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Sunderland Repository records the research produced by the University of Sunderland including practice-based research and theses.

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Group by: Creators | Item Type
Jump to: A | B | C | G | H | M | P | R
Number of items at this level: 49.

A

Ames, Craig (2023) Copenhagen Photo Festival (Featuring 'Photographs of British Algae - AI Impressions'). Copenhagen Photo Festival, 01.06.2023 - 11.06.2023, Copenhagen, Denmark.

B

Broeg, Ralf (2015) The Curves of the Needle. 03 Apr - 17 May 2015, Baltic 39, Newcastle NE1 1EW.

Broeg, Ralf (2009) Fuzzy Logics. [Artefact]

Broeg, Ralf (2011) Melancholy Boxes. [Artefact]

Broeg, Ralf (2009) RECORDS. [Artefact]

Broeg, Ralf (2013) Ralf Broeg & Anton Corbijn. 19 Jan - 23 Feb 2013, Petra Rinck Galerie, Ackerstr.199, 40233 Duesseldorf, Germany.

C

Cook, Sarah (2011) Euphoria & Dystopia: The Banff New Media Institute Dialogues. Riverside Architectural Press / The Banff Centre Press, Toronto / Banff. ISBN 978-1894773225

G

Galani, Areti and Moschovi, Alexandra (2015) Other People’s (Hi)stories: Bringing Public-Generated Photography into the Contemporary Museum. In: PHOTOGRAPHY, HISTORY, DIFFERENCE. Interfaces series . Dartmouth College Press, University Press of New England (UPNE), under review, Darmouth, New England. (Submitted)

Graham, Beryl (2016) Collecting New Media Art: The importance of audiences and exhibiting. In: Post-Screen: Intermittence + Interference. Edicoes Universitarias Lusofonas, Lisbon, pp. 20-27. ISBN 9789898771568

Graham, Beryl (2016) Exhibition Histories and Futures: The Importance of Participation and Audiences. In: A Companion to Digital Art. Blackwell Companions to Art History . Wiley-Blackwell, New York, pp. 575-596. ISBN 9781118475201

Graham, Beryl (2019) Foreword: Rethinking Art Hacks for the Future. In: Art Hack Practice: Sites for Artistic Co-Production. Routledge, New York, xviii-xix. ISBN 9780815374916

Graham, Beryl (2021) Sentient Systems: Exhibiting Interaction, Participation or Collaboration? In: Surrey Art Gallery: TechLab 20th Anniversary [TBC]. Surrey Art Gallery, Surrey, Vancouver, Canada. (Submitted)

H

Hutchinson, James, Glover, Mike and Glover, Anna (2023) Imaging. imaging, 06 Oct - 06 November 2023, Mestský Dom Kultúry, M. R. Štefánika 875/200, 093 01 Vranov nad Topľou.

M

McGhie, Helen (2021) Dark Matter. SelfScapes 2021, 12 April - 2 July, Dalby Forest.

Mckay, Carol, Plouviez, Arabella and Moschovi, Alexandra (2013) Are We All Photographers Now? Exhibiting and Commissioning Photography in the Age of Web 2.0. In: The Versatile Image. Leurven University PRess, pp. 127-146. ISBN 9789058679758

Moschovi, Alexandra (2013) "Apo tin Anaparastasi tis Politikis stin Politiki tis Anaparastasis: Zitimata Ethnikis Tautotitas ke Oumanistika Ideodi stin Elliniki Fotografia apo ton Mesopolemo mexri Simera" (From the Politics of Representation to the Representation of Politics: Issues of National Identity and Humanist Ideals in Greek Photography from the Interwar Years to the Present). In: I Elleniki Fotografia ke i Fotografia stin Ellada: An Anthology of Texts (Hellenic Photography and Photography in Greece: An Anthology of Texts). Nefeli Publishing / Museum of Photography Thessaloniki, Athens/Thessaloniki, Greece.

Moschovi, Alexandra (2011) “The Authentic Snap? D.I.Y. Reporting in the Age of ‘We Media’”. In: Visual Conflicts: On the Formation of Political Memory in the History of Art and Visual Cultures. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 187-204. ISBN 978-1-4438-3172-7

Moschovi, Alexandra (2008) “Changing Places: The Rebranding of Photography as Contemporary Art”. In: Photography between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art. Leuver Gevaert (7). Leuven University Press/Cornell University Publications, Leuven, pp. 143-155. ISBN 978-9058676641

Moschovi, Alexandra (2024) Discursive Encounters: Embracing Photography in the Art Museum. In: Engendering Photography, 19 Aug 2024, National Gallery Singapore.

