SURE

Article

Bradbury, Victoria and O'Hara, Suzy (2019) Reframing Innovation: Art, the Maker Movement and Critique. Media-N| The Journal of the New Media Caucus, 15 (2). pp. 5-19. ISSN 2159-6891

Gregson, Daniel (2020) Drawn to Story. Education Sciences, 10 (71). ISSN 2227-7102

Livingstone, Andrew (2011) Parallax View: Interpreting Ceramics – Museum Collections and Artist Intervention. Ceramics Ireland (27). pp. 22-27. ISSN 1393-9513

Wadsworth, Fabian, Llewellin, Edward, Rennie, Colin, Watkinson, Cate, Mitchell, Joanna, Vasseur, Jeremie, Mackie, Fleur, Carr, Alexandra, Schmiedel, Tobias, Witcher, Taylor, Soldati, Arianna, Jackson, Lucy E, Foster, Annabelle, Hess, Kai-Uwe, Dingwell, Donald B and Hand, Russell J (2022) Using obsidian in glass art practice. Volcanica Journal, 5 (1). pp. 183-207. ISSN 2610-3540

Watkinson, Cate, Rennie, Colin, Wadsworth, Fabian and Llewellin, Edward (2019) In Vulcan's Forge. Nature Geoscience, 12 (2-3). ISSN 1752-0908

Book Section

Dorrian, Edward and Hutchinson, James (2014) (Im)Possible School Book. As Found. In: (Im)Possible School Book. As Found. Public Series Edition 2014 . five Years, London, pp. 37-96. ISBN 9781903724101

Graham, Beryl (2016) Collecting New Media Art: The importance of audiences and exhibiting. In: Post-Screen: Intermittence + Interference. Edicoes Universitarias Lusofonas, Lisbon, pp. 20-27. ISBN 9789898771568

Graham, Beryl (2022) Digital Media as Contemporary Art and its Impact on Museum Practice. In: TechLab: Experiments in media art 1999-2019. Surrey Art Gallery, Vancouver, Canada, pp. 204-219. ISBN 978-1-926573-63-2

Graham, Beryl (2016) Exhibition Histories and Futures: The Importance of Participation and Audiences. In: A Companion to Digital Art. Blackwell Companions to Art History . Wiley-Blackwell, New York, pp. 575-596. ISBN 9781118475201

Graham, Beryl (2019) Foreword: Rethinking Art Hacks for the Future. In: Art Hack Practice: Sites for Artistic Co-Production. Routledge, New York, xviii-xix. ISBN 9780815374916

Graham, Beryl (2014) Histories of Interaction and Participation: Critical Systems from New Media Art. In: Performativity in the Gallery: Staging Interactive Encounters. Peter Lang, Oxford, pp. 65-83. ISBN 978-3-0343-0966-0

Graham, Beryl (2016) Ken Goldberg. In: Grove Dictionary of Art Online. Oxford University Press, New York. ISBN 9780195170689

Graham, Beryl (2014) Modes of Collection. In: New Collecting: Exhibiting and Audiences after New Media Art. Ashgate, London. ISBN 9781472406439

Graham, Beryl (2019) New Materialities and New Collecting: Future Exhibiting and Audiences After New Media Art. In: What do Museums Collect? National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea, pp. 191-206. ISBN 9788963032252

Graham, Beryl (2007) Redefining digital art: Disrupting borders. In: Theorizing digital cultural heritage: A critical discourse. MIT Press, pp. 93-112. ISBN 0262033534

Graham, Beryl (2021) Sentient Systems: Exhibiting Interaction, Participation or Collaboration? In: Surrey Art Gallery: TechLab 20th Anniversary [TBC]. Surrey Art Gallery, Surrey, Vancouver, Canada. (Submitted)

Gregson, Daniel (2024) Arts-based Educational Research in Action in Vocational Education. In: Vocational Education and Training Transformations for Digital, Sustainable and Socially Fair Future . Proceedings of the 4th Crossing Boundaries Conference in Vocational Education and Training, Kaunas , 25 . – 26 . May 2023. VETNET, pp. 173-178.

