Epimelitikes praktikes peri tis fotografias: Ekdoches, synecdoches, symbraxeis ke antipalotites” (Curatorial practices around photography: Approaches, synecdoches, coalitions and animosities)
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Moschovi, Alexandra (2011) Epimelitikes praktikes peri tis fotografias: Ekdoches, synecdoches, symbraxeis ke antipalotites” (Curatorial practices around photography: Approaches, synecdoches, coalitions and animosities). Criticism and Art (4). pp. 114-120.
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PDF (Art and Criticism no 4)
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Official URL: http://www.aica-hellas.org/en/topic18/criticism-ar...
Abstract
This papers traced the conceptual and morphological links and points of departure between curatorial practices in and around photography, offering a historical mapping of distinct exhibition strategies in Greece from the post-war era to the present day and suggesting these reflected and encouraged ontological shifts and turns in photographic practice and its appreciation as art.
Item Type: | Article |
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Uncontrolled Keywords: | Photography, photographic media, curatorial practices, hybridization, transgression, modernism, postmodernism, medium specificity, post-medium condition |
Subjects: | Fine Art > Art History Fine Art > Art in Context Photography > Photography |
Divisions: | Faculty of Arts and Creative Industries Faculty of Arts and Creative Industries > School of Art and Design |
Depositing User: | Alexandra Moschovi |
Date Deposited: | 29 Feb 2012 11:41 |
Last Modified: | 18 Dec 2019 15:33 |
URI: | http://sure.sunderland.ac.uk/id/eprint/2796 |
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