Moschovi, Alexandra (2007) The Face of Labour. In: Changing Faces: Work. Veenman Publishers, Rotterdam, pp. 139-149. ISBN 9789086900657

Moschovi, Alexandra (2011) Greece as Photograph: Histories, Photographies, Theories. In: Greek (Hi)stories through the Lens: Photographs, Photographers and their Testimonies,, 8-11 June 2011, Safra Lecture Theatre, King's College, London.

Moschovi, Alexandra (2020) A Gust of Photo-Philia: Photography in the Art Museum. Lieven Gevaert Series, 29 . Leuven University Press, Leuven. ISBN 9789462702424

Moschovi, Alexandra (2022) A Gust of Photo-Philia: Photography in the Art Museum. In: Faculty of Recorded Media Arts, Institut Seni Indonesia Yogyakarta, the Indonesia Photography Society and the Indonesian Photography Study Program Association, Indonesia, 21 Jan 2022, Online. (Unpublished)

Moschovi, Alexandra (2021) Introduction. In: SHIFTS: Photography in the 21st Century Museum, 7 July 2021, online, NEPN. (Unpublished)

Moschovi, Alexandra (2023) Memes and Memeification. In: Encyclopedia of Visual Culture, Digitisations, Transformations, and Futures. Bloomsbury Academic, Visual Arts, London. (Submitted)

Moschovi, Alexandra (2024) Museum Dialogues: An Introduction. In: Museum Dialigues: Problems and Definitions, 22 Mar 2024, Northern Centre of Photography, Online.

Moschovi, Alexandra (2009) “No Control: Reporting the Greek Riots in the Age of Social Networking Media”. In: Photography and International Conflict, 25 - 26 Jun 2009, UCD Clinton Institute for American Studies, Dublin, Ireland. (Unpublished)

Moschovi, Alexandra (2016) "Paisajes de crisis y crisis de paisaje" (Landscapes of crisis and the crisis of the landscape). Concreta (8). pp. 16-31. ISSN 2254-9757

Moschovi, Alexandra (2007) Photographie, photographies et le photographique: entre images, moyens d'expression et contextes. In: The Athens Effect: L'image photographique dans l'Art contemporain. Futura; Hellenic Cultural Organisation; Maison Europeenne de la photographie, Athens, pp. 13-22. ISBN 9789608276277

Moschovi, Alexandra (2016) Photography at the University of Sunderland: In conversation with Yining He. In: Photography in the British Classroom. Coastline Series . Nationality Photographic Art Publishing House, Beijing, pp. 110-115. ISBN 9787512208094

Moschovi, Alexandra (2024) Photography in the Art Museum: Historical Shifts and Contemporary Challenges, introduction to round table discussion Collecting Photography in Southeast Asian Museums. In: ICAS 13, Crossways of Knowledge, The 13th International Convention of Asia Scholars, Conference and Festival, 28 Jul-1 Aug 2024, Universitas Airlangga, Surabaya, Indonesia.

Moschovi, Alexandra (2007) Photography, Photographies and the Photographic: Between Images, Media, Contexts. In: The Athens Effect: Photographic Images in Contemporary Art. Futura, Fondazione Mudima, Athens, pp. 13-22. ISBN 9606654281

Moschovi, Alexandra (2013) “Pragmatikotites kai Pithanotites: To Authentiko Plasto? Anaparastaseis tou Pragmatikou se Fotografikes Istories” (Realities and Plausibilities: The Authentic fake? Representations of the Real in Photographic Histories). In: I Elleniki Fotografia ke i Fotografia stin Ellada: An Anthology of Texts (Hellenic Photography and Photography in Greece: An Anthology of Texts). Nefeli Publishing / Museum of Photography Thessaloniki.

Moschovi, Alexandra (2009) Realities and Plausibilities: Re-enacting Realism in Contemporary Photographic Art, curator Alexandra Moschovi. Realities and Plausibilities: Re-enacting Realism in Contemporary Photographic Art, 15 October-20 December 2009, Galerie Xippas, Athens, Greece.

