Epimelitikes praktikes peri tis fotografias: Ekdoches, synecdoches, symbraxeis ke antipalotites” (Curatorial practices around photography: Approaches, synecdoches, coalitions and animosities)

Moschovi, Alexandra (2011) Epimelitikes praktikes peri tis fotografias: Ekdoches, synecdoches, symbraxeis ke antipalotites” (Curatorial practices around photography: Approaches, synecdoches, coalitions and animosities). Criticism and Art (4). pp. 114-120.

Abstract

This papers traced the conceptual and morphological links and points of departure between curatorial practices in and around photography, offering a historical mapping of distinct exhibition strategies in Greece from the post-war era to the present day and suggesting these reflected and encouraged ontological shifts and turns in photographic practice and its appreciation as art.

PDF (Art and Criticism no 4) aica.pdf - Published Version Restricted to Repository staff only Download (28MB) | Request a copy

More Information

Uncontrolled Keywords: Photography, photographic media, curatorial practices, hybridization, transgression, modernism, postmodernism, medium specificity, post-medium condition

Depositing User: Alexandra Moschovi

Identifiers

Item ID: 2796

URI: http://sure.sunderland.ac.uk/id/eprint/2796

Official URL: http://www.aica-hellas.org/en/topic18/criticism-ar...

Users with ORCIDS

ORCID for Alexandra Moschovi: orcid.org/0000-0001-6101-3970

Catalogue record

Date Deposited: 29 Feb 2012 11:41

Last Modified: 18 Dec 2019 15:33

Contributors

Author:

Alexandra Moschovi

University Divisions

Faculty of Arts and Creative Industries
Faculty of Arts and Creative Industries > School of Art and Design

Subjects

Fine Art > Art History
Fine Art > Art in Context
Photography > Photography

Actions (login required)

View Item