Hutchinson, James (2018) Reprint. In: reprint. Marmalade, pp. 168-177. ISBN 9780993337321

Hutchinson, James (2021) Undocumented events and object permanence - book pages. In: Undocumented events and object permanence. Noemata.net, pp. 20-413. ISBN 9788292428863

Hutchinson, James and Dorrian, Edward (2020) All plastic bags are art. In: Being together is not enough. Public Series, 1 (8). Five years. ISBN 9781903724187

Livingstone, Andrew (2017) Extending Vocabularies: Distorting the Ceramic Familiar - Clay and the Performative 'Other'. In: The Ceramics Reader. Bloomsbury Academic Press, London, pp. 323-334. ISBN 978-1-4725-8443-4

Livingstone, Andrew (2011) Mit Feuer und Flamme Red Hot - Ceramics in Contemporary Art. In: Mit Feuer und Flamme. Biberacher Verlagsdruckerei, pp. 60-65. ISBN 9783933614964

Moschovi, Alexandra (2007) Photographie, photographies et le photographique: entre images, moyens d'expression et contextes. In: The Athens Effect: L'image photographique dans l'Art contemporain. Futura; Hellenic Cultural Organisation; Maison Europeenne de la photographie, Athens, pp. 13-22. ISBN 9789608276277

Moschovi, Alexandra (2023) Photography and the Art Museum. In: Encyclopedia of Visual Culture, Digitisations, Transformations, and Futures. Bloomsbury Academic, Visual Arts, London. (Submitted)

Moschovi, Alexandra (2007) Photography, Photographies and the Photographic: Between Images, Media, Contexts. In: The Athens Effect: Photographic Images in Contemporary Art. Futura, Fondazione Mudima, Athens, pp. 13-22. ISBN 9606654281

Moschovi, Alexandra and Galani, Areti (2010) “Trans/forming Museum Narratives: The Accommodation of Photography 2.0 in Contemporary Exhibitions”. In: Transforming Culture in the Digital Age: International Conference in Tartu, 14-16 April 2010. Estonian National Museum, Estonian Literary Museum, University of Tartu, Tartu, pp. 187-193. ISBN 978-9949-417-59-9

O'Hara, Suzy (2019) Little Inventors: From Artistic Method to Global Brand. In: Art Hack Practice Critical Intersections of Art, Innovation and the Maker Movement. Routledge, New York, pp. 108-120. ISBN 9780815374916

Reports, briefing/ working papers

Graham, Beryl (2016) Art Institutions of the 21st Century. Project Report. Montabonel Foundation, London.

O'Hara, Suzy (2023) SeaScapes CoLab, a creative engagement programme, part of SeaScapes: Tyne to Tees shores and seas (2021 - 2024). Project Report. UNSPECIFIED.

Conference or Workshop Item

Brown, Kenneth and Ellis, Philip (2010) Enhanced autonomous control in interactive multisensory environments. In: DSAI2010: International Conference on Software Development for Enhancing Accessibility and Fighting Info-exclusion, 25-26 Nov 2010, Oxford, UK. (Unpublished)

Cook, Sarah (2011) Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair). In: Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair), 27 Sept -2 Oct 2011, Liverpool John Moore's University and FACT, Liverpool. (Unpublished)

Graham, Beryl (2019) An Aesthetics of Interaction and Participation? New Media Art, and Histories of Exhibitions. In: The Age of Art. Aesthetics and grammar of contemporary artistic languages, 16 Nov 2019, Italy, Florence, University of Florence.

Graham, Beryl (2014) Art, Media, and Museums: The Word Art. In: Cultural Value and the Digital, 7 July, Tate Modern, London.

Graham, Beryl (2019) CRUMB Radio Hour. In: Unfinished List radio streams, a project by ShuLea Chang for Ars Electronica, 8 September 2019, Online, hosted from Austria.

Graham, Beryl (2016) Chair’s Introduction - Equal Collaborations? In: Thinking Digital in the Arts: Unusual Collaborations, 10 May 2016, Gateshead, Sage.

Graham, Beryl (2015) Collecting After New Media panel. In: ISEA 2015 Symposium, 16-19 August, Vancouver.

Graham, Beryl (2015) Collecting New Media Art. In: CI Dialogues, Contemporary Istanbul Art Fair, November 2015, Istanbul.

Graham, Beryl (2016) Collecting New Media Art. In: 14 July Media in the Expanded Field: Curators and museum professionals’ Think Tank, July 12-18, Casa Wabi, Puerto Escondido, Mexico.

Graham, Beryl (2017) Collection-ish. In: Beyond GRAMMATRON: 20 Years into the Future, 15 Sep 2017, London, UK (British Computer Society).

