SURE

Graham, Beryl (2019) CRUMB Radio Hour. In: Unfinished List radio streams, a project by ShuLea Chang for Ars Electronica, 8 September 2019, Online, hosted from Austria.

Graham, Beryl and Cook, Sarah (2016) Rethinking Curating: Art After New Media [Chinese edition, in Chinese]. Tsinghua University Press, Beijing. ISBN 9780262013888

Graham, Beryl (2014) New Collecting: Exhibiting and Audiences after New Media Art. Routledge. ISBN 9780815399810

Cook, Sarah (2012) Curatorial experiments in liberating copyright-free material for artistic re-use. Journal of the New Media Caucus, 8 (2). ISSN 1942-017x

Cook, Sarah (2012) Journal of Curatorial Studies: special issue. Intellect Press, UK. ISBN 2045-5836 (Submitted)

Cook, Sarah (2011) Euphoria & Dystopia: The Banff New Media Institute Dialogues. Riverside Architectural Press / The Banff Centre Press, Toronto / Banff. ISBN 978-1894773225

Cook, Sarah (2011) Q.E.D. Quod Erat Demonstrandum (exhibition). Q.E.D., September 2011, LJMU Art and Design Academy, Liverpool.

Cook, Sarah (2011) Public Domain (Invited chapter in a Book). In: Public Domain. SAW Video, Canada. ISBN 978-0-9877174-0-1

Cook, Sarah (2011) Public Domain - Invited guest speaker to introduce the screening of the Public Domain artworks. In: FACT Liverpool, 19 Apr 2011, Liverpool.

Cook, Sarah (2011) Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair). In: Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology (Conference co-chair), 27 Sept -2 Oct 2011, Liverpool John Moore's University and FACT, Liverpool. (Unpublished)

Cook, Sarah (2010) On Access. Guggenheim Museum Blog.

Graham, Beryl and Cook, Sarah (2010) Rethinking Curating, Art After New Media. Leonardo . MIT Press, Cambridge, MA.. ISBN 9780262013888

Graham, Beryl and Cook, Sarah (2010) A Brief History of Curating New Media Art: Conversations with Curators. Green Box, Berlin. ISBN 978-3-941644-20-5

Graham, Beryl and Cook, Sarah (2010) A Brief History of Working With New Media Art: Conversations with Artists. Green Box, Berlin. ISBN 978-3-941644-21-2

Cook, Sarah (2010) Research Residency. SAW Video, Canada. (Unpublished)

Cook, Sarah (2009) Understanding Quality: Curatorial Strategies for Online Artistic Production. In: Me, You, and Everyone We Know Is A Curator.

Cook, Sarah (2009) Research and Networking. In: SuperHuman Curatorial Masterclass.

Cook, Sarah (2009) Radical Art. Liverpool University Press, England. ISBN 1846312299

Cook, Sarah (2009) Beam Me Up. , xcult.org. Basel.

Graham, Beryl and Cook, Sarah (2009) New Media and Digital Art Overview. China-UK: Connections Through Culture. Arts Overview. British Council.

Cook, Sarah (2008) Immateriality and its discontents: models of curating new media art. University of California Press, Los Angeles. ISBN 0520255976

Cook, Sarah (2008) The Work of Art in the Age of Ubiquitous Narrowcasting? Institute of Network Culture, Amsterdam. ISBN 978-90-78146-05-6

Cook, Sarah (2008) Untethered. , Eyebeam Art and Technology Center. New York.

Cook, Sarah (2008) Networked Memory: Always live and yet always an Archive. University of North Carolina, Greensboro, pp. 116-126. ISBN 1890949116

Cook, Sarah (2008) Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting from the 1970s to today. Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting, Feb 28 - April 5 2008, Hatton Gallery. Newcastle.

Cook, Sarah (2006) Context Specific Curating on the Web. In: Network Art: Practices and Positions. Routledge, pp. 40-56. ISBN 0415364795

Cook, Sarah (2004) Database Imaginary. , Database ImaginaryThe Banff Centre, Banff, Alberta.

Cook, Sarah and Graham, Beryl (2004) Curating new media art: Models and challenges. In: New media art: Practice and context in the UK 1994-2004. Arts Council of England, pp. 84-91. ISBN 0948797886

Cook, Sarah (2003) Towards a theory of the practice of curating new media art. In: Beyond the box: Diverging curatorial practices. Banff Centre for the Arts, pp. 169-182. ISBN 0920159990