Películas como documentos históricos: el archivo filmico familiar de juan belmonte y sus contribuciones a la investigación académica internacional (Movies as Historical Documents: Juan Belmonte's Family Film Archive and His Contributions to International Academic Research)

Caramella, Silvia and Cannon, Steve (2016) Películas como documentos históricos: el archivo filmico familiar de juan belmonte y sus contribuciones a la investigación académica internacional (Movies as Historical Documents: Juan Belmonte's Family Film Archive and His Contributions to International Academic Research). Revista de Estudios Taurinos, 38. pp. 201-235. ISSN 1134-4970

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Abstract

José Martín Vázquez Bazán (Sevilla, 6 de agosto de 1927 – Sevilla, 27 de febrero de 2011), better known as Pepín Martín Vázquez, was a renowned bullfighter of the 1940s and early 1950s: «máximo exponente del toreo sevillano» (García-Rayo, online), «adelantado a su época» (Amorós, online). His film acting career is limited to only two films, but he was the title character, central focus and undoubted star of each. The remarkable thing is the huge contrast between the two films, made only five years apart, but each in their own way fascinating objects of study.

Item Type: Article
Subjects: Media > Cinema and Film
Languages > Languages
Media > Media and Cultural Studies
Divisions: Faculty of Arts and Creative Industries
Faculty of Arts and Creative Industries > School of Media and Communications
Depositing User: Steve Cannon
Date Deposited: 05 Jul 2017 08:29
Last Modified: 01 Jun 2020 13:16
URI: http://sure.sunderland.ac.uk/id/eprint/7357

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