Graham, Beryl (2023) Critical Digital and the PostDoc Condition: Have fun and change things. At British Academy Midlands Multidisciplinary Meet-up: Culture and Heritage in the Digital Age. In: British Academy Midlands Multidisciplinary Meet-up: Culture and Heritage in the Digital Age, 27-29 Mar 2023, Birmingham. (Unpublished)

Graham, Beryl (2020) Curating Art after New Media - Professional Development Course. In: Curating Art after New Media – Professional Development Course, Feb 2014 to Feb 2020 and ongoing, London, UK.

Graham, Beryl (2023) Curating Behaviours; New Media Art. In: Curating and Art History course, Curatorial Practice Now module invited speaker., 27 Oct 2023, York: University of York.. (Unpublished)

Graham, Beryl (2017) Curating New Media Art Between Institutional and Commercial Pressures. In: Contemporary Art // An Unknown. Series of events curated by Ebru Yetiskin, 13 Dec 2019, Turkey, Istanbul, Akbank Cultural Centre.

Graham, Beryl (2019) Curating and Collecting Interaction. In: Sentient Circuitries: Digital Media Art Symposium, 16 Nov 2019, Vancouver, Canada.

Graham, Beryl (2016) Digital Dark Ages Artists’ Panel. In: AND Festival, 10 May 2016, Castleton.

Graham, Beryl (2015) Equal Partnerships. In: Policy Priorities for the Creative Industries - A Manifesto for the New Government, 9 July, London.

Graham, Beryl (2017) Exhibiting New Media and Digital Art: Educating Curators. In: EAST–International Conference on Education, Art, Science and Technology, 23–24 November 2017, China, Beijing: China Academy of Fine Arts (CAFA) and Beijing Visual Art Innovation Institute (BVAII).

Graham, Beryl (2019) Histories of Interactive New Media Art Exhibitions. In: Art Y Nuevos Medios: Reflectiones, Practicas, Desafios, Conference of Departamento de Historia y Teoría del Arte, 26 April 2019, Spain, Madrid, Universidad Autónoma de Madrid.

Graham, Beryl (2017) IRL to URL: Image Objects. Bloomberg New Contemporaries. 2-day Symposium. In: IRL to URL: Image Objects. Bloomberg New Contemporaries, 24 Nov 2017, BALTIC Centre for Contemporary Art, Gateshead.

Graham, Beryl (2017) In conversation: Gary Zhexi Zhang 'Erotics of the Interface'. In: Iniva Research Network Event. London: Iniva, 28 June, Iniva, London.

Graham, Beryl (2018) New Materialities and New Collecting: Future Exhibiting and Audiences After New Media Art (conference presentation). In: International Symposium: What do Museums Collect?, 29 Nov-1 Dec 2018, Seoul, Korea, National Museum of Modern and Contemporary Art (MMCA).

Graham, Beryl (2021) New Objects: Collecting New Media Art, Audiences and Exhibiting. In: Media Curating and Collection Research Seminar, Departamento de Historia y Teoría del Arte. Universidad Autónoma de Madrid., 21 Apr 2023, Departamento de Historia y Teoría del Arte. Universidad Autónoma de Madrid.. (Unpublished)

Graham, Beryl (2017) Peking Seminar: New Media Art. In: Peking University seminar series: Prof. Laozhu, staff and PhD researchers of Media Lab (National Committee of Experimental Art), Annual of Contemporary Art of China, 26 November 2017, Beijing.

Graham, Beryl (2019) Promises and Realities of Digital Technologies. In: Credit — a discussion about monetisation and value in the art world, 30 November 2019, London, UK (Central St. Martins).

Graham, Beryl (2017) Technostalgia Panel Conversation. In: Anthologies Launch Event, 23 March 2017, London, UK (Carroll Fletcher Gallery).

Graham, Beryl (2021) What is the shape of a PhD research process? In: Research Student Training Seminars, 28 January 2021, Glasgow, Graduate School of the College of Arts, University of Glasgow.

Hutchinson, James (2021) Being Sculpture(s) #shadowselfie. In: a-not-unruffled-surface-contemporary-sculpture-and-dress, 2021/02/24, online.

Hutchinson, James (2019) James Hutchinson Art 2019. In: European Symposium on Additive Manufacturing, June 26-28 2019, Ecole Centrale Supelec France.

Livingstone, Andrew (2010) Parallax View: interpreting ceramics - museum collections and artist intervention. In: 3rd International Ceramic Magazine Editors Association (ICMEA) Conference, 7-11 Nov 2010, Fuping, Shaanxi, China.

