SURE

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Ames, Craig (2011) Back There 2011. Case Open: Selected Works, 30 Sept-30 Oct 2011, Pop Up art space, Centenary Square, Bradford.

Ames, Craig (2009) Demobbed 2009. .

Ames, Craig (2005) Made in Britain: Contemporary British Photography. In: Made in Britain: Contemporary British Photography. Huis Marseille: Foundation for Photography and FOAM Institution, Amsterdam.

Ames, Craig (2013) Northern Ireland: 30 Years of Photography. In: Northern Ireland: 30 Years of Photography. Belfast Exposed Photography/The MAC. ISBN 978-0-9561766-1-5

Ames, Craig (2013) 'Northern Ireland: 30 Years of Photography'. NORTHERN IRELAND: 30 Years of Photography, 2013, The MAC, Belfast.

Ames, Craig (2011) Nothing in the World but Youth. In: Nothing in the World but Youth. Turner Contemporary. ISBN 978-0955236334

Ames, Craig (2011) Nothing in the World but Youth. 17 Sep 2011 - 8 Jan 2012, Turner Contemporary, Margate.

Ames, Craig (2013) Other Theatres. [Artefact]

Ames, Craig (2013) Redacted Territory. [Artefact] (Unpublished)

Ames, Craig (2013) You are the Company in Which You Keep. 28 Sep - 23 Nov 2013 & 19 Oct 2013 - 23 Feb 2014, Northern Gallery for Contemporary Art and Sunderland Museum and Winter Gardens.

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Bainbridge, Eric (2007) Etc. 6 Oct-10 Nov 2007, Amagerfaelledvej Art Project, Copenhagen..

Baker, Carole (2000) Imaging the Animal: Visual Media Representation within Creative Practice. Doctoral thesis, University of Sunderland.

Broeg, Ralf (2015) The Curves of the Needle. 03 Apr - 17 May 2015, Baltic 39, Newcastle NE1 1EW.

Broeg, Ralf (2011) Melancholy Boxes. [Artefact]

Broeg, Ralf (2009) RECORDS. [Artefact]

Broeg, Ralf (2013) Ralf Broeg & Anton Corbijn. 19 Jan - 23 Feb 2013, Petra Rinck Galerie, Ackerstr.199, 40233 Duesseldorf, Germany.

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Forrest, Eve (2012) On Photography and Movement: Bodies, Habits and Worlds in Everyday Photographic Practice. Doctoral thesis, University of Sunderland.

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Galani, Areti and Moschovi, Alexandra (2015) Other People’s (Hi)stories: Bringing Public-Generated Photography into the Contemporary Museum. In: PHOTOGRAPHY, HISTORY, DIFFERENCE. Interfaces series . Dartmouth College Press, University Press of New England (UPNE), under review, Darmouth, New England. (Submitted)

Germain, Julian (2010) Found. [Artefact]

Germain, Julian (2012) The Future is Ours. The Future is Ours, Classroom Portraits, 2 Jun – 2 Sep 2012, Netherlands Fotomuseum, Rotterdam, the Netherlands.

Graham, Beryl (2016) Exhibition Histories and Futures: The Importance of Participation and Audiences. In: A Companion to Digital Art. Blackwell Companions to Art History . Wiley-Blackwell, New York, pp. 575-596. ISBN 9781118475201

Graham, Beryl (2019) Foreword: Rethinking Art Hacks for the Future. In: Art Hack Practice: Sites for Artistic Co-Production. Routledge, New York, xviii-xix. ISBN 9780815374916

Graham, Beryl (2021) Sentient Systems: Exhibiting Interaction, Participation or Collaboration? In: Surrey Art Gallery: TechLab 20th Anniversary [TBC]. Surrey Art Gallery, Surrey, Vancouver, Canada. (Submitted)

Graham, Yitka and Plouviez, Arabella (2019) Comida y el mundo social de cirugia bariatrica/Food and the bariatric social world. In: XXI Congreso Scientifico del Colegio Mexicano para la obesidad y enfermedades metabolicas, July 3 - 6th 2019, Guadalajara, Jalisco, Mexico.

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Kippin, John (2011) Not Exhibiting Photography. In: Exhibiting Photography, 8–10 April, 2011, University of Westminster. (Unpublished)

Kippin, John (2008) Unto this Last. .

