Abstract

Highlighting works from the “Isolationen”-series with a particular focus on the more recent works from the series, in which the two previous small-format standard motif sizes have been expanded to include two larger formats. The larger formats became important in order to alter the balance between the isolated object and the dark background of the image (the original composition from which the isolated object originates) and thus to experiment with different weightings between the newly gained autonomy of the object and the retained reference to the original context.