Mitchell, Caroline (2022) Sonic Archaeology: Acoustic mapping with coastal communities. In: Sonic Cartography: Soundscape, Simulation and Re-enactment, 28 - 30 October 2022, University of Kent. (Submitted)

Moschovi, Alexandra (2010) “The Authentic Snap? D.I.Y. Reporting in the Age of We Media”. In: Supplementary Conflicts: Domesticities and Life Histories in Wartime session, 36th AAH Annual Conference 2010, 15 - 17 April 2010, University of Glasgow, Scotland.

Moschovi, Alexandra (2022) A Gust of Photo-Philia: Photography in the Art Museum. In: Faculty of Recorded Media Arts, Institut Seni Indonesia Yogyakarta, the Indonesia Photography Society and the Indonesian Photography Study Program Association, Indonesia, 21 Jan 2022, Online. (Unpublished)

Moschovi, Alexandra (2021) Introduction. In: SHIFTS: Photography in the 21st Century Museum, 7 July 2021, online, NEPN. (Unpublished)

Moschovi, Alexandra (2024) Museum Dialogues: An Introduction. In: Museum Dialigues: Problems and Definitions, 22 Mar 2024, Northern Centre of Photography, Online.

Moschovi, Alexandra (2012) The Ubiquitous Image: The Novel Cult Value of Public-generated Snaps in the ecosystem of Web 2.0. In: Beyond Representation: Photography, Humans & Computers, 24 - 25 May 2012, Centre for Media & Culture Research, London South Bank University in association with the journal Philosophy of Photography. (Unpublished)

Moschovi, Alexandra and Galani, Areti (2009) “A Democracy of Images? The Accommodation/Assimilation of Amateur Imagery in the Museum”. In: Private Eyes - Amateur Photography and Collective History, 12-13 November 2009, University of Copenhagen. (Unpublished)

Moschovi, Alexandra and Galani, Areti (2012) ‘Your Photographs on our Walls’: Public-Generated Photography in Art Exhibitions', conference session. In: 38th Annual AAH Conference & Bookfair, 29 - 31 March 2012, The Open University, Milton Keynes. (Unpublished)

Moschovi, Alexandra and Supartono, Alexander (2015) Re-Visiting the Colonial Archive in the Era of Web 2.0. In: The Impact of Digitization on Photographic Heritage, Europeanna, 29-30 January 2015, CS Digital (KU Leuven) and the Lieven Gevaert Centre for Photography, Leuven Belgium.

Moschovi, Alexandra and Supartono, Alexander (2015) Shifting Powers: Digitality, Modularity and (Im)materiality in the 21st Century Post-Colonial Archive. In: Photography in the 21st Century: Art, Philosophy Technique, 5-6 June 2015, Central St. Martins, London.

O'Hara, Suzy (2021) Apr Kelas Seni Rupa - Curating Art After New Media Professional Short Course. Jakarta, Indonesia. In: Apr Kelas Seni Rupa - Curating Art After New Media Professional Short Course., 21 & 22 April 2021, Jakarta, Indonesia (online).

O'Hara, Suzy (2020) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement Vorspiel 2020. In: Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement Panel Discussion and Book Launch Vorspiel Festival, 2020, 17 January 2020, ACUD Macht Neu, Veteranenstr 21, 10119 Berlin.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session I: Where do we work? In: Future Focus: Art Hack Practice Session I: Where do we work?, 13 May 2020, Future Everything - online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session II: At Home in the Network. In: Future Focus: Art Hack Practice Session II: At Home in the Network, 3 June 2020, Online.

O'Hara, Suzy and Bradbury, Victoria (2020) Future Focus: Art Hack Practice Session III: Then and then. In: Future Focus: Art Hack Practice Session III: Then and then, 24 June 2020, Future Everything - online.

O'Hara, Suzy and Smith, Dominic (2018) Recoding the Wall 2018. In: ReCoding the Wall, 18 March 2018, Hope Street Xchange, University of Sunderland.

Rennie, Colin (2014) Digital Glass Interface. In: Glassac14, 12 Sep 2014, Durham Universtiy. (Unpublished)

Victoria, Bradbury and Suzy, O'Hara (2016) Evaluating Art Hacking Events Through Practice. In: ISEA 2016 (International Symposium for Electronic Art), 16 - 22 May 2016, Hong Kong.