Kippin, John and Chandler, David (2011) He. Havelock Press, Brighton, UK. ISBN ISBN 978-0-9564392-0-8

Kippin, John, Wainwright, Chris and Wells, Liz (2012) Futureland Now. September 14th 2012 - January 16th 2013, The Laing Art Gallery, Newcastle upon Tyne.

Kokkinias, Panos, Durand, Regis, Moschovi, Alexandra and Kismaric, Susan (2011) Here we Are. Powerhouse Books. ISBN 978-1-57687-574-2

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McGhie, Helen (2021) Dark Matter. SelfScapes 2021, 12 April - 2 July, Dalby Forest.

McGhie, Helen (2021) Stargazing at the 'Invisible': Photography and the Power of Obscured Light - A Research Partnership with Kielder Observatory. In: EGU General Assembly 2021, 19 - 30 April 2021, Online.

Mckay, Carol (2018) Photography's Communities of Practice. In: John Kippin: based on a true story. Kerber Verlag, Berlin. ISBN 9783735604613

Mckay, Carol and Plouviez, Arabella (2016) NEPN and the Northern Centre of Photography: a model for photography in Higher Education. In: Association of Photographers in Higher Education, Meshworks Summer Conference 2016, 29 Jun - 1 Jul 2016, University of Plymouth. (Unpublished)

Mckay, Carol, Plouviez, Arabella and Moschovi, Alexandra (2013) Are We All Photographers Now? Exhibiting and Commissioning Photography in the Age of Web 2.0. In: The Versatile Image. Leurven University PRess, pp. 127-146. ISBN 9789058679758

Moschovi, Alexandra (2019) Another Picture: Inclusivity, Difference and Gender Politics at the San Francisco Museum of (Modern) Art. In: Fast Forward: How Women Work, 30 November- 2 December 2019, Tate Modern, London.

Moschovi, Alexandra (2013) "Apo tin Anaparastasi tis Politikis stin Politiki tis Anaparastasis: Zitimata Ethnikis Tautotitas ke Oumanistika Ideodi stin Elliniki Fotografia apo ton Mesopolemo mexri Simera" (From the Politics of Representation to the Representation of Politics: Issues of National Identity and Humanist Ideals in Greek Photography from the Interwar Years to the Present). In: I Elleniki Fotografia ke i Fotografia stin Ellada: An Anthology of Texts (Hellenic Photography and Photography in Greece: An Anthology of Texts). Nefeli Publishing / Museum of Photography Thessaloniki, Athens/Thessaloniki, Greece.

Moschovi, Alexandra (2010) “The Authentic Snap? D.I.Y. Reporting in the Age of We Media”. In: Supplementary Conflicts: Domesticities and Life Histories in Wartime session, 36th AAH Annual Conference 2010, 15 - 17 April 2010, University of Glasgow, Scotland.

Moschovi, Alexandra (2007) Changing Places: The Rebranding of Photography as Contemporary Art. In: Contestations: 33rd Annual Conference of the Association of Art Historians,, 12 - 14 Apr 2007, University of Ulster, Belfast. (Unpublished)

Moschovi, Alexandra (2008) “Changing Places: The Rebranding of Photography as Contemporary Art”. In: Photography between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art. Leuver Gevaert (7). Leuven University Press/Cornell University Publications, Leuven, pp. 143-155. ISBN 978-9058676641

Moschovi, Alexandra (2021) The Democratic Picture: Grace McCann Morley and Photography in the San Francisco Museum of Art. The Classic.

Moschovi, Alexandra (2007) Distance and Proximity. In: Work. National Gallery of Malaysia, Kuala Lumpur, pp. 24-33. ISBN 9789833497188

Moschovi, Alexandra (2011) Epimelitikes praktikes peri tis fotografias: Ekdoches, synecdoches, symbraxeis ke antipalotites” (Curatorial practices around photography: Approaches, synecdoches, coalitions and animosities). Criticism and Art (4). pp. 114-120.

Moschovi, Alexandra (2007) The Face of Labour. In: Changing Faces: Work. Veenman Publishers, Rotterdam, pp. 139-149. ISBN 9789086900657

Moschovi, Alexandra (2023) From the Studio to the Street. In: N E L LY'S Το έργο της φωτογράφου Έλλης Σουγιουλτζόγλου-Σεραϊδάρη 1899-1998. Benaki Museum, Αthens, p. 402.

