Sunderland. [Show/Exhibition]

W

Watkinson, Cate, Gasper, Giles and McLeish, Tom (2018) Medieval concepts of colour turned into glass artwork in new exhibition. The Conversation Trust.

Watkinson, Cate and Rennie, Colin 'Illuminating Colour'exhibition of glass art works. [Show/Exhibition]

Watkinson, Cate, Rennie, Colin, Wadsworth, Fabian and Llewellin, Edward (2019) In Vulcan's Forge. Nature Geoscience, 12 (2-3). ISSN 1752-0908

This list was generated on Sun Mar 7 00:45:45 2021 GMT.