Book

Broeg, Ralf (2016) Continuum and Cut – The Dusseldorf Wehrhahn Line – A Synthesis of the Arts (catalogue). Kerber Culture . Kerber Verlag, Berlin/Bielefeld, Germany. ISBN 9783735602497

Cook, Sarah (2011) Euphoria & Dystopia: The Banff New Media Institute Dialogues. Riverside Architectural Press / The Banff Centre Press, Toronto / Banff. ISBN 978-1894773225

Davies, Peter (2004) Random Architecture. Art Editions North. ISBN 9781873757208

Graham, Beryl (2003) Directions in art: Digital media. Directions in Art . Heinemann, Oxford. ISBN 978-0431176567

Graham, Beryl (2014) New Collecting: Exhibiting and Audiences after New Media Art. Routledge. ISBN 9780815399810

Graham, Beryl and Cook, Sarah (2010) Rethinking Curating, Art After New Media. Leonardo . MIT Press, Cambridge, MA.. ISBN 9780262013888

Graham, Beryl and Cook, Sarah (2016) Rethinking Curating: Art After New Media [Chinese edition, in Chinese]. Tsinghua University Press, Beijing. ISBN 9780262013888

Graham, Beryl and O'Hara, Suzy (2022) To Fit the New Art: 7 years of the Curating Art After New Media Curators’ Updating Course. University of Sunderland, Sunderland. ISBN 978-1-906832-48-3

Hutchinson, James and Davies, Peter (2007) James Hutchinson Works 2004 - 2007. Art Editions North. ISBN 9781873757475

Hutchinson, James, Davies, Peter, Carpenter, Ele and Robinson, Alistair (2011) ‘To The Future’ A monograph on the work of James Hutchinson from 2007-2011. Art Editions North. ISBN 9780954911997

Livingstone, Andrew (2011) Parallax View. Art Editions North. ISBN 9781906832056

Moschovi, Alexandra (2020) A Gust of Photo-Philia: Photography in the Art Museum. Lieven Gevaert Series, 29 . Leuven University Press, Leuven. ISBN 9789462702424

O'Hara, Suzy and Bradbury, Victoria (2019) Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement. CRC Press, UK. ISBN 9780815374916

O'Hara, Suzy and Graham, Beryl (2023) To Fit the New Art: 7 years of the Curating Art After New Media Curators’ Updating Course. University of Sunderland, Sunderland. ISBN 978-1-906832-48-3

Thesis

(2022) Delineating Slowly: Developing a Socially Engaged Photography Practice to Respond to Visual Representations of Blackburn, Lancashire, UK. Doctoral thesis, University of Sunderland.

Ling, Manny Calligraphy Across Boundaries. Post-Doctoral thesis, UNSPECIFIED.

O'Hara, Suzy (2016) Collaborations between Arts and Commercial Digital Industry Sectors: A Curatorial Practice-led Investigation of Modes of Production. Doctoral thesis, University of Sunderland.

Ure, Catrina (2022) AUDIENCE EVALUATION OF DIGITAL ART EXPERIENCES; LIGHTENING THE LOAD FOR SMALLER CULTURAL ORGANISATIONS. Doctoral thesis, University of Sunderland.

Artefact

Broeg, Ralf (2009) Fuzzy Logics. [Artefact]

Broeg, Ralf (2011) Melancholy Boxes. [Artefact]

Broeg, Ralf (2009) Records REF. [Artefact]

Cope, Nicholas (2008) Whispering in the Leaves. [Artefact]

Cope, Nicholas and Wood, Eve The Beat is The Law - Fanfare for the Common People. [Artefact]

Hutchinson, James (2017) ‘Clay cage Blocky’. [Artefact]

Hutchinson, James (2016) Mercury Remixed 1:1 Manchester School of Art. [Artefact]

Hutchinson, James (2017) Mercury Remixed installed at mesh Gallery Oldham. [Artefact]

Hutchinson, James (2017) Texan blob and plastic bag scan installation shot mesh exhibition gallery oldham. [Artefact]

Hutchinson, James (2013) The house of ears. [Artefact]

Livingstone, Andrew (2024) CICEMA Festival Internacional de Cine Ceramico de Manises - Performing Jeju Scoria. [Artefact]

Show/Exhibition

Austin, Naomi (2018) The Call of the Sea. Washington Arts Centre, 3 Aug-1 Sep 2018, Tyne and Wear, UK.