Moschovi, Alexandra (2023) From the Studio to the Street: Re-interpreting Nelly’s series Easter Parade. In: Conference dedicated to the work of photographer Elli Souyoutzoglou-Seraidaris (Nelly’s), 13-14 May 2023, Benaki Museum, Athens, Greece. (Submitted)

Moschovi, Alexandra (2011) Greece as Photograph: Histories, Photographies, Theories. In: Greek (Hi)stories through the Lens: Photographs, Photographers and their Testimonies,, 8-11 June 2011, Safra Lecture Theatre, King's College, London.

Moschovi, Alexandra (2015) Greece as photograph: histories, photographies, theories. In: Camera Graeca: Photographs, Narratives, Materialities. Routledge, London. ISBN 9781472424761

Moschovi, Alexandra (2020) A Gust of Photo-Philia: Photography in the Art Museum. Other. Leuven University Press, Leuven.

Moschovi, Alexandra (2022) A Gust of Photo-Philia: Photography in the Art Museum. In: Faculty of Recorded Media Arts, Institut Seni Indonesia Yogyakarta, the Indonesia Photography Society and the Indonesian Photography Study Program Association, Indonesia, 21 Jan 2022, Online. (Unpublished)

Moschovi, Alexandra (2009) "I Apli ke Anotheftos Fotografia" (The pure and unadulterated photography". In: Fotografikon Praktorion "D.A. Harissiadis" (Photographic Agency D.A. Harissiadis). Benaki Museum, Athens, Greece, pp. 23-34. ISBN 978-960-476-023-7

Moschovi, Alexandra (2023) Intermedia Pictures. In: Not a Photography Collection. Zeppos and Yannopoulos, Athens, pp. 12-15.

Moschovi, Alexandra (2021) Introduction. In: SHIFTS: Photography in the 21st Century Museum, 7 July 2021, online, NEPN. (Unpublished)

Moschovi, Alexandra (2009) “No Control: Reporting the Greek Riots in the Age of Social Networking Media”. In: Photography and International Conflict, 25 - 26 Jun 2009, UCD Clinton Institute for American Studies, Dublin, Ireland. (Unpublished)

Moschovi, Alexandra (2016) "Paisajes de crisis y crisis de paisaje" (Landscapes of crisis and the crisis of the landscape). Concreta (8). pp. 16-31. ISSN 2254-9757

Moschovi, Alexandra (2022) The Persistence of Vision. In: In the same Space. National Museum of Contemporary Art, Athens, pp. 20-26. ISBN 978-618-5507-07-7

Moschovi, Alexandra (2007) Photographie, photographies et le photographique: entre images, moyens d'expression et contextes. In: The Athens Effect: L'image photographique dans l'Art contemporain. Futura; Hellenic Cultural Organisation; Maison Europeenne de la photographie, Athens, pp. 13-22. ISBN 9789608276277

Moschovi, Alexandra (2016) Photography at the University of Sunderland: In conversation with Yining He. In: Photography in the British Classroom. Coastline Series . Nationality Photographic Art Publishing House, Beijing, pp. 110-115. ISBN 9787512208094

Moschovi, Alexandra (2007) Photography, Photographies and the Photographic: Between Images, Media, Contexts. In: The Athens Effect: Photographic Images in Contemporary Art. Futura, Fondazione Mudima, Athens, pp. 13-22. ISBN 9606654281

Moschovi, Alexandra (2013) “Pragmatikotites kai Pithanotites: To Authentiko Plasto? Anaparastaseis tou Pragmatikou se Fotografikes Istories” (Realities and Plausibilities: The Authentic fake? Representations of the Real in Photographic Histories). In: I Elleniki Fotografia ke i Fotografia stin Ellada: An Anthology of Texts (Hellenic Photography and Photography in Greece: An Anthology of Texts). Nefeli Publishing / Museum of Photography Thessaloniki.

Moschovi, Alexandra (2009) Realities and Plausibilities: Re-enacting Realism in Contemporary Photographic Art, curator Alexandra Moschovi. Realities and Plausibilities: Re-enacting Realism in Contemporary Photographic Art, 15 October-20 December 2009, Galerie Xippas, Athens, Greece.

Moschovi, Alexandra (2018) Rebranding Photography: The Cultural Value of Photographs in the Art Museum. In: Visual Culture, Visual Research, 31 July 2018, Faculty of Education, State University of Surabaya, Indonesia.

