Epimelitikes praktikes peri tis fotografias: Ekdoches, synecdoches, symbraxeis ke antipalotites” (Curatorial practices around photography: Approaches, synecdoches, coalitions and animosities)

Moschovi, Alexandra (2011) Epimelitikes praktikes peri tis fotografias: Ekdoches, synecdoches, symbraxeis ke antipalotites” (Curatorial practices around photography: Approaches, synecdoches, coalitions and animosities). Criticism and Art (4). pp. 114-120.

Abstract

This papers traced the conceptual and morphological links and points of departure between curatorial practices in and around photography, offering a historical mapping of distinct exhibition strategies in Greece from the post-war era to the present day and suggesting these reflected and encouraged ontological shifts and turns in photographic practice and its appreciation as art.

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More Information

Uncontrolled Keywords: Photography, photographic media, curatorial practices, hybridization, transgression, modernism, postmodernism, medium specificity, post-medium condition

Depositing User: Alexandra Moschovi

Identifiers

Item ID: 2796

URI: http://sure.sunderland.ac.uk/id/eprint/2796

Official URL: http://www.aica-hellas.org/en/topic18/criticism-ar...

Users with ORCIDS

ORCID for Alexandra Moschovi: orcid.org/0000-0001-6101-3970

Catalogue record

Date Deposited: 29 Feb 2012 11:41

Last Modified: 18 Dec 2019 15:33

Contributors

Author:

Alexandra Moschovi

University Divisions

Faculty of Arts and Creative Industries
Faculty of Arts and Creative Industries > School of Art and Design

Subjects

Fine Art > Art History
Fine Art > Art in Context
Photography > Photography

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