Broeg, Ralf (2018) 5 temporary soundworks for 3ModelRooms, Underground-Station Heinrich-Heine-Allee, Düsseldorf. Underground-Station Heinrich-Heine-Allee, 02 Dec 2018-06 Jan 2019, Düsseldorf, Germany.

Broeg, Ralf (2016) Continuum & Cut - The Wehrhahn-Line - A Synthesis of the Arts. 30.04.2016 - 09.06.2016, Aedes Architectural Forum, Berlin, Germany.

Broeg, Ralf (2022) Eigenklang_Modulation. Eigenklang-Modulation, May 13th – June 24th 2022 (24/7), 3ModelRooms (Laboratorium), Underground-Station, Heinrich-Heine-Allee, Düsseldorf, Germany.

Broeg, Ralf (2022) Falschlicht-Projektionen. October 31st 2022– January 31st 2023 (24/7), 3ModelRooms (Laboratorium), Underground-Station, Heinrich-Heine-Allee, Düsseldorf, Germany.

Broeg, Ralf (2016) Isolationen ZeigRaeume Fugen. Isolationen ZeigRaeume Viersen, 20.02.-29.05.2016, Staedtische Galerie im Park, Viersen, Germany.

Broeg, Ralf (2013) Ralf Broeg & Anton Corbijn. 19 Jan - 23 Feb 2013, Petra Rinck Galerie, Ackerstr.199, 40233 Duesseldorf, Germany.

Broeg, Ralf (2016) Record Play Repeat. 20.05. – 09.07.2016, Petra Rinck Galerie, Dusseldorf, Germany.

Broeg, Ralf (2017) Zero RPM Records-FuzzyLogics-XF Formats-Isolationen-Melancholien. 19 May - 30 Jul 2017, Kunstverein Aalen.

Cope, Nicholas and Howle, Tim (2011) Flags. The Engine Room 2011, 24.11.11 - 16.12.11, The Morley Gallery, 61 Westminster Bridge Road, London.

Cope, Nicholas and Howle, Tim Son et Lumières. Seeing Sound 2; practice led international research symposium, 29-30 Oct 2011, Bath Spa University.

Husband, Gary (2023) The importance of education entry points in environmental artwork. Points of Return, 01 May 2023 - 25 Jun 2023, Umbrella Arts Center, Concord (MA.) USA.

Hutchinson, James (2017) 3d Glitch catalogue. 3d glitch, JANUARY 19 2017 - FEBRUARY 10 2017, Filodrammatica Gallery Korzo 28/1, 51000 Rijeka, Croatia.

Hutchinson, James (2011) Circuit. 21 Apr - 26 May 2011, Unit 24 Gallery London.

Hutchinson, James (2011) Circuit. 21 Apr-26 May 2011, Unit24 Gallery, London.

Hutchinson, James (2017) Clay Cage. Mesh, 11 Mar - 3 Jun 2017, Gallery Oldham.

Hutchinson, James (2020) Clay cages installation. make your own exhibition, 1 Aug-30 Aug 2020, Zurich.

Hutchinson, James (2014) Exhibition at The European Forum on Additive Manufacturing. The European Forum on Additive Manufacturing, 24 - 26 Jun 2014, Ecole Centrale Paris.

Hutchinson, James (2010) From the earth to the space exobiology and biodiversity... CyberBase, Cité des sciences et de l'Industrie, Paris, 2010, ars mathmatica. paris.

Hutchinson, James (2010) The Hairy Project Berlin Liste. The Hairy Project, 7 - 10 Oct 2010, Berlin Liste.

Hutchinson, James (2015) The House of Ears at the What Things May Come exhibition. What Things May Come, 4 Feb - 4 Mar 2015, Sarofim school of fine art southwestern university george town texas.

Hutchinson, James (2009) Intersculpt 2009 From the Earth to the stars: the Darwinautes' travels. Gare de Metz (salons d'honneur), Metz, Lorraine, 2009, ars mathmatica. paris.

Hutchinson, James Monolith and Amkahm. 11 Mar - 3 Jun 2017, Gallery Oldham.

Hutchinson, James OB1 Digital video still from space/socialspace exhibition at workplace gallery. space/socialspace, 28 Jun - 03 Aug 2013, Workplace Gallery Gateshead.

Hutchinson, James (2016) Saga (Tamaran). saga tamaran, 2-5 Mar 2016, El Castillo, Santa Brigida, Gran Canaria.