Moschovi, Alexandra (2016) 'So sachich, dass sie fast funktional zu nennen ist'. Die Neukonstituierung der dokumentarischen Fotografie als Kunst im Museum of Modern Art ('So factual that it may almost be called functional': The Refashioning of the Photographic Document as Art at the Museum of Modern Art). In: Ortsbestimmungen: Das Dokumentarische zwischen Kino und Kunst (Texte zum Dokumentarfilm). Texts on Documentary Film . Verlag Vorwerk 8, Berlin, pp. 70-93. ISBN 9783940384805

Moschovi, Alexandra (2014) This is Greece: Visualising Greekness in the Work of Nelly's and Voula Papaioannou. (Greek/English). In: Tourism Landscapes: Remaking Greece, 14th International Architectural Exhibition, La Biennale di Venezia, Greek Participation. Domes Publishing, Venice/Athens, pp. 234-244. ISBN 9789608963351

Moschovi, Alexandra (2013) "To Varos tis Autognosias" (The Burden of Self-consciousness). In: :I Elleniki Fotografia ke i Fotografia stin Ellada: An Anthology of Texts (Hellenic Photography and Photography in Greece: An Anthology of Texts). Nefeli Publishing / Museum of Photography Thessaloniki, Athens/Thessaloniki, Greece.

Moschovi, Alexandra (2018) Typologies of Labour: An Archaeology. In: Capitalist Realism: Future Perfect/Past Continuous. University of Macedonia Press, Thessaloniki, pp. 42-55. ISBN 9786185196356

Moschovi, Alexandra (2012) The Ubiquitous Image: The Novel Cult Value of Public-generated Snaps in the ecosystem of Web 2.0. In: Beyond Representation: Photography, Humans & Computers, 24 - 25 May 2012, Centre for Media & Culture Research, London South Bank University in association with the journal Philosophy of Photography. (Unpublished)

Moschovi, Alexandra and Galani, Areti (2009) “A Democracy of Images? The Accommodation/Assimilation of Amateur Imagery in the Museum”. In: Private Eyes - Amateur Photography and Collective History, 12-13 November 2009, University of Copenhagen. (Unpublished)

Moschovi, Alexandra and Galani, Areti (2013) Other People’s Stories: Bringing Public-Generated Photography into the Contemporary Art Museum. Museum and Society, 11 (2). pp. 172-184. ISSN 1479-8360

Moschovi, Alexandra and Galani, Areti (2012) ‘Your Photographs on our Walls’: Public-Generated Photography in Art Exhibitions', conference session. In: 38th Annual AAH Conference & Bookfair, 29 - 31 March 2012, The Open University, Milton Keynes. (Unpublished)

Moschovi, Alexandra and Kechagioglou, Maria Poetics, Materialities, Performances: Greek Photographic Books 2000-2023. 19 Oct - 19 Nov 2023, MOMus-Museum of Contemporary Art-Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections.

Moschovi, Alexandra and Kokkinias, Panos (2012) Panos Kokkinias in conversation with Alexandra Moschovi. In: Panos Kokkinias: Here We Are. Powerhouse, New York City, pp. 122-127. ISBN 978-1-576787-574-2

Moschovi, Alexandra and Memou, Antigoni (2008) Introduction (as co-convenor) of the conference session “Relocations: Photography Within, Across and Outside the Museum since the 1970s”. In: Location: The Museum, the Academy and the Studio, 34th AAH Annual Conference, 2-4 April 2008, Tate Modern and Tate Britain, London. (Unpublished)

Moschovi, Alexandra and Skoufias, Manolis (2017) Portrayals of History, Voula Papaioannou – Dimitris Harissiadis 1940-1960, Works from the Benaki Museum Photographic Archives, Thessaloniki Museum of Photography. Portrayals of History, Voula Papaioannou – Dimitris Harissiadis 1940-1960, Works from the Benaki Museum Photographic Archives, 6 Apr - 10 Sep 2017, Thessaloniki, Greece.

Moschovi, Alexandra and Skoufias, Manolis (2017) Redefining photography in the exhibition Portrayals of History. In: Kythera Photographic Encounters Annual Conference, 27 Sep–1 Oct 2017, Kythera, Greece.

Moschovi, Alexandra and Supartono, Alexander (2020) Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Journal of Southeast Asian Studies, 51 (3). ISSN 0022-4634

Moschovi, Alexandra and Supartono, Alexander (2019) Cultural Antinomies, Creative Complicities: Agan Harahap’s Digital Hoaxes. In: The Routledge International Handbook in New Digital Practices in Galleries, Libraries Archives, Museums and Heritage Sites. Routledge, London/New York, pp. 227-240. ISBN 9781138581296

Moschovi, Alexandra and Supartono, Alexander (2017) The (Post)colonial Archive: Re-imag(in)ing Southeast Asia. In: ASEASUK Conference 2016. The (Post)colonial Archive: Re-imag(in)ing Southeast Asia, academic panel in ASEASUK Conference 2016, 16-18 Sep 2016, SOAS, University of London. (Unpublished)

Moschovi, Alexandra and Supartono, Alexander (2015) Re-Visiting the Colonial Archive in the Era of Web 2.0. In: The Impact of Digitization on Photographic Heritage, Europeanna, 29-30 January 2015, CS Digital (KU Leuven) and the Lieven Gevaert Centre for Photography, Leuven Belgium.

Moschovi, Alexandra and Supartono, Alexander (2015) Shifting Powers: Digitality, Modularity and (Im)materiality in the 21st Century Post-Colonial Archive. In: Photography in the 21st Century: Art, Philosophy Technique, 5-6 June 2015, Central St. Martins, London.

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Petridis, Paris (2010) Notes at the Edge of Landscape. Doctoral thesis, University of Sunderland.

Plouviez, Arabella Alzheimer's: A Quiet Story. [Artefact]

Plouviez, Arabella (2011) Alzheimer’s: A Quiet Story. A photographic series and solo exhibition. [Artefact]

Plouviez, Arabella (2011) Augen-Blicke. .

Plouviez, Arabella (2014) Connected - Frames2014 Projecting International Photography. 2014Frames, 2014, Glasgow International Festival of Visual Art.

Plouviez, Arabella (2007) Deviant Woman. 26 Apr - 22 Jun 2007, Sunderland.

Plouviez, Arabella (2007) Naristan. 26 Apr - 17 Jun 2007, Dom Fotografie, Slovakia.

Plouviez, Arabella (2017) Photographing Alzheimer's. In: UNSPECIFIED. (Submitted)

Plouviez, Arabella (2012) Virus Portraits. [Artefact]

Plouviez, Arabella and Mckay, Carol (2012) Mass-Participatory Photography and the Critically-Engaged Practitioner: Commissioning and Exhibiting Contemporary Photography. In: Association of Art Historians Conference 2012, 29 - 31 March 2012, Milton Keynes. (Unpublished)

Plouviez, Arabella and Mckay, Carol (2016) Meshworks & Photography. In: The Association for Photography in Higher Education (APHE) 2016: Meshworks, 29 Jun - 01 Jul 2016, Plymouth, UK. (Unpublished)

Plouviez, Arabella and Mckay, Carol (2011) Photography, walking and social networking: reflecting on critical
photographic practice. In: The Versatile Image, Photography in the Age of Web 2.0, 24th - 26th Jun 2011, University of Sunderland & Newcastle University. (Unpublished)

Plouviez, Arabella, Mckay, Carol and Moschovi, Alexandra (2013) Connected. In: Versatile Image. University of Leiden Press, Netherlands.

Plouviez, Arabella, Moschovi, Alexandra and Mckay, Carol (2013) The Versatile Image, Photography, Digital Technologies and the Internet. Leuven University Press. ISBN 9789058679758

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Robinson, Alistair (2010) 'Hints to Workmen'. Hints to Workmen, 5 Nov 2010 - 5 Mar 2011, Northern Gallery for Contemporary Art.

Robinson, Alistair (2009) Invisible Adversaries. 26 Feb - 25 Apr 2009, Northern Gallery for Contemporary Arts.

Robinson, Alistair (2012) Moral Holiday. 26 Oct 2012 - 12 Jan 2013, Northern Gallery for Contemporary Arts.

Robinson, Alistair (2009) Rank: picturing the social order 1516-2009. Rank: Picturing the Social Order, 11 Feb - 12 Sep 2009, Leeds Art Gallery and Sunderland, Northern Gallery for Contemporary Art.

Ryley, Marjolaine (2012) Growing up in the New Age (2012). Growing up in the New Age, April - September 2012, Glasgow and Wolverhampton UK.

Ryley, Marjolaine (2013) 'Growing up in the New Age' - Artists Monograph. Daylight Imprint, New York USA. ISBN 9780983231684

Ryley, Marjolaine (2022) A Guide to Eco-Printing in 'ReSource'. In: ReSource. Sustainable Darkroom.

Ryley, Marjolaine (2012) One Photograph - Life on the Floor. Photography & Culture. ISSN 978-0857852724; 1751-4517

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Suzy, O'Hara (2019) Co/Lab Sunderland Pilot 2018/19). .