Abstract

‘Time is Elastic’ concertina book, and self portrait showing at Northern Gallery for Contemporary Art @ngcasunderland1 as part of a group show ‘The Skin We Live In’. Proud to be among such brilliant people

This work, acquired into the collection alongside the exhibition, offers a lyrical exploration of fluctuations in the human experience of time - particularly during periods of illness, loss or isolation. In physics, time passes at a slower pace at sea level than it does at the top of a mountain when measured on an atomic level. Time is relative to the gravitational force applied to it and a mass slows down time around itself. But equally, the human experience of time is not consistent with a perpetually equal linear representation either. A lived experience of time is composed of moments – fleeting touch, of memory, of feelings, reminiscent scents or sounds. Our experience of the present is entirely interwoven with feelings of the past and imaginings of the future.

The Skin We Live In is the inaugural exhibition of artwork from Northern Gallery for Contemporary Art’s collection brought together in a group show exploring contemporary portraiture through photography, painting, sculpture, film, and printmaking.

The exhibition features artwork by 29 contemporary artists and photographers who turn the tables on historic associations and practices of portraiture to go beyond ‘skin deep’ delving further into our shared human condition.

Portraiture’s origins trace back to ancient Egypt and until the invention of photography in 1822, painting, sculpture and drawing were utilised to provide a record of the ‘sitters’ appearance or capture a significant moment in time. Portraiture was initially the reserve of the rich and powerful who sort to display their importance, virtue, wealth, taste and power. Tending to flatter, the primary concern of portraitists was to capture the likeness of the sitter, bringing forth their character through distinctive features like their hands and face.

The artworks on display in The Skin We Live In move away from a focus on the individual to reveal a collective experience. They provide visibility and voice to marginalised communities and uncover aspects of our human experience such as loss, isolation, abuse and sexuality often held within ourselves. In many of the artworks, the face is abstracted, obscured, or masked to focus instead on the body incorporating performance, pose, clothing, personal effects or narrative construction to connect with the viewer, not through stare, but instead through honesty, humility and humanity.

Exhibited artists: Samsul Alam Helal, Sophie Lisa Beresford, Natasha Caruana, Jeffrey Dennis, Graham Dolphin, Benedict Drew, Chris Harrison, Alice Hawkins, John Kippin & Nicola Neate, Clarita Lulic, Ian Macdonald, Daniel Meadows, James O Jenkins, Vinca Petersen, Mark Pinder, Joanna Piotrowska, Marjolaine Ryley, Seb Trend, Nigel Morgan, Simon Senn, Daniel Silver, Jade Sweeting, Walker & Bromwich, Jhanee Wilkins and new acquisitions from Johannah Churchill, Michael Daglish and Janina Sabaliauskaitė.

Since 2006 Northern Gallery for Contemporary Art has acquired over 500 artworks by more than 50 artists or artist collectives with a focus on, but not limited to, lens-based media and the North East of England. Today the collection continues to grow and is widely loaned across the North East of England and United Kingdom.