Hutchinson, James (2009) Shaggy modernism. Open Source Embroidery, 6 Jun–20 Sept 2009, Bildmuseet, Umea University, Sweden.

Hutchinson, James (2019) Sleeping Shepherd Remixed. The Wrong epicentre routers, 1 Nov 2019-1 Mar 2020, Centre del Carme Valencia, Spain.

Hutchinson, James (2011) TO THE FUTURE NGCA transition space Sunderland. to the future, 26 Oct 2011 - 4 Feb 2012, Northern Gallery for Contemporary Art.

Hutchinson, James (2014) Towards a new Brutalism. unrestrainedly fun voids, 14-21 May 2014, Priestman Gallery, Priestman Building, University of Sunderland.

Hutchinson, James (2018) 'all Plastic bags are art' (Performance). Five Years, 12 May-27 May 2018, London, UK.

Hutchinson, James (2019) The spear bearer remixed. Acropolis Remix, , Digital Art Exhibition.

Hutchinson, James (2014) un equilibrium. un equlibrium, 7 Mar – 2 Apr 2014, system gallery Newcastle.

Hutchinson, James and Aitchison, Thomas (2011) We all own the Mona Lisa. 27 Oct 2011 - 27 Jan 2012, The Birdcage Gallery Gosforth.

Hutchinson, James, Bainbridge, Eric, Goetz, Lothar and Broeg, Ralf (2014) socialspace. 27 Jun – 8 Aug 2014, Priestman Gallery, Priestman Building, University of Sunderland.

Hutchinson, James and Bielik, Karl (2014) 'Two Black Circles' for OFF THE WALL The 9th Terrace Annual Open 2014. OFF THE WALL, 9 Aug 2014, 4-17 Frederick Terrace, London E8 4EW.

Hutchinson, James, Glover, Mike and Glover, Anna (2023) Imaging. imaging, 06 Oct - 06 November 2023, Mestský Dom Kultúry, M. R. Štefánika 875/200, 093 01 Vranov nad Topľou.

Hutchinson, James, Goetz, Lothar, Mitchinson, Graham and loebbecke, renate (2013) Moving Artbox. movingartbox, 26 Apr 2013, new kunstverein wuppertal.

Hutchinson, James, Goldsworthy, Janine and Branthwaite, Michael Ny Show #1 works by James Hutchinson carpet pixel modulation 1-4 and black space invader. Ny Show #1, 13 - 21 Dec 2014, Ny Space, Faulkner House, New York Street, Manchester, M1 4DY.

Hutchinson, James, Goldsworthy, Janine and Branthwaite, Michael 'Soundimage' 8min DVD, ‘BB4’ and ‘Texas Blob’ 3d Prints Ny Show#2. Ny Show#2, 7 – 15 Mar 2015, Ny Space, Faulkner House, New York Street, Manchester, M1 4DY.

Hutchinson, James, Jaf, Sardar and Lewis, Nick (2020) Cybercage. Breeze Creatives, 25-19 Oct 2020, Newcastle, UK.

Hutchinson, James and Mitchinson, Graham (2014) TCS3.0 for Untouchable noise curated by Franko B. Untouchable Noise, 23 November 2014, The flying dutchman.

Hutchinson, James and Mitchinson, Graham (2014) Triangles Circles and squares. New contemporary art fair, 29 - 31 Aug 2014, Old Shire Hall Durham, UK.

Hutchinson, James and Sickert, Walter (2014) 'JH/WS Glitch' as part of Glitch Space at Tate Britain. Glitch Space, 8 Nov 2014, Tate Britain.

Hutchinson, James, Smith, Dominic, Dickson, Erin, Nissan, Bettina and Rennie, Colin (2018) Fabricated group show Hexham. 10 Mar– 14 Apr 2018, Queens Hall Arts Centre Hexham, UK.

Hutchinson, James, Walker, Zoe and Bromwich, Neil (2015) 'Towards Concrete'. The Art Lending Library, 5 May - 13 Jun 2015, City Library & Arts Centre / Northern Gallery for Contemporary Art, Fawcett Street, Sunderland.

Kippin, John (2008) Unto this Last. .

Ling, Manny, Gregg, Carl, Hutchinson, James and MacDonald, Alistair Leonardo Objects Group show. leonardo objects, 1 February - 6 May 2019, sunderland museum & wintergardens.

Livingstone, Andrew 3x2 Exhibition of Contemporary Clay. 3 - 19 Nov 11, The Shed, Middle Pier, Galway Harbour, Ireland.

Livingstone, Andrew (2023) Confluence Ceramics><Glass. Confluence Ceramics >< Glass, 25 March 2023 - 10 September 2023, National Glass Centre.

Livingstone, Andrew (2016) The Deconstruction of Trade in Imaging the Blue and White - The Impact of the New. Imaging the Blue and White - The Impact of the New, 19 Nov 2015 - 27 Mar 2016, Yingge Ceramics Museum, New Taipei City, Taiwan.

Livingstone, Andrew (2011) Mit Feuer und Flamme Red Hot - Ceramics in Contemporary Art Museum Villa-Rot, Bergieden, Germany. Mit Feuer und Flamme, 2 Oct 2011 - 5 Feb 2012, Museum Villa Rot, Burgrieden, Germany.

Livingstone, Andrew (2010) Parallax View. Parallax View: Solo Exhibition, 6 Mar - 9 May 2010, Tullie House Museum & Art Gallery, Carlisle, UK.

Moschovi, Alexandra, Katsaridou, Iro, Leopoulou, Areti and Petsini, Penelope (2024) HerStories. Photographic Practices, 1974-2024. 07 May - 15 Sep 2024, MOMus Thessaloniki Museum of Photography and the Experimental Center for the Arts of MOMus.

O'Hara, Suzy (2023) Blue Futures The Word, South Shields, UK 19 July - 29 November 2023. .

Rennie, Colin (2018) Unknown Apparatus at Fabricated. Queens Hall, 15 Mar-14 Apr 2018, Hexham.

Rennie, Colin and Watkinson, Cate (2017) ‘Illuminating Colour’ exhibition with Colin Rennie at the main gallery of the National Glass Centre, Sunderland. Illuminating Colour, 21 Oct 2017 - 11 Mar 2018, National Glass Centre Sunderland.

Suzy, O'Hara (2023) Blue Futures. 20 Jul 2023 - 03 Dec 2023, National Centre for the Written Word.

Suzy, O'Hara and Di, Mainstone (2018) Wonderlooper, by Di Mainstone: Reinventing Sunderland through innovative art making. New Wear Crossing Bridge, 16 Sep 2018, Sunderland, UK.

Watkinson, Cate and Rennie, Colin 'Illuminating Colour'exhibition of glass art works. Illuminating Colour, October 2017 to March 2018, National Glass Centre Sunderland.

Composition

Kefala-Kerr, John Book of Bells. [Composition] (Unpublished)

Image

Gill, Wendy and Smith, Helen (2023) Autonomous Youth. [Image] (Unpublished)

Hutchinson, James (2013) Cubist emoji. [Image]

Hutchinson, James (2013) Goed computer model for digiplasty. [Image]

Film/Video

Cope, Nicholas (2008) Whispering in the Leaves. [Film/Video] (Unpublished)

Cope, Nick (2009) Miles Away Dir. Nick Cope: Video/DVD 6’19”, 2009, soundtrack: Phil Thornton. [Film/Video] (Submitted)

Hani, Melanie (2012) Film/Art Work: Gender Renaissance: Analysing the impact of animation, the production process and film (Good Hearts Model 2011) in tackling issues surrounding and relating to having a parent who is transgender. [Film/Video] (Unpublished)

Howle, Tim and Cope, Nicholas (2008) In Girum (version/round 1.3, 2008) – Dir. Nick Cope: Video/DVD in collaboration with Composer Tim Howle, 6’05”. Awards: Abstracta International Abstract Cinema Exhibition, Rome, August 2009 – Honourable Mention of the Jury. [Film/Video] (Unpublished)

Hutchinson, James (2014) GB1. [Film/Video]

Power, Gary and Debby, Akam (2008) Ecocentric. [Film/Video] (Unpublished)

Audio

Suzy, O'Hara and Lottie, Steele (2024) SeaScapes Co/Lab Podcasts. [Audio]

Other

Broeg, Ralf (2021) 3 ModelRooms [Website]. Ralf Broeg Studios.

Graham, Beryl (2021) Startup meets Artist programme, MediaFutures.eu. UNSPECIFIED.

Watkinson, Cate, Gasper, Giles and McLeish, Tom (2018) Medieval concepts of colour turned into glass artwork in new exhibition. The Conversation Trust.