Moschovi, Alexandra (2018) Rebranding Photography: The Cultural Value of Photographs in the Art Museum. In: Visual Culture, Visual Research, 31 July 2018, Faculty of Education, State University of Surabaya, Indonesia.

Moschovi, Alexandra (2013) "To Varos tis Autognosias" (The Burden of Self-consciousness). In: :I Elleniki Fotografia ke i Fotografia stin Ellada: An Anthology of Texts (Hellenic Photography and Photography in Greece: An Anthology of Texts). Nefeli Publishing / Museum of Photography Thessaloniki, Athens/Thessaloniki, Greece.

Moschovi, Alexandra (2012) The Ubiquitous Image: The Novel Cult Value of Public-generated Snaps in the ecosystem of Web 2.0. In: Beyond Representation: Photography, Humans & Computers, 24 - 25 May 2012, Centre for Media & Culture Research, London South Bank University in association with the journal Philosophy of Photography. (Unpublished)

Moschovi, Alexandra and Galani, Areti (2009) “A Democracy of Images? The Accommodation/Assimilation of Amateur Imagery in the Museum”. In: Private Eyes - Amateur Photography and Collective History, 12-13 November 2009, University of Copenhagen. (Unpublished)

Moschovi, Alexandra and Galani, Areti (2013) Other People’s Stories: Bringing Public-Generated Photography into the Contemporary Art Museum. Museum and Society, 11 (2). pp. 172-184. ISSN 1479-8360

Moschovi, Alexandra and Galani, Areti (2010) “Trans/forming Museum Narratives: The Accommodation of Photography 2.0 in Contemporary Exhibitions”. In: Transforming Culture in the Digital Age: International Conference in Tartu, 14-16 April 2010. Estonian National Museum, Estonian Literary Museum, University of Tartu, Tartu, pp. 187-193. ISBN 978-9949-417-59-9

Moschovi, Alexandra and Galani, Areti (2012) ‘Your Photographs on our Walls’: Public-Generated Photography in Art Exhibitions', conference session. In: 38th Annual AAH Conference & Bookfair, 29 - 31 March 2012, The Open University, Milton Keynes. (Unpublished)

Moschovi, Alexandra and Kokkinias, Panos (2012) Panos Kokkinias in conversation with Alexandra Moschovi. In: Panos Kokkinias: Here We Are. Powerhouse, New York City, pp. 122-127. ISBN 978-1-576787-574-2

Moschovi, Alexandra and Supartono, Alexander (2019) Cultural Antinomies, Creative Complicities: Agan Harahap’s Digital Hoaxes. In: The Routledge International Handbook in New Digital Practices in Galleries, Libraries Archives, Museums and Heritage Sites. Routledge, London/New York, pp. 227-240. ISBN 9781138581296

Moschovi, Alexandra and Supartono, Alexander (2017) The (Post)colonial Archive: Re-imag(in)ing Southeast Asia. In: ASEASUK Conference 2016. The (Post)colonial Archive: Re-imag(in)ing Southeast Asia, academic panel in ASEASUK Conference 2016, 16-18 Sep 2016, SOAS, University of London. (Unpublished)

Moschovi, Alexandra and Supartono, Alexander (2015) Re-Visiting the Colonial Archive in the Era of Web 2.0. In: The Impact of Digitization on Photographic Heritage, Europeanna, 29-30 January 2015, CS Digital (KU Leuven) and the Lieven Gevaert Centre for Photography, Leuven Belgium.

Moschovi, Alexandra and Supartono, Alexander (2015) Shifting Powers: Digitality, Modularity and (Im)materiality in the 21st Century Post-Colonial Archive. In: Photography in the 21st Century: Art, Philosophy Technique, 5-6 June 2015, Central St. Martins, London.

Moschovi, Alexandra, Tsirgialou, Aliki and Asdrahas, Spyros (2007) I Ellada mesa apo ti Fotografia: 160 Chronia Optikes Martyries (Greece through Photographs: 160 Years of Visual Testimony). Melissa Publishing, Athens Greece. ISBN 978960204816

P

Plouviez, Arabella, Moschovi, Alexandra and Mckay, Carol (2013) The Versatile Image, Photography, Digital Technologies and the Internet. Leuven University Press. ISBN 9789058679758

R

Ryley, Marjolaine (2014) The Thin Blue Line, The Deep Red Sea. Other. NEPN, UK.

This list was generated on Sat Dec 7 18:48:19 2024 GMT.