Abstract

This collaborative research project investigates how the online presence of digital archives, institutional and personal, and the possibilities for online interactivity and repurposing of content have introduced new methodologies and networks for artists and audiences to critically examine notions of national identity.

Based on her research around the interface of digital photography and the Internet, Moschovi argues that it is the very malleability and distributability of the ‘networked’, digital image that enables cultural producers, like Indonesian digital artist Agan Harahap, to take ownership of the representation of their history and identity.

Moschovi, Alexandra and Supartono, Alexander (2020) Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Journal of Southeast Asian Studies, 51 (3). ISSN 0022-4634

https://sure.sunderland.ac.uk/id/eprint/10232/

Moschovi, Alexandra and Supartono, Alexander (2019) Cultural Antinomies, Creative Complicities: Agan Harahap’s Digital Hoaxes. In: The Routledge International Handbook in New Digital Practices in Galleries, Libraries Archives, Museums and Heritage Sites. Routledge, London/New York, pp. 227-240. ISBN 9781138581296

https://sure.sunderland.ac.uk/id